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Review: Noah Kahan’s ‘Stick Season’ beautifully captures the complexities of homesickness
Growing up in a desert city, I never thought that I would be so deeply connected to an album written about a small town in Vermont. Yet, Noah Kahan’s “Stick Season,” released on Oct. 14, perfectly embodies the transitional period between fall and winter in New England — something Dartmouth students are all too familiar with. For the Dartmouth community, this album is already a community treasure: Kahan graduated from Hanover High School and draws on his upbringings in Strafford, Vt. and Hanover in the album. Whether a New England native or someone who has never visited, Kahan has created widespread nostalgia for the region through the album.
Q&A with debut author Caroline Cook ’21
Caroline Cook’s ’21 first novel, “Tell Them To Be Quiet and Wait” will be released on Nov. 1 to coincide with Dartmouth’s 50th anniversary of coeducation. The book is inspired by the life of Hannah Croasdale, Dartmouth’s first female professor to receive tenure. The novel follows two fictional women from two different times, 1935 and 2015, and explores how each navigates academia and science all the while emulating the true events of Croasdale’s life. During her time at Dartmouth, Cook studied Croasdale extensively through a student research fellowship at the Rauner Special Collections Library.
Jacinda Townsend chats about crafting characters in Cleopatra Mathis Poetry & Prose Lecture
On Sept. 29, award-winning writer Jacinda Townsend delivered the Cleopatra Mathis Poetry & Prose Lecture at Sanborn Library. This annual lecture series was created in honor of the founder of Dartmouth’s creative writing program, Cleopatra Mathis, to connect students to literary figures.
Sweeney: Others
Modisett: An Update
Lim: Welcome to the Dartmouth Cult
Review: ‘Do Revenge’ signals the brave cinematic start of ‘Hitch-Tok’
Jennifer Kaytin Robinson’s “Do Revenge” is a complex film filled with contradictions. The film contains a serious premise, but treated playfully. The story feels classic and yet the spin is modern. But, the further you analyse “Do Revenge” and the climate it’s set in, the more sense it starts to make.
Review: “Hold the Girl” Holds Listeners’ Attention and Hearts
On Sept. 16, Rina Sawayama released her second studio album, “Hold the Girl,” containing 13 songs. The album’s reception immediately reflected the acclaim the Japanese-British artist gained following the release of her first album, “Sawayama.” “Hold the Girl” debuted at number three on the U.K. Album Charts and marked Sawayama’s first entry on the U.S. Billboard 200. Although not quite a chart topper yet, Sawayama has amassed an audience of dedicated fans, and after listening to this new album, I can safely count myself among them.
Trend: Biopics transform truth into fantasy
Andrew Dominik’s biopic on Marilyn Monroe, “Blonde,” quickly soared to the top of Netflix’s movie chart after premiering on Sept. 8. The film makes one fact clear: 60 years after her death, Marilyn Monroe’s image is still desirable and profitable. Pop artist Andy Warhol’s portrait of the iconic American actress sold for $195 million just this year. At the 2022 Met Gala, Kim Kardashian donned a glimmering dress worn by Monroe when she serenaded President John F. Kennedy in 1962; the dress sold in 2016 for almost five million dollars.
Norris: Good and Bad Sam
Kocsis: Dartmouth Tarot Deck — The Hermit Card
Trends: Another Day, Another Dahmer
Helmed by “American Horror Story” creator Ryan Murphy, “Monster: The Jeffrey Dahmer Story,” released Sept. 2022, is far from the first form of entertainment centered around serial killer Jeffrey Dahmer. From movies like “Dahmer” (2002) and “My Friend Dahmer” (2017) to documentaries like “The Jeffrey Dahmer Files” (2012), there has certainly been no shortage of content surrounding the “Milwaukee Monster” for the public to consume. In fact, Netflix is releasing yet another true crime series about Jeffery Dahmer, titled “Conversations with a Killer: The Jeffrey Dahmer Tapes,” on Oct. 7.
Peters: Off Term: How It's Going
Modisett: Rush Events: Improved
Quealy: W.W. Epsilon
‘Maḏayin’ makes history at the Hood
On Sept. 3, the Hood Museum of Art debuted its newest exhibition: “Maḏayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala.” Organized by the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia in partnership with the Bukularrngay Mulka Centre in Australia, “Maḏayin” makes history as both the first major exhibition of Aboriginal Australian art in the United States and the largest display of Aboriginal Australian art in the Western Hemisphere in 30 years.
Trends: Jennette McCurdy’s memoir revives conversations about child entertainment industry horrors
Jennette McCurdy’s memoir “I’m Glad My Mom Died,” released on Aug. 9, has made its way onto the bestseller table in bookstores — complete with a pink and yellow cover and a photo of the former “iCarly” star smiling with a pink urn. While the memoir’s title may present as a mere shock tactic, the title points to a fundamental truth: The death of her mother, Debra McCurdy, brought Jennette McCurdy peace. In writing the book, she said she has achieved a catharsis possible only in the absence of her mother, who disapproved of all her creative pursuits. With her mother dead, McCurdy is finally free to admit: “I absolutely prefer writing to acting. Through writing, I feel power for maybe the first time in my life.”
Review: ‘Don’t Worry Darling’ may have something to worry about
Since its inception, Olivia Wilde’s highly anticipated thriller “Don’t Worry Darling” has taken the internet by storm, unleashing an avalanche of rumors on social media — including, most notably, lead actress Florence Pugh’s alleged feud with Wilde and lack of involvement with promotion. Despite this drama, I entered an empty Nugget Theater with optimism. The film has an admittedly impressive cast — with notable names like Harry Styles, Gemma Chan, Chris Pine and more — and is directed by the celebrated Olivia Wilde, acclaimed for her debut movie, “Booksmart.” I wondered: When stripped of its social-media buzz, will “Don’t Worry Darling” still succeed?
Review: Harry Styles makes stage his own at Madison Square Garden
Madison Square Garden seemed like the perfect place to see Harry Styles. With the opulence and reputation his name commands, only a renowned stadium could fit the bill. Nearing the end of his 15-night residency and with charisma to spare, Styles himself may as well have called me himself and told me to purchase tickets. Or at least that is what I tell myself to justify the exorbitant price. A vibrant performer and even more personable guy, Styles’s banter with the crowd and powerful performance completely transformed MSG into Harry’s House.