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From Friday, Jan. 27 to Monday, Jan. 30, 005 Sudikoff Hall was transformed into an intimate Iranian classroom for the production of “Noon Panir in the Dark,” a play written by Armita Mirkarimi ’25. The winner of the 2022 Ruth and Loring Dodd Playwriting Competition, this is the first play to be staged in Sudikoff while the Hopkins Center undergoes renovations.
Friday, Feb. 3
Freeform’s upcoming mystery-thriller series, “The Watchful Eye,” premieres tonight at 9 p.m. on Freeform, and will be available for streaming on Hulu on Jan. 11. Created by Julie Durk, the female-led show hopes to offer a new perspective on the contemporary mystery thriller genre. The Dartmouth was invited to a virtual press junket to interview executive producer Emily Fox as well as some of the show’s cast ahead of the premier.
The new movie “M3GAN,” which was released on Jan. 6, 2023, assembles the (un)holy trinity from horror film hell. We have producers James Wan, who directed “The Conjuring” franchise, and Blumhouse Productions’ Jason Blum in addition to “Housebound” director Gerard Johnstone, all working together to write about an eerie doll. Working off a screenplay from American Horror Story screenwriter Akela Cooper, M3GAN seems to be striking horror celluloid gold. So far, so scary.
On Jan. 25, the Hood Museum of Art debuted its 110th “A Space for Dialogue” exhibition, titled “Constructing the Ideal Soldier.” Nathan Savo ’24, a Class of 1954 curatorial intern at the Hood, was the primary curator for the exhibition, which examines art from Mexico and the United States during the first half of the 20th century. The exhibition encourages viewers to consider the ways in which different conventions of gender and patriotism were either upheld or challenged when depicting service members in art.
Friday, Jan. 27
The year is 2007 and I am five years old, standing in a Blockbuster. My dad says I can pick out any movie I want, and I choose the original “Nosferatu” and an unmemorable B horror movie. When I try to fall asleep after our amateur double feature, I can’t. For the first and last time, I am truly frightened by a movie, so scared that I don't sleep the entire night. I consider this a watershed moment in my life — the first time a film evoked any emotion in me.
Social media’s obsession with microtrends has created a revolving door of popular aesthetics — “e-girl” became “cottage-core” which evolved to “dark academia” and has recently transformed into “ballet-core.” A scroll through TikTok in the last few months reveals the increasing popularity of the television show “Fleabag,” books from Sally Rooney and music from Phoebe Bridgers. Although not explicitly named, all of these aspects and obsessions point to a larger trend: the revival of the aesthetic of being a sad teenage girl.
What if I told you that all of the intersecting pathways on the Green actually formed a protective pattern to ward off evil spirits? In Leigh Bardugo’s new novel “Hell Bent” — the highly anticipated sequel to the fantasy hit, “Ninth House” — that is the uncanny truth behind the central quad at Yale University.
Namwali Serpell, born in Lusaka, Zambia and currently living in New York, is a widely acclaimed author and professor at Harvard University. Her latest book, “The Furrows: An Elegy,” was named one of the 10 Best Books of 2022 by the New York Times and one of former president Barack Obama’s favorite books of 2022. On Jan. 18, Serpell read excerpts from her new novel and engaged in a Q&A session at Sanborn Library.
On Dec. 23, 2022, Damien Chazelle, the director of “La La Land,” released “Babylon.” The nearly three-hour film has one indisputable quality: an ability to spur a fierce response, good or bad, from all its viewers. Slate deems “Babylon” a “defecating elephant of a movie,” while BBC instead describes it as a “cinematic marvel.”