Review: ‘Us’ is a new masterpiece that blends horror and comedy

It’s been a while since I’ve been as excited to see a movie as I was to see “Us,” the new film directed, written and produced by Jordan Peele. Like millions of people, I was blown away by how unexpectedly good Peele’s 2017 film “Get Out” was, so I came in to “Us” with high expectations, ...


Review: ‘Captain Marvel’ is a blockbuster with an indie touch

March 25, 2019 10:36pm

At this point, the Marvel Cinematic Universe has garnered a reputation for tenacity when it comes to selecting unique directors whose prior work doesn’t always make them obvious candidates for mega-budget superhero extravaganzas. This strategy is noteworthy because it has paid off time and time again; the fact that Taika Waititi and Ryan Coogler have recently managed to reinvigorate the franchise with “Thor: Ragnarok” and “Black Panther,” respectively, suggests that this strategy is extremely viable. 


Review: Hozier’s ‘Wasteland, Baby!’ is a pleasant musical surprise

March 4, 2019 7:17pm

This past Friday, Hozier’s second studio album was released, closing a five year gap between his debut album from 2014 and his latest. Given the massive success of the Irish singer’s first album, “Hozier” and five years’ worth of expectation, Hozier’s second album was released upon high anticipation. So does ‘Wasteland, Baby!’ rise to the challenge? 


‘Black Panther’ should have won Best Picture at the Oscars

March 4, 2019 7:17pm

You may have heard that the 91st Academy Awards ceremony took place a little over a week ago, and you may have also heard that the results were … controversial. But as much as I disapprove of “Green Book” as the Best Picture winner, I don’t really have the desire to explore that any further in this article. Instead, I’d like to discuss “Black Panther,” another Best Picture nominee and one whose failure to win the top prize reflects a series of ongoing problems with the Academy Awards.


Review: ‘This Land’ doesn’t provide a cohesive musical identity

March 4, 2019 7:17pm

Gary Clark Jr. seems to be in the midst of an identity crisis. After bursting out of the Austin music scene as an heir to greats like Jimi Hendrix and Stevie Ray Vaughan, he settled into a comfortable role as a jam-and-solo blues guitarist, yet somewhere along the line grew tired of the redundancy. Starting with his 2015 album “The Story of Sonny Boy Slim,” Clark began experimenting with sounds that veered into R&B and funk, and his latest release, “This Land,” is even more of a departure from the traditional blues image he once presented. 


Dartmouth Comedy Network fills in comedy gap on campus

March 4, 2019 7:16pm

Dartmouth Comedy Network is Dartmouth’s newest comedy group, joining other comedy groups on campus including Dog Day Players, Casual Thursday and Jack-O-Lantern. Created by Samantha Locke ’22, the group represents Dartmouth’s only scripted comedy group. 


Review: 'Alita: Battle Angel' is entertaining, but its script falls short

February 28, 2019 7:22pm

“Alita: Battle Angel” is the latest in the line of big budget, young adult sci-fi films to not do well critically or commercially. Following in the footsteps of the “Divergent” and “Maze Runner” trilogies, I felt like “Alita” tried too hard to recreate the success of “The Hunger Games.” While it might have worked in 2012, I think that today’s audiences are bored of the generic “chosen one” teenaged protagonist who must fight to overthrow a dystopian government, all while having to deal with a ham-fisted romantic subplot that does nothing but drag the plot down. That being said, I did enjoy this movie. 


Dartmouth Idol creates a space for collaborative student talent

February 28, 2019 7:20pm

Six of the 22 Dartmouth Idol semi-finalists have advanced to the Dartmouth Idol finals, which will be held on Friday, March 1 at 8 p.m. in Spaulding Auditorium at the Hopkins Center for the Arts. This unique opportunity allows students to compete and showcase their abilities. Additionally, the audience is responsible for voting on the winner, making the production even more entertaining.


'Into the Woods' challenges us to break the curse in our own lives

February 27, 2019 7:48pm

Having fully immersed myself into “Into the Woods,” I find it rather difficult to express what I felt and thought. It is a meticulous and impressive production carried out by the theater department at Dartmouth, and it is a lot more than a musical out of which one walks and exclaims, “I enjoyed it and will carry on with my life without thinking about it for another second.” The lesson it attempts to deliver provokes much thought about not only the story itself but also our very own lives and this world. Before explaining why that is, let’s first take a look at the story and the amazing production.


