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The Dartmouth
August 26, 2026
The Dartmouth
Arts
FAITH ROTICH/THE DARTMOUTH STAFF
Arts

Osher shows 'Paris in a Second' photography exhibit

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The Osher Lifelong Learning Institute is currently showing an exhibit called “Paris in a Second” featuring photographs by Jim Lustenader ’66, taken for his book of the same name. The exhibit, which opened Feb. 1, is a collection of pictures featuring scenes from daily life in Paris.


FAITH ROTICH/THE DARTMOUTH STAFF
Arts

Student Spotlight: Artist and illustrator Beverly Alomepe ’17

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Beverly Alomepe ’17 drew her early artistic inspiration from an atypical source. \n When she was younger, she was interested in anime and manga, she said. \n Her interest in manga comics encouraged her to take a basic drawing and charcoal art class in high school. Alomepe noted that she recognized her artistic talent after this class, but decided that pursuing a career in art would be difficult, even prohibitive. She went into Dartmouth thinking about studying biomedical engineering and Chinese.\n Her path changed when during her spring term of her first year she took “Drawing 1.”



Arts

The musical roots of Vampire Weekend’s ‘Step’ reach to the past

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Like all art, music has a history of referencing itself. Musical ideas in all different forms are recycled again and again, songs are copied, reworked and parodied. Bits of different songs are recombined to create new ones. One relatively recent example of this is sampling, the taking of parts of actual recordings and altering them to fit into a song, a technique made possible with the advent of recorded music and other new technologies. Another sort of category related to this phenomenon is the cover — when an artist performs a song someone else has written.



Arts

Film Review: ‘Brooklyn’ (2015) brings classic story to life

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It is a pity that Valentine’s Day just passed, since “Brooklyn”(2015) is the most uplifting love story of the year. Granted “Fifty Shades of Grey” (2015) put up a good fight, but the classy classicism of “Brooklyn” makes this simple tale of two cities a heartwarming crowd pleaser, and glamorizes Colm Tóibín’s 2009 source novel.



Arts

Gregorio Uribe to headline annual Barbary Coast concert

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Latin jazz bandleader and songwriter Gregorio Uribe will be headlining the Barbary Coast Jazz Ensemble in its 40th annual Winter Carnival concert this Friday. Joined by percussionists Jonathan Gómez from Colombia and Marcelo Woloski from Argentina, Uribe is rejoining the ensemble after performing with them in the 2013 Winter Carnival concert.


Arts

‘The Vagina Monologues’ to be performed in Spaulding tonight

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Tonight’s performance of Eve Ensler’s “The Vagina Monologues” marks the 18th consecutive year of the performance at Dartmouth as part of V-February, the College’s annual campaign for gender equality and sexual violence awareness during the month of February. In the show, 22 self-identifying women will perform the monologues in Spaulding Auditorium.



Arts

‘Hail Caesar!’ (2016) hails cinema in ode to the fifties

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After “True Grit” (2010) and “Inside Llewyn David” (2013), the Coen brothers seemed to be becoming very serious men. But their latest “Hail, Caesar!” (2016) returns the duo to their “Big Lebowki” (1998) comedic roots, in which the riotous romp of carnivalesque characters takes over any desire to maintain a moving plot. While the film may lack the makings of a cult classic, it highlights the Coens’ almost cultish fondness for a classic period of American filmmaking.


Arts

World Percussion Music Ensemble showcases global music

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On Sunday Feb. 7, Dartmouth’s World Music Percussion Ensemble performed “Joy to the World,” a collection of songs from various cultures focused on sacredness and secularity. World music combines elements of music from various cultures across the globe. In addition to the varying cultures of origin, the music also differed in tempo, ranging from mellow to upbeat, but it was all united by the theme of joy.






Arts

Classical violinist Sarah Chang discusses music, early life

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World-renowned classical violinist Sarah Chang started playing the violin when she was four-years-old. At age six, she auditioned for and was accepted to the Pre-College Division of the Juilliard School in New York City, which played a major role in her musical development. By the time she was eight, she had debuted with the New York Philharmonic and quickly became known internationally.


Dress rehearsal of Mad Love, produced by Northern Stage in White River Junction, Vermont on Tuesday, January 26, 2016. 

Copyright 2016 Rob Strong
Arts

New play 'Mad Love' inspired by Dartmouth dating culture

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On Saturday the new play “Mad Love” (2016) premiered at the Barrette Center for the Arts, Northern Stage’s new theater in White River Junction, Vermont. Written by Marisa Smith and directed by Maggie Burrows, the comedy follows the lives and romantic pursuits of four young adults living in New York City. The comedy follows Sloane Hudson, a young Dartmouth graduate who has decided to take control of her life after a traumatic incident in a college fraternity. Sloane, who has given up on love and marriage, decides that she wants to have a baby through artificial insemination instead of settling down. However, when she asks Brandon, the man she is casually dating, to be her sperm donor, she finds that he has a different attitude towards love and romance.


Daniel Shanker '16 and Drew Zwetchkenbaum '16 partnered to write the musical "Legally Drew," showing in March.
Arts

Shanker and Zwetchkenbaum to resurrect 'Legally Drew'

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Daniel Shanker ’16 and Drew Zwetchkenbaum ’16’s musical, “Legally Drew,” got its title from a joke about Zwetchkenbaum’s first name, though he wasn’t involved with the conception of the play. \nThe pair wrote four more songs their freshman fall, Fall 2012. Over winter break, Zwetchkenbaum and Shanker worked on the musical individually and completed it during winter term before staging the musical Spring 2013. Now, the pair plan to bring the show back for another round.


Arts

"Anomalisa" (2015) enlightens the everyday

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After three years of intense craftsmanship, Charlie Kaufman returns with his unique blend of cerebral revelry and metaphysical, sympathetic protagonists in his 2015 film “Anomalisa.” After his meta-cinematic, surrealist style reached its apotheosis in “Synecdoche, New York”(2008), Kaufman tempers his typically impenetrable psychosomatics to create the most accessible and haunting film of his illustrious career.