‘Once-in-a-lifetime opportunity’: the Hood Museum brings Monet to the Upper Valley
“Monet: Reimaging the French Landscape” celebrates the impressionist vision of natural beauty.
“Monet: Reimaging the French Landscape” celebrates the impressionist vision of natural beauty.
The HanUnder Festival celebrates student creativity and art.
A year since its founding, Dartmouth student band Day Drooler prepares for their next project.
Japanese Breakfast’s fourth album uses the lens of sadness to create a dynamic and reflective musical narrative.
The second season of the hit Apple TV is ultimately about the overwhelming human tendency to construct meaning in any circumstance.
Lucy Dacus delivers a raw collection of love songs in her new album, but it doesn’t pack the emotional and sonic punch of her previous works.
El-Naggar, a former Middle East correspondent for The New York Times, has produced documentaries on ISIS, the Israel-Hamas war and gender in Egypt, among others.
Tori Famularo ’26, also known as DJ TFam, is paving the way for female DJs in Dartmouth’s music and dance scene.
Ephemera, launched by Chandini Peddanna ’25, will feature theoretical and historical essays, artist spotlights and exhibition overviews.
Spencer Reece’s intimate reading invited a diverse Dartmouth community to connect with his honest poetic examination of faith and self.
Hood curators Haely Chang and Michael Hartman led a group of 26 students, staff and other community members on a guided tour of their respective exhibitions.
Despite its failure to pack a punch, the HBO hit’s third season opener, “Same Spirits, New Forms,” lays a promising foundation for the dramedy to come.
From animation to live-action short films, seniors in film and media studies are developing a variety of projects for their culminating academic experience.
The Sundance film festival provides opportunities for student volunteers to obtain experience in the film industry.
Brady Corbet’s film follows Hungarian-Jewish architect Lazlo Toth, whose architectural vision is shadowed by a life of loss.
The Hood Museum of Art hosted Sam Bardaouil and Till Fellrath as part of the Harris German/Dartmouth Distinguished Visiting Professorship Program.
In lieu of a conventional halftime show, Lamar offered a statement honoring his culture while criticizing the state of American politics and pop culture.
During her lecture in the Hood Museum of Art, Cornejo spoke about her book, “Visual Disobedience: Art and Decoloniality in Central America,” and its focus on Central American migrants.
Many of Dartmouth’s non-performing arts professors have embraced creative expression outside of the classroom.
One writer delves into the history of the Winter Carnival poster — a symbol of Dartmouth tradition.