The Weekend Roundup: Week 3
Track and Field
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Track and Field
Four years and countless matches later, Alvin Heumann ’18 has reached the end of his incredible career with Dartmouth squash. Having been named to the All-Ivy First Team for his final two seasons, to the College Squash Association All-American team and as the Harrow Squash Player of the Week, Heumann has dominated the courts and been a cornerstone member of the squash team.
Shortly after the curtains opened, South African instrumentals and the voices of Dada Masilo’s dancers overtook the first notes of Adolphe Adam’s original composition for “Giselle.” The dancers were splayed and widely stanced in silhouette against a gray-green William Kentridge illustration of South African marshland. This was not “Giselle” as we know it, but a new, lively and vibrating work.
Zaneta M. Thayer ’08 returned to Dartmouth in 2016 after eight years to teach as an assistant professor in Dartmouth’s anthropology department. After graduation, Thayer pursued a Ph.D. in biological anthropology as a presidential fellow at Northwestern University and worked as an assistant professor of anthropology at the University of Colorado, Denver from 2014-2016. At Dartmouth, Thayer conducts research in biological anthropology. Her studies examine how early life and prenatal environmental experiences influence biology and health across one’s lifespan.
Men's Lacrosse
Honorable Mention: April Showers
On Saturday, March 24, thousands of people marched on Pennsylvania Avenue in Washington D.C. for the March for Our Lives, a demonstration in support of tighter gun control regulations. The march was accompanied by over 800 corresponding protests in cities around the world. Announced in the wake of the tragic mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida, the march was the culmination of weeks of activism and outcries mostly by students and youth.
Renaissance translates to “rebirth” in French. The term “renaissance” evokes images of art, science and humanism, of the printing press and the Sistine Chapel. It evokes beauty and transformation and humane progress. Similarly, the start to a new term is certainly full of change and adjustments to those changes — your schedule, your wardrobe, switching from being cooped up in Thayer to being cooped up in the Life Sciences Center. “New term, new me,” you say to yourself, as you walk leisurely, rather than scurry, to your 9L. And this may be how you get by for the first two weeks, as you temporarily remain energized from all that extra sun and sleep you gained over spring break. As the days get longer and your mind struggles to refocus on school, you become accustomed to the term. With the birds finally chirping in the morning, and plant life peeking through the not yet melted snow, Mirror wanted to focus on a topic that encompasses the feeling of spring (Is spring a feeling? We think so.) In this issue, we sat down with women trying to revolutionize the way we view women’s menstrual hygiene, art history professor Jane Carroll, novice and experienced sculptors from the studio art department and some multi-talented students (commonly known as “Renaissance men and women”). Spring is a time of the new, a time of rebirth and renewal, a time when we distance ourselves from the dark ages of snow and ice. Spring is our very own Renaissance.
I’m going to be honest: I didn’t apply to any colleges in the South not due to a dearth of high-caliber institutions, but because of the labels I had heard about the region. The South is often portrayed as ultra-conservative, uber-religious and relatively poor. Even if I were in an urban area and the college campus were a diverse and inclusive place, I feared the implied racism and sexism that might surface if I were to step off campus or venture out of the city. As a West Coast native, I don’t know a lot about Southern culture. For too long, I’ve relied on stereotypes I had heard from others or seen in movies and other media to form an overall negative and foreign image of the region.
While students stayed in the library or in their rooms at the end of last term, studying for final exams and waiting out the seemingly endless torrent of nor’easters, research grant manager Jean Blandin’s red-golden retriever puppy Hocus was missing, likely without food or shelter.
After graduating a record eight seniors last year, the women’s volleyball program appeared to be in a rebuilding year for the 2017-18 season. However, co-captain Sara Lindquist’s ’18 selflessness in her court positions and leadership has been an asset to the team. Going into this season, all eyes were on the two seniors, Lindquist and Morgan Dressel ’18, as well as co-captains Zoe Leonard ’19 and Maddy Schoenberger ’20, to see how the team would respond to the transition, as the team added six first-years and one sophomore transfer to an already young returning roster.
Upon attending school to become a reference librarian, Jay Satterfield discovered his love of special collections. He has become a fixture of the College’s Rauner Special Collections Library beginning in 2004. As head of special collections, Satterfield serves as an administrator, collection developer and teacher.
Basketball
Staci Mannella ’18 is a member of the U.S. Paralympian team that will be competing in Pyeongchang, South Korea beginning on March 9. Mannella suffers from achromatopsia, which causes partial blindness and sensitivity to light. In 2014, Mannella finished sixth in slalom and giant slalom at the Sochi Paralympic Games. Last year, she earned her first podium at the World Championships with a bronze medal finish in the super combined. In addition to skiing, Mannella is a member of the Dartmouth equestrian team.
This weekend, the theater department will present this winter term’s student production “Proof.” Originally written by David Auburn, who won a Pulitzer Prize for his work, the play is directed by Louisa Auerbach ’20 and stars Claire Feuille ’18, Macguinness Galinson ’21, Tess McGuinness ’18 and theater professor James Rice. Covering themes of loss, mental illness and gender inequality, the play follows McGuinness as Catherine, the daughter of lauded mathematician Robert, played by Rice, after she loses her father and attempts to live up to his legacy as a mathematical genius and inherits his struggle with mental illness. After a mathematical proof that Catherine claims to have wrote is discovered in one of her father’s notebooks, her love interest Hal and her sister Claire refuse to believe her as Catherine struggles to prove her authorship.
Men’s alpine skiing head coach Peter Dodge ’78 walked up the stairs in Robinson Hall on Saturday night with a large silver bowl in his right hand.
Affordability and accessibility are particularly valuable for college students, especially when it comes to food and dining options. With busy schedules and varying needs, students seek out options that are convenient. To make the most of Dartmouth Dining Services’ meal plans, students tend to eat at places that accept College dining dollars, like the Class of 1953 Commons or convenient campus snack bars. Many first-years rely on venues that accept meal swipes, particularly during their fall terms when the SmartChoice 20 plan is mandatory. As a result, local restaurants, which rely heavily upon student engagement, can be crowded out. Dartmouth and its students should support local restaurants through building community character and economic advantages.
Skiing
This column was featured in the 2018 Winter Carnival Issue.
We often equate sports rivalries with divide; they can create tension between teams and incite conflict among fans. But in the context of the Dartmouth community, divide seems to be a source of unity for the athletes and fans alike.