Review: ‘1984’ production leaves viewers questioning the present
Although 2018 is just starting, there have already been many times this year that I’ve found myself wondering if I am living in a twisted dystopia.
Although 2018 is just starting, there have already been many times this year that I’ve found myself wondering if I am living in a twisted dystopia.
It’s hard not to ask what the best film of 2017 was, given that the 90th Academy Awards are less than a week away.
If you’ve been out of the obscure and cultish garage punk loop, you have probably never heard of Superchunk.
Hannah Matheson ‘18 is one of the few students who came to Dartmouth knowing already what she deeply cared about.
The Barbary Coast Jazz Ensemble’s winter concert will be Saturday, Feb. 24 at 8 p.m.
Independent radio and podcast producer, Laura Sim ’16 majored in English at Dartmouth and completed a thesis on race in radio and podcasts.
This Wednesday, students will take one of the stages at the Hopkins Center for the Arts to perform “The Vagina Monologues,” an evolution of theatrical activism.
There is an old truism that posits that the best superhero films are those that first and foremost aim to be different.
At the Hopkins Center for the Arts Garage this past Saturday, digital musics graduate student Andrew Maillet and filmmaker Zbigniew Bzymek gave two work-in-progress performances of their multimedia adaptation of Polish artist and philosopher Stanisław Ignacy Witkiewicz’s play “Pragmatists.” According to Maillet, the self-described “performer-technician” pair chose to work with the text because they were interested in the themes that Witkiewicz, who wrote during the interwar period between World War I and II, brings up.
“1984,” Dartmouth’s stage adaptation of Milton Wayne’s radio adaptation of George Orwell’s synonomously-named classic, gives a twist to the original setup of the novel to make it more relevant to the world today.
Wander into the high-ceilinged quiet of Black Family Visual Arts Center this month and one will encounter SELF/PORTRAIT, an exhibition of photographs by students of Studio Art 29, “Photography I,” and other photography classes over the span of the past two years.
After performing German composer Felix Mendelssohn’s “Elijah” at its fall concert, the Dartmouth College Glee Club will continue the biblical hero theme in its winter concert Friday with Giacomo Carissimi’s oratorio “Jephte.” “Jephte” tells the story of Jephthah, an Old Testament judge who promises God that he will sacrifice the first person who comes out to greet him after battle in exchange for victory over a rival tribe.
This evening, contemporary jazz singer and songwriter Gregory Porter will bring his soulful, melodic style to audiences at the Hopkins Center for the Arts.
Last Friday, alternative rock band MGMT released “Little Dark Age,” its first album since 2013.
As the 90th Academy Awards draw closer, it’s hard not to compare the various nominees, particularly those in the Best Picture category.
The phrase “digital arts” may seem paradoxical: a confluence of two fields that have almost nothing in common.
Everett's one-person play “It’s Fine, I’m Fine” premiered on Jan.19 for a crowd of about 240 people.
To kick off Winter Carnival weekend, the Dartmouth Symphony Orchestra will perform a new interpretation of one of the most popular pieces of baroque music, Vivaldi’s “The Four Seasons.” This Friday, guest artist Carlos Aonzo will play the traditional violin solo on the mandolin, giving “The Four Seasons” a new and exciting sound.
Winter WhingDing is an annual a cappella show offered through the Hopkins Center of the Arts as a part of Winter Carnival programming.
Stefan Lanfer ’97 discovered his passion for playwriting after winning the Frost and Dodd Student Play Festival as a Dartmouth student and seeing his work performed onstage.