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Sophie Xeon, stylized as SOPHIE, was a Grammy-nominated avante garde singer and producer behind some of the biggest names in pop music. Before the artist’s unexpected death at 34 on Jan. 31, Sophie had pioneered the hyperpop subgenre — a radical blend of trance, electronic and hip hop music — and collaborated frequently with pop stars like Charli XCX. As a transgender artist, Sophie also inspired many LGBTQ+ listeners and queer musicians.
In an upcoming gallery talk, Allison Carey ’20, curator of the Hood Museum’s “When Art Intersects History,” will revisit and reexamine her exhibition nearly a year after its debut.
A decade after Argentinian director Juan José Campanella’s “The Secret in Their Eyes” won the 2010 Academy Award for best foreign film, Campanella made his return to live-action cinema with “The Weasel’s Tale” — a remake of the 1976 film “Yesterday's Guys Used No Arsenic.” Campanella’s dark comedy, offered through the Hopkins Center for the Arts’ “Film on Demand” series until Wednesday, follows former starlet Mara Ordaz, played by Graciela Borges, who lives with three filmmaking colleagues in a secluded mansion on the outskirts of Buenos Aires.
Alexi Pappas ’12, who rose to fame as a member of Greece’s cross-country team in the 2016 Summer Olympics, is not just an athlete.
Since the release of his debut album in 2015, Chris Stapleton has made a name for himself in country music — opting for the grit and rough edges of the genre’s earlier days rather than the bikinis and pickup trucks of its pop iteration. Gifted with masterful songwriting and a powerful voice, Stapleton knows how to write an affecting song and drive home its emotions with his distinctive, raspy tone. With his fourth solo album, “Starting Over” — which debuted in November — Stapleton has truly mastered his craft, tugging at heartstrings with the lyrics of one song and excoriating your soul with his vocals on the next.
This past weekend, the first part of the 14th annual Dartmouth Idol semifinals took place virtually. Breaking from the traditional format of the beloved competition, the kickoff event combined footage from previous competitions with audition tapes from this year’s semifinalists.
Last fall, three students came together with the idea of developing a new publication to connect Dartmouth undergraduates with the wider literary world. This December, the efforts of Frances Mize ’22, Avery Saklad ’21 and Ethan Weinstein ’21 came to fruition in the first edition of Meetinghouse, a literary magazine that has already attracted submissions from over 1,200 authors and poets from around the world.
The start of the new year heralds change — often in the form of New Year’s resolutions, but also when it comes to new titles on our favorite streaming services. With the arrival of 2021, Netflix and Hulu have welcomed a slew of classic titles to their collections. Wondering what movies you should watch from the comfort of your home or dorm room? Look no further: Here are our favorite “new” old movies to enjoy in the brand new year.
From beginning to (almost) end, 2020 has been the most unconventional year in recent memory. And naturally, the music released this year has been strange. While those who released music at the beginning of the year largely finished recording before the pandemic began, many artists releasing albums at the tail-end have had to work around stay-at-home orders and general shutdowns. As always, art has found a way to overcome, and these 10 albums represent some of the best music released in this otherwise difficult year.
Over the years, the idea of “Friendsgiving” — a Thanksgiving meal with friends — has become wildly popular, especially among college students. It’s a great excuse to host a dinner party, catch up with friends and share good food and drink. I have fond memories from my first two years at Dartmouth of gathering at a friend’s house at the end of fall term and feeling the stress dissipate as winter break began.
On Oct. 3, Netflix released the sixth and final season of the Canadian comedy series “Schitt’s Creek.” Originally aired in Canada on CBC and in the U.S. on Pop TV, the show deftly and hilariously tells the story of the once-wealthy Rose family, who have fallen from grace and must live in the small town of Schitt’s Creek.
There is nothing more defeating than walking into the kitchen ravenously hungry after a long day of work — and then having to cook. Expending the effort to plan a meal, prep ingredients, cook the dish and then clean afterward is simply tiresome, even for those who enjoy the act of cooking. If you’re on an off-term or taking classes while living off campus, preparing food can add another layer of stress to an already stressful day. But thankfully, all that stress is not necessary for quotidian cooking.
For the better part of the decade, experimental hip-hop group Clipping — stylized as clipping. — has played a pivotal role in the revitalization of horrorcore. Consisting of rapper Daveed Diggs — known for his role as Marquis de Lafayette and Thomas Jefferson in the 2015 Broadway hit “Hamilton” — and producers William Hutson and Jonathan Snipes, Clipping prides themselves on taking elements of horror films and transforming them into musical form. The trio’s name perfectly encapsulates their production style, as harsh, industrial noises overlay unnerving, spine-tingling screams and discord.
After graduating from Dartmouth, Allie Levy ’11 had two dreams. The first was that she would pursue a career aligning with her English major, potentially in bookselling. The second was that she might one day come back to Hanover. Last winter, Levy fulfilled both. She had a soft opening for the Main Street bookstore Still North Books & Bar on Dec. 19 of last year. The space is airy, calming and filled with a diverse collection of books that Levy hopes both students and Upper Valley residents can enjoy.
The Dartmouth theater department’s MainStage production for the term, “Faith, Hope and Charity,” premiered this past weekend, marking the department’s first-ever radio play. Adapted from the original German play written by Ödön von Horváth and translated by Péter Fábri, the production brings the European story into an American context.
The much-anticipated “Borat” sequel, “Borat Subsequent Moviefilm,” is as politically timely as it is funny. Starring Sacha Baron Cohen and directed by Jason Woliner, the film, released Oct. 23, outdoes its predecessor with its bold, high stakes pranks and rich political satire. At its core, “Borat Subsequent Moviefilm” makes a powerful critique of how misogyny is frequently overlooked in President Donald Trump’s America.
On Tuesday night, the Hopkins Center for the Arts hosted renowned opera singer Nicole Heaston for a discussion surrounding her celebrated opera career and her thoughts on the industry overall for her first event as an artist in residence. During the event, Heaston shared notable clips from her past performances and details regarding her experiences in the world of opera with the Dartmouth community.
On Oct. 21, mandolinist and singer-songwriter Chris Thile and singer-songwriter Aoife O’Donovan performed live from Brooklyn for the Hopkins Center for the Arts’ Hop@Home program. The event, which the Hop had originally planned to be performed in person, took place through the Hop’s YouTube channel.
Whether on or off campus, art enthusiasts now have the chance to browse Dartmouth’s public art collection thanks to the Hood Museum of Art’s new remote escape room game, “Escape to the Outdoors.”
In 2014, Iraq war veteran Phil Klay ’05 won the National Book Award for fiction with his debut short story collection, “Redeployment.” This year, he published his first novel, “Missionaries,” which tells the story of terrorism, drug wars and global conflict in Colombia through four intertwined perspectives. The story follows U.S. Army Special Forces medic Mason, foreign correspondent Lisette, Colombian officer Juan Pablo and Colombian militia lieutenant Abel as they struggle to navigate life in the midst of war. Klay’s work has been heavily influenced by his time serving in the U.S. Marines.