#MeToo exhibit in Berry addresses sexual violence on campus

February 27, 2019 9:37pm

From Feb 22 to March 2, the exhibit “#MeToo: Intersectionality Hashtag Activism and Our Lives” will be up in Berry West in the hallway in front of King Arthur Flour Café. The exhibit is a compilation of poetry, artwork and academic information about the Me Too movement in the U.S. and abroad, created by Dartmouth students. The work included in the exhibit is a product of the 2018 fall women, gender and sexuality studies class, which shares the name of the exhibit. 


Masterpiece: The portrait of Beatrice Cenci, the muse and the myth

February 26, 2019 10:49am

Just as contemporary crowds flock to the Louvre today to catch a glimpse of DaVinci’s “Mona Lisa,” during the 19th century, there was one painting that stood out amidst all the rest as the most captivating work of the “Grand Tour.” The artwork, falsely identified as Guido Reni’s 1599 portrait of Beatrice Cenci attracted visitors from all around the globe and spawned numerous copies. Writers such as Charles Dickens, Nathaniel Hawthorne and Herman Melville all documented their journey to Rome to see the painting.


A Cinematic Review of 2018: Ten great films and five flops

February 26, 2019 10:48am

The Oscars may have come and gone, but I’m still not quite ready to embrace the new cinematic year. So, as a final send-off, it seems fitting to reflect on the best and worst films that 2018 had to offer. A couple of caveats before I begin, though: 1) Rather than organizing these films into a meaningless ranking, I’ve arranged them alphabetically. However, I have bolded the titles of the best film and the worst film of 2018 (in my humble opinion). 2) There are plenty of films from 2018 that I would have loved to see but haven’t gotten a chance to, largely due to accessibility issues. If you don’t see one of your favorite films from last year on this list, assume that I wanted to see it, didn’t get the chance to and would have included it on this list if I had. That last part is total wishful thinking, but it will keep everyone marginally happy. As a disclaimer, I did see all the Best Picture nominees. 


John Keats’ poetry mixes lush lyricism with social commentary

February 22, 2019 8:23am

Tomorrow is the 198th anniversary of John Keats’ early death at age 25 from tuberculosis. Keats, one of the most prominent Romantic poets of the 19th century, wrote lyrical meditations on many themes, including nature, love, beauty and death, arguably the most famous of which are his odes “To Autumn,” “Ode on a Grecian Urn” and “Ode to a Nightingale.” Criticized in its time for its frivolity, Keats’ poetry soon became widely recognized for its mastery of poetic forms, delicate evocations of the natural world and heartfelt representations of love and loss. 


Slam poetry breathes new life into the age-old topic of love

February 20, 2019 7:17pm

Slam is a venue away from the traditional stuffiness of poetry, which is why it makes sense that the most fertile ground for slam is on the Internet. Both slam and YouTube are young, fresh and inviting to younger generations. The account Button Poetry compiles the most promising and innovative slam poets from the most respected competitions into one accessible platform. 


Review: ‘The Green Book’ doesn’t leave a mark as an artistic work

February 18, 2019 6:05pm

After a two-decade career spent directing lighthearted comedy films with his brother Bobby, Peter Farrelly has struck out on his own to co-write and direct “Green Book,” a comedy-drama about the relationship between notable black pianist Dr. Don Shirley and his driver for a tour of the American South, Tony “Lip” Vallelonga.


Student Spotlight: Will Maresco ’19 lights up the theater stage

February 18, 2019 8:56pm

Every theater production involves a great amount of behind-the-scenes work. Will Maresco ’19 is a theater major with minors in digital arts and engineering, who finds his passion in lighting, sound and stage design. He designs for many student productions with his skilled and wide-ranging talents.  


This year's Oscar-nominated shorts have surprising depth

February 14, 2019 8:41pm

Last Saturday, I went to watch the Hopkins Center’s screening of the collection of Oscar-nominated live-action short films without a clue of what I was getting into. I hadn’t looked up any of the films before my viewing, and in my innocence, I assumed that the brevity of the shorts meant they would toe the line between light-hearted and meaningful. They would not be too dark or bleak, I assured myself, before the lights went dim and the title card for the first short appeared on the screen.