Bostonian trio Alloy Orchestra draws sound from silence
What could accompany a silent Russian film with no discernible plot better than 70 minutes of banging on scrap metal? Friday evening saw the Boston-based Alloy Orchestra prove that nothing else could, in their rendition of "The Man with the Movie Camera" (1929). This was not the first time, however, that the three-man ensemble and their self-described "Wall of Junk" graced the Spaulding stage to update silent classics with new and exciting scores. "I went into [the Alloy Orchestra's 2006 performance of] The Phantom of the Opera' ten minutes late and I had no idea what I'd walked into," Dartmouth Film Society director A.J.










