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(04/05/24 6:05am)
At 7 p.m. in Loew Auditorium, the Hopkins Center for the Arts will host a sneak peak of a new episode from Season 4 of “WE’RE HERE,” featuring a discussion with creator Stephen Warren ’82 and guest Priyanka after the screening. The Emmy, Peabody and GLAAD award-winning unscripted HBO series centers around four drag queens who strive to spread love and forge connections through drag in small-town America. Tickets are $12 and can be purchased on the Hop website or at the box office.
(04/01/24 6:05am)
Throughout the spring term, many Dartmouth seniors involved with music on campus will perform recitals to audiences of their instructors, family and peers. The recitals — some of which were performed near the end of the winter term — allow students to perform pieces they have practiced in private lessons through the music department’s Individual Instruction Program.
(04/01/24 6:00am)
For the majority of their time as an undergraduate student at Dartmouth, Isabella Zenkl ’23 did not think they would major in studio art, they said. Despite having an interest in studio art prior to exploring the department, they said they had mostly avoided art classes at Dartmouth — out of the concern that they “would like it too much.” It was only after taking SART 15, “Drawing 1” in the spring of their junior year that they decided to declare a major in studio art.
(04/01/24 8:10am)
In the 2023 documentary “20 Days in Mariupol,” produced by Frontline PBS and the Associated Press, director Mstyslav Chernov documents the atrocities of the war in Ukraine. The Academy Award-winning film focuses on civilian experiences in Mariupol and follows a team of Ukrainian AP journalists in the besieged city during the early days of Russia’s invasion. The documentary highlights the human cost of conflict and appeals to viewers’ humanity, making it an especially relevant watch as the war continues.
(03/29/24 6:05am)
As the Hopkins Center remains under construction — a process expected to last until 2025 — studio spaces have been forced to adapt to a changing campus landscape, according to past reporting by The Dartmouth. The Woodworking Workshop continues to function outside the Hop in a modular building next to the Black Family Visual Arts Center. The Dartmouth spoke with director Gregory Elder about his experiences at the current location.
(03/29/24 6:00am)
As nature awakens from its winter slumber, there’s no better time to refresh your reading list with books that reflect the vibrancy and energy of spring. Whether you’re lounging in a sunlit garden or curled up inside on a rainy day, these hand-picked selections will invigorate your mind and spirit, transporting you to new worlds. From captivating novels to insightful non-fiction, let’s explore some literary works waiting to be read this spring.
(03/29/24 6:10am)
Friday, March 29
(03/04/24 7:10am)
Over the past four years, awards shows, such as the Golden Globes, Emmys and Oscars, have faced record-low ratings. Shifting patterns in viewership among younger audiences and the popularity of streaming —which produces an oversaturation of content—seem to threaten the relevance of awards season among the next generation.
(03/04/24 7:05am)
In 2001, Mindy Kaling ’01 and Brenda Withers ’00 wrote “Matt and Ben,” an absurdist retelling of how Matt Damon and Ben Affleck wrote their Oscar-winning film “Good Will Hunting.” The play debuted in 2002 at the New York International Fringe Festival, winning the “Best in Fringe” award and becoming Kaling and Withers’s first theatrical hit. On March 2, Lily Easter ’25 and Arizbeth Rojas ’25 performed “Matt and Ben” at Dartmouth for the first time since its inception on campus.
(03/04/24 7:00am)
On Wednesday, Feb. 28, Dartmouth leaders, Hopkins Center for the Arts employees, community members and donors gathered to sign a steel beam in front of Wilson Hall. The beam was then hoisted on top of the Hop for a celebration of its “topping off” in construction. Members of the community celebrated the milestone through a celebratory lunch at the Courtyard Cafe catered by Dartmouth Dining Services, according to Hop communications manager Asmaa Abdallah.
(03/01/24 7:05am)
From Feb. 22 to 24, the Hanunder Arts Festival transformed Sawtooth Kitchen into a space for the Dartmouth arts community to showcase student films, music and visual arts. The festival was produced by the Hopkins Center for the Arts fellows and their advisors from the staff Daniel Burmester and Lucy Biberman ’23.
(02/26/24 7:10am)
Brimming with dark humor and painfully unaware characters, R.F. Kuang’s novel “Yellowface” is a satire that unpacks the difficulty of being an Asian writer in today’s industry. The novel evokes instances of white authors profiting from writing stories about the suffering of non-white communities and real-life, race-based literary controversies — like the “Who is the Bad Art Friend?” feud — a nearly decade-long dispute between writers Sonya Larson and Dawn Dorland regarding race, authorship and friendship that became publicized by the 2021 New York Times article of the same name. Thematically, “Yellowface” is entrenched in the current dialogue regarding the ownership of culture and identity in literature. To tell this tale, Kuang masterfully crafts the narration of her main character to create a voice that is both convincing and appalling.
(02/26/24 7:00am)
This year’s Oscar-nominated, live-action shorts are some of the most compelling pieces of cinema that I have ever had the privilege of viewing. Each of the films shown at the Hopkins Center for the Arts’ screening of the program tells an unforgettable, emotional story that feels highly relevant amidst the tumultuous global events of today's world. The three shorts in this review gripped audiences for their ability to tell stories that showcase how characters process tragedy, trauma, and grief.
(02/26/24 7:05am)
On Saturday, Feb. 17, the Dartmouth Symphony Orchestra performed their winter concert in Rollins Chapel to a packed audience. The orchestra also performed the previous night to an audience during their open dress rehearsal.
(02/23/24 7:10am)
Throughout her time at Dartmouth, music major Raegan Padula ’24 has honed her craft as a skilled composer, french horn player, sound artist, producer and DJ. Through her music-focused coursework and attention to building community, Padula has developed her skills to find her unique sound at Dartmouth.
(02/23/24 7:05am)
This year’s Umbra show, a one-act festival that started last year, held by the Displaced Theatre Company, took place on Feb. 10 and 11. Umbra consisted of four total one-act plays, which were all written, directed and performed by Dartmouth students.
(02/19/24 7:05am)
Bright and sparkling on the second floor of The Hood Museum of Art, its latest exhibition, “Gilded: Contemporary Artists Explore Value and Worth” piques interest and demands a closer look. Each of the works in this loan exhibition, all by contemporary artists within the last 10 years, incorporates elements of gold and gold leaf.
(02/26/24 7:15am)
On Feb. 5, the screening tour of the 2023 documentary film “Israelism” came to Dartmouth. The screening, which was held in Filene Auditorium, was co-hosted by the Coalition for Immigration Reform and Equality at Dartmouth and the Palestine Solidarity Coalition. A range of students and local community members attended the screening, which was followed by a Q&A session over Zoom with co-director Sam Eilertsen.
(02/19/24 7:05am)
On Wednesday, Feb. 14, Saturday Night Live breakout star Marcello Hernandez performed a stand-up comedy set exclusively for Dartmouth students. Organized by Programming Board, the show took place in Collis Common Ground at 8 p.m. with opener Maddie Wiener, comedian and host of the podcast “We’re Having Gay Sex.” Hernandez took the stage at approximately 8:30 p.m.
(02/16/24 7:00am)
Music is embedded in our college experiences — whether it be belting out lyrics with friends on a night out or stumbling across a new favorite song that ingrains itself in your mind. Dartmouth’s campus is riddled with musicians — songwriters, producers, instrumentalists, singers and more. However, student musicians sometimes struggle with limited performance opportunities and the need to cater to general audiences rather than being able to explore artistically.