‘mother!’ is unrestrained, bold
Darren Aronofsky and I have a complicated relationship. Well, to be more accurate, his films and I have a charged, complex and often fraught relationship.
Darren Aronofsky and I have a complicated relationship. Well, to be more accurate, his films and I have a charged, complex and often fraught relationship.
A staple of the Upper Valley music scene, the Dartmouth Symphony Orchestra, comprised of Dartmouth students and local instrumentalists, is a major attraction for the Hopkins Center for the Arts at Dartmouth during the fall, winter and spring.
In August, coed a cappella group the Dodecaphonics released their new EP entitled “DDX.” “DDX” is the latest in a long line of albums released by the group since the early 1990s. The Dodecaphonics, founded in 1984, is Dartmouth’s oldest coed a cappella group, according to the group’s website.
As a fan of discovering new artists early and often, I always get excited when I find albums or tracks that hit all of my ideal music criteria: catchy, complex and really, really easy to replay incessantly.
Experienced cooks know that a good plan is essential to culinary success. The ability to think ahead, work quickly and neatly and manage time efficiently makes both cooking and the completed dish excellent.
Each year, Telluride at Dartmouth brings hand-selected films from the famous Colorado’s Telluride Film Festival to Hanover.
Going into “Downsizing,” all I knew was the major overarching concept. People were shrinking in order to get more bang for their buck, in a strangely practical use of science fiction technology.
“The Shape of Water” is perhaps best understood as a cap to a thematic trilogy that began with “The Devil’s Backbone” and continued with “Pan’s Labyrinth.” All three films fuse fairy tale narratives and period piece war stories together, highlighting the connections they share to illustrate what does and does not work about each.
What does a play written 2,500 years ago and a suburb of St. Louis have in common? The upcoming Theater of War production of “Antigone in Ferguson” at the Hopkins Center for the Arts draws parallels between the events of the ancient Greek play by Sophocles and those in Ferguson, Missouri surrounding the death of Michael Brown in 2014.
It’s awkward. People are arguing. You’re looking around, unsure of whether or not this is supposed to be happening. And then they all burst into song.
When the original “Twin Peaks” aired over 25 years ago, it was a TV show about a mystery. With its revival this year in the form of “Twin Peaks: The Return,” the show itself has become a mystery.
A jam-packed movie theater at an evening showing of a horror movie on its opening weekend is not an atypical sight in a suburban Pennsylvania town.
Over the course of this summer, the New York Theater Workshop has presented a diverse array of new and exciting work-in-progress plays to the Dartmouth community.
The Osher Lifelong Learning Institute at Dartmouth held a reception celebrating their newest art exhibit, “The Outsiders,” on July 6.
Professor Wen Xing is the director of the Dartmouth Institute for Calligraphy and Manuscript Culture in China.
To draw attention to the numerous people of color that are killed by police officers every year, Samantha Modder ’17 created an exhibit currently on display in the rotunda of the Hopkins Center for the Arts called “We Are Policed.”
This weekend, the Frost and Dodd Student Play Festival will showcase the hard work and creative prowess of three Dartmouth undergraduates who have each produced an original one-act play.
As a film, “The Big Sick” is an unconventional addition to a long tradition of romantic comedies with memorable protagonists that include the likes of “When Harry Met Sally,” “Bridget Jones’s Diary” and “Notting Hill.” Kumail Nanjiani stars as Kumail, a character based on his early life as a standup comic who falls in love with psychology graduate student and quintessential girl next door, Emily, a somewhat underutilized Zoe Kazan, who is based on Nanjiani’s wife in real life, Emily Gordon.
The Vietnam War doesn’t fit neatly into American folklore.
After 40 years of leadership, Donald Glasgo announced his retirement as director of the Barbary Coast Jazz Ensemble this spring.