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The first time I stepped into the Tower Room, I audibly gasped. It was during a late-night tour of Dartmouth, part of the Dimensions program, and I attracted some strange looks from my fellow tour-goers. But I couldn’t help myself. The hardwood floors and tables, the shelves full of dusty old books, the cozy nooks and alcoves, the vaulted ceilings, the warm glow of the lamps and the chandeliers — all of these things flooded into my vision, enamoring me and exciting me and overwhelming me. It was the kind of storied, iconic library that I’d only ever dreamed about, a real-life Hogwarts conjured up before my eyes. I couldn’t believe that this was a real place that mere mortals could casually enter.
The first set of Hood Museum senior interns in the newly-renovated museum have set a precedent for inclusion and innovation within the space. Besides the two Native American Art interns, who collaborated on creating an entire gallery, the six members of the Class of 2019 and one member of the Class of 2020 who participated in the internship program each put together their own exhibit or “Space for Dialogue” within an individual specialty.
For the fourth year in a row, The Dartmouth conducted a survey recording the opinions and experiences of Dartmouth’s graduating class. Since arriving at Dartmouth in 2015, the Class of 2019 has experienced the aftershocks of changes at the College, in the nation, and across the globe — all while traversing their academic work and arranging their post-graduation lives. The following four sections canvas the Class of 2019’s views on campus issues, student life, national politics and their futures ahead.
Women’s rugby is among Dartmouth’s most successful, yet newest, varsity sports. The team played its first varsity game — and earned its first victory — in the fall of 2015 against the University of Pennsylvania. Since then, the team has won three Ivy League titles in four seasons. This past season, the Big Green defeated Harvard University to become National Intercollegiate Rugby Association national champion. The team’s excellence, however, began long before it earned its varsity status.
Forty-eight percent of the admitted Class of 2023 will receive need-based scholarships from Dartmouth. Through the senior class gift, the Class of 2019 is attempting to support the Class of 2023. Seniors can choose to make a gift of any amount but are encouraged to donate $20.19 to honor their class. The senior class gift is an annual tradition of raising financial aid funds through the Dartmouth College Fund to support the incoming class at the College.
Coming to Dartmouth, I had always known it was a school lauded for its political accessibility, as countless prominent figures across the political spectrum — both New Hampshire-specific and also on the national scale — often come to Hanover specifically just to engage one-on-one with the Dartmouth student body.
Since the Class of 2019 first arrived on campus nearly four years ago, Hanover has seen a vast array of changes, including several major construction projects, renovations, closures of long-standing businesses and subsequent efforts to revitalize the downtown retail scene.
Green Key weekend is a hectic time of year for members of the Programming Board. During the Friday of the Gold Coast Mainstage concert, if students are not drowned by the music and the crowd, one might catch a glimpse of PB members dashing down the Tuck Drive or hopping between Streeter Hall and Fahey Hall. Someone is always on-call that Friday, according to Programming Board executive director Carlos Tifa ’19.
Green Key is one of the most anticipated weekend of the year — the Programming Board’s concert featuring national headliners, the Frat Row block party and free food from local restaurants can feel like a much-needed reprieve from the monotony and isolation of attending college in the woods.
The 13th annual celebration of LGBTQIA+ Pride — “Different Strides, One Pride” — strove to unite disparate identities within the queer campus community. Perceived by many members as fragmented, the LGBTQIA+ campus community banded together at events like Queer Prom, Transform and Lavender Graduation. The Pride programming committee also coordinated with the administration to showcase a rainbow flag in front of Collis and project rainbow lights onto Dartmouth Hall. From April 19 to May 3, students of diverse identities witnessed this display of unity — an unfamiliar sight to previous graduating classes at the College.
My experience with anxiety and depression is like the cinders that drift slowly down through the dark after a fireworks display. Where there had been light, noise, excitement and people, there is darkness, silence, sadness and loneliness. I felt it the worst during my senior fall.
Trump jokes are low-hanging fruit. They’ve been made before — they’re overdone, easy, trite and, after two years of constant digs at the President and everyone in his circle, they just aren’t funny anymore.
There is a tendency to instinctively link the forward passage of time with the forward progress of society. It is tempting, and certainly reassuring, to rest one’s faith in the long arc of the moral universe. We have an abundance of new technological and social innovations that have dramatically increased the quality of life of people around the planet. But too often, accepting these innovations without skepticism leads to a failure to reckon with the nature of power and how it is exerted onto those with less of it. This growing trend of so-called progress has facilitated the exploitation of new technology by employers to further manage and control their workers in ways that range from merely annoying to deeply disturbing. Without the proper caution and concern for people’s fundamental rights and dignity, what we know as innovation can be weaponized to undermine personal sovereignty, subjecting people to the whims of corporate interests.
The granite of New Hampshire doesn’t exactly call to mind beaches, breaks and surfboards. Some of the most common reactions to the words “Dartmouth Surfing Club” is “How?” And yet there are those who know better.
For every fall, winter and spring term in the Dartmouth calendar, there is a single weekend reserved for celebration by the Dartmouth community: Homecoming for fall, Winter Carnival for winter and Green Key for spring. However, whereas Homecoming is a time to rekindle the Dartmouth spirit by reconnecting alumni with their alma mater and welcoming freshman into the community, and Winter Carnival showcases the achievements of Dartmouth’s winter sports teams, the College touts Green Key as a weekend to “celebrate the arrival of spring” — a purpose that is hardly Dartmouth-specific. Though at one point Green Key had a community service focus, its emphasis on social service has since slipped away. Now, the weekend more closely resembles earlier traditions of excessive drinking, substance abuse and revelrous traditions such as inebriated, rowdy chariot races across the Green using makeshift chairs and students as “horses,” as well as hazing of the freshman class.
Plummeting acceptance rates, viral “Ivy Day” reaction videos and the recent college admissions scandal that spotlighted bribery at top institutions are all indicative of a nationwide fascination with prestigious colleges and the lives of the students who attend them.
Two students stumble down Main Street one night in the fall of 2018. At the bright lights of the Irving Oil gas station, one collapses, having had too much to drink. Their companion, concerned for their now-unconscious friend’s safety, makes a Good Samaritan call to Safety and Security and carries them to the road in front of Collis.
I’ve never thought much about how art is moved. We can carry small pieces or move them on a cart, but what about the massive ones? Like “Guernica” or “Water Lilies” or “Hovor,” a piece on display in the new Hood Museum of Art? The answer: a massive elevator, one story high, that could fit at least eight normal elevators inside it. This is my first point of contact with the inner workings of the Hood Museum of Art.
Currently, the College’s counseling service sees a quarter of the total student body, according to Mark Reed, the director of the health service. He said that use of Dartmouth’s on-call counseling services has increased by 60 percent over the last six years, and mental health-related admissions to Dick’s House have increased by 45 percent over the same period.
In the days before this year’s Green Key concert, The Dartmouth sat down with Eli Sones, one half of the LA-based DJ group Two Friends, best known for their extensive collection of “Big Bootie” mixes. A Los Angeles native and long-time music lover, Sones began pursuing music seriously while in high school and has continued evolving artistically ever since. Working alongside his childhood bestfriend and fellow DJ-Producer Matthew Halper — the other half of Two Friends — Sones has learned a lot about the importance of connection and cooperation throughout his musical career. Over the course of the interview, Sones shared his insights as a musician who is well-versed in collaboration and creation.