Search Results

Adjei: News Update

Sweeney: Right To Bare Arms

Review: R.F. Kuang’s Novel ‘Yellowface’ thrives in its instability

Brimming with dark humor and painfully unaware characters, R.F. Kuang’s novel “Yellowface” is a satire that unpacks the difficulty of being an Asian writer in today’s industry. The novel evokes instances of white authors profiting from writing stories about the suffering of non-white communities and real-life, race-based literary controversies — like the “Who is the Bad Art Friend?” feud — a nearly decade-long dispute between writers Sonya Larson and Dawn Dorland regarding race, authorship and friendship that became publicized by the 2021 New York Times article of the same name. Thematically, “Yellowface”  is entrenched in the current dialogue regarding the ownership of culture and identity in literature. To tell this tale, Kuang masterfully crafts the narration of her main character to create a voice that is both convincing and appalling.

Review: Oscar-nominated, live-action shorts showcase powerful stories of emotional healing

This year’s Oscar-nominated, live-action shorts are some of the most compelling pieces of cinema that I have ever had the privilege of viewing. Each of the films shown at the Hopkins Center for the Arts’  screening of the program tells an unforgettable, emotional story that feels highly relevant amidst the tumultuous global events of today's world. The three shorts in this review gripped audiences for their ability to tell stories that showcase how characters process tragedy, trauma, and grief.

The Dartmouth Symphony Orchestra performs their winter concert

On Saturday, Feb. 17, the Dartmouth Symphony Orchestra performed their winter concert in Rollins Chapel to a packed audience. The orchestra also performed the previous night to an audience during their open dress rehearsal.

Student Spotlight: Raegan Padula ’24 develops her sound through both machine music and the French horn

Throughout her time at Dartmouth, music major Raegan Padula ’24 has honed her craft as a skilled composer, french horn player, sound artist, producer and DJ. Through her music-focused coursework and attention to building community, Padula has developed her skills to find her unique sound at Dartmouth.

Displaced Theatre Company’s Umbra show features four student-created one-act plays

This year’s Umbra show, a one-act festival that started last year, held by the Displaced Theatre Company, took place on Feb. 10 and 11. Umbra consisted of four total one-act plays, which were all written, directed and performed by Dartmouth students.

Sweeney: Entrapment

Adjei: Snow Cappuccino

Hood exhibition “Gilded: Contemporary Artists Explore Value and Worth” prompts viewers to look closer

Bright and sparkling on the second floor of The Hood Museum of Art, its latest exhibition, “Gilded: Contemporary Artists Explore Value and Worth” piques interest and demands a closer look. Each of the works in this loan exhibition, all by contemporary artists within the last 10 years, incorporates elements of gold and gold leaf.

‘Israelism’ screening at Dartmouth explores changing perspectives on Israel among Jewish Americans

On Feb. 5, the screening tour of the 2023 documentary film “Israelism” came to Dartmouth. The screening, which was held in Filene Auditorium, was co-hosted by the Coalition for Immigration Reform and Equality at Dartmouth and the Palestine Solidarity Coalition. A range of students and local community members attended the screening, which was followed by a Q&A session over Zoom with co-director Sam Eilertsen. 

Marcello Hernandez headlines Programming Board’s Valentine’s Day comedy show

On Wednesday, Feb. 14, Saturday Night Live breakout star Marcello Hernandez performed a stand-up comedy set exclusively for Dartmouth students. Organized by Programming Board, the show took place in Collis Common Ground at 8 p.m. with opener Maddie Wiener, comedian and host of the podcast “We’re Having Gay Sex.” Hernandez took the stage at approximately 8:30 p.m.

‘A Renaissance’: Taking a Pulse on the Dartmouth Music Community

Music is embedded in our college experiences — whether it be belting out lyrics with friends on a night out or stumbling across a new favorite song that ingrains itself in your mind.  Dartmouth’s campus is riddled with musicians — songwriters, producers, instrumentalists,  singers and more. However, student musicians sometimes struggle with limited performance opportunities and the need to cater to general audiences rather than being able to explore artistically. 

Adjei: What Did You Do Over Winterim?

‘Constellations,’ an unusual play about modern love, opens at Northern Stage

“Constellations,” from British playwright Nick Payne, premiered on Saturday, Jan. 27 at Northern Stage in White River Junction. The unorthodox modern play portrays the life-altering effects of human decisions. The play presents raw and intimate moments chronicling the relationship between a British couple — the beekeeper Roland and physics professor Marianne — set to the music of a live pianist.

The Hood Museum opens its new winter exhibitions

On Thursday, Feb. 8, the Hood Museum of Art hosted its Winter Opening Event, celebrating the opening of new exhibitions. Students and the greater Hanover community indulged in live music, enjoyed refreshments and explored the museum. 

Trends: What Makes a Good Movie Soundtrack?

This article is featured in the 2024 Winter Carnival special issue. 

Sweeney: Cafe Apocalypse

What Could It Mean? Exploring Art’s Relationship to Activism at Dartmouth

This article is featured in the 2024 Winter Carnival special issue. 

Trends: The 2000s Are Back with “Indie Sleaze”

In the ever-evolving landscape of aesthetic trends, the year 2024 is witnessing a resurgence of the indie sleaze aesthetic. This movement that once had the 2000s in a chokehold, characterized by its bold, unapologetic maximalism, stands in stark contrast to the minimalistic, “clean girl” aesthetics that dominated last year. After the idolization of figures Matilda Djerf, Hailey Bieber and Sofia Richie Grainge, have we finally gotten sick of slick back buns and pastel colors in favor of vibrancy and self expression? This shift has been most recently seen in the rising popularity of indie sleaze, as well as the broader rise in maximalist trends, pushed by the cultural impact of artists like Zach Bryan and movies such as Emerald Fennell’s “Saltburn.”