Review: ‘Everything Everywhere All at Once’ does everything right
Anyone who considers themselves a fan of film has, at some point, become familiar with a sort of dreary stagnation with their passion for the medium. After so many movies and so many bags of popcorn, you find yourself growing dreadfully numb to an art form that once inspired and thrilled you like no other. For a while, I felt this numbness, and I even thought it might kill my love for film entirely. It wasn’t until I saw the wonderfully inventive “Everything Everywhere All at Once” — the latest from writer-directors Dan Kwan and Daniel Scheinert — that I rediscovered, through the most emotionally uplifting cinematic experience I’ve ever had, my profound love for the screen. Through an original and extremely creative story that was expertly directed, acted and scored, “Everything Everywhere All at Once” becomes something far greater than the sum of its many parts. For me, it became one of my favorite films of all time.