Review: ‘Girl’ is a coming-of-age story based on metamorphosis
“Late at night, my mind would come alive with voices and stories and friends as dear to me as any in the real world.
“Late at night, my mind would come alive with voices and stories and friends as dear to me as any in the real world.
It’s an exciting time for film at Dartmouth: Ulrike Ottinger, the avant-garde German filmmaker, will be this fall’s Montgomery Fellow.
In March of 1998, Dartmouth witnessed a historic summit on black theater, intended to address specific strategies to build and maintain black theater companies and institutions.
A masterful and satirical take on the crime drama complex that has swept the nation, Netflix’s “American Vandal” is mysterious, delectable and utterly ridiculous.
When you have been writing and recording music since the 1960s, it should be a challenge to consistently produce new and exciting music.
Multimedia artist Jordan Ann Craig’15, a studio art and psychology double major, has spent her time as an artist pursuing printmaking and painting.
Owen O’Leary ’19 is taking his acting skills behind the scenes this term as he directs “Tragedy: A Tragedy,” a student production that will perform from Nov.
“You can only actually help someone who wants to be helped.” With this heartbreaking line that doesn’t easily leave the mind after the last page is turned, “Me Before You,” a novel by Jojo Moyes, and its sequel “After You” are books that make the reader reflect on their relationships and their values on life.
Painter Lucy Mink, whose exhibit opened on Tuesday, is this fall’s artist-in-residence. Known for her contemporary exploration and manipulation of the modernist style, Mink’s work has earned critical acclaim.. Mink is the recipient of a 2012 grant from the Pollock-Krasner Foundation in New York, and was awarded the 2007 Best of Show from the BAG Gallery in Brooklyn, New York.
Walking into Yorgos Lanthimos’s film “The Favourite,” a film that is a part of this year’s Telluride at Dartmouth film series, I knew very little other than that the film was a historical drama featuring actress Emma Stone.
Can a moped inspire change? Concept artist Eric Van Hove says yes. Opening on Sept. 18, “Mahjouba at Dartmouth: a Collaboration with Eric Van Hove,” an exhibit that will open at the Strauss Gallery in the Hopkin’s Center, explores the College’s relationship with the artist and his new project, the Mahjouba Initiative.
The Hood Downtown, the Hood Museum of Art’s temporary exhibition space, closed on September 13 after a send-off reception that included talks by John Stomberg, the director of the museum, and a showcase of what is to come with the new museum building.
Hilarious, thoughtful and unwavering, pop culture critic Michael Arceneaux’s memoir “I Can’t Date Jesus” tackles the awkward and sometimes painful realities of growing up over the course of 17 essays. A New York Times bestseller and Arceneaux’s first book, “I Can’t Date Jesus,” explores sexuality, race, religion, love and work with remarkable buoyance.
Starting this Friday, the Hopkins Center for the Arts will screen seven films featured at the annual Telluride Film Festival, beginning with “Can You Ever Forgive Me?” and ending on Sept.
A working-class woman meets an outrageously rich man, and they fall in love in much to the derision and outrage of the man’s family (mostly his mother). It’s a classic formula, seen in works like “Pride and Prejudice” to which some critics have compared “Crazy Rich Asians,” the romantic-comedy released this summer that featured an all-Asian cast.
In the upcoming 2018-19 season from the Hopkins Center for the Arts, performances will examine a common theme of global diaspora and the idea of “home,” said Rebecca Bailey, publicity coordinator and writer for the Hop.
In last week’s review for “Raiders of the Lost Ark,” I described “Star Wars” as the behemoth that towered over the “cinematic psyche” of my childhood.
Last week, Travis Scott treated fans to the release of his long-awaited new album, “ASTROWORLD.” This marks Scott’s third studio album, a project that has become the subject of hype since its initial announcement two years ago.
Fedora. Bull whip. Leather jacket. Snarky smile. “Trust me.” I need not say his name.
The pitch meeting for “Mamma Mia! Here We Go Again” [artistic liberties taken]: Producer One: You guys ever seen “The Godfather Part II”? Other Producers: Um ... yeah ... Producer One: Okay.