Use the fields below to perform an advanced search of The Dartmouth's archives. This will return articles, images, and multimedia relevant to your query.
1000 items found for your search. If no results were found please broaden your search.
On April 29, Apple TV+ aired the final episode of “Pachinko,” an eight-episode television drama based on the bestselling novel of the same name by Min-Jin Lee. The series was such a success that, on the same day the final episode aired, Apple announced the renewal of “Pachinko” for a second season — a well-deserved achievement.
It’s no secret that Dartmouth is practically swimming in cash: Our $8.5 billion endowment rivals many nation’s GDPs, and we have dished out an enormous sum of cash on recent capital improvement projects, such as the recently announced $88 million allocated for renovating the Hopkins Center for the Arts. But aside from these public pronouncements, where exactly do we spend our money?
Film major Eduardo Hernandez ’22 started out behind the camera in middle school, delivering morning announcements and shooting sketches about the lunch menu. He found the experience “engrossing” — now, he is producing and directing a short film for his senior thesis titled “I Hope You Don’t Mind What I Put Down In Words.” To be completed by the end of spring, the short film focuses on the exhilarating early stages of love and features Annabel Everett ’25 and Jack Heaphy ’24.
It seems as if everything we do in life is a means to some sort of end. Individuals go to school to prepare for the real world — or sometimes to get into another school — or they get married to start a family, but the answer for why we care about sports may be more ambiguous to some. The answers we often hear are “you play to win” or “you play for the love of the game,” but as you get older, the potential answers change. At the college level, the answers are more along the lines of “you play to compete with the best of the best” or “you play to win championships.” As I’ve grown older, I cannot say I’m exactly sure where this change in the ends of our means happens, but I can confidently say that it does indeed happen.
At the beginning of 2021, Olivia Rodrigo skyrocketed into fame. Her publicity and marketing have sparked a new kind of popularity amongst not only the youth, but also young adults who resonate with her genuine storytelling. Rodrigo’s fame and acknowledgement on social media platforms, such as TikTok, illustrate the extent to which a generation living through a pandemic was hungry for content and musical inspiration. She has also taken on a nostalgic aesthetic, as she wears clothing reminiscent of the early 2000s, includes trendy filmmaking tactics in her music videos and weaves angsty rock elements within her songs.
Marijuana has long been present in music genres like psychedelic rock and reggae, even before the emergence of marijuana usage into the cultural mainstream. Despite historically being stigmatized, weed has progressively become decriminalized and legalized across the country, and recreational usage no longer draws as much scrutiny as it once did. And while marijuana, like any other drug, has the potential for dependency and abuse, it is better known for its euphoric and stimulating psychoactive effects. These effects have inspired musicians throughout history, enhancing their music and creativity.
Booth, Dartmouth’s DJ collective founded in 2016, is a social and art group that provides DJ services to Greek houses and other functions on campus. The collective is currently expanding their services by branching out to cover more events to fit a growing campus demand for DJs.
I was in that fuzzy space between sleeping and waking when I remembered that I couldn’t remember. The trash can beside the bed, the backwards t-shirt, the taste of frat in my mouth. Nice. Within minutes I was out the door, sneakers slamming hard against the cracked sidewalks. There was a part of me that desired some sort of physical undoing, like the act of sweating would somehow rid me of my poor decisions from the night before. I ran four miles that morning and jumped into the Connecticut with all my clothes on, probably still half-drunk. Soggy and confused, I returned to my room with the lyric line of “Why the fuck did I just do that?” reverberating around the inside of my skull. I didn’t know the answer to my own question, but I suspected that it had something to do with what I couldn’t process, what I didn’t want to sit in. Waking up to the taste of stale tequila on your tongue and foreign bruises all down your body from drunken falls makes for a depressing morning.
Among fans of hip-hop, Pusha T’s reputation precedes him. Since the early 2000s when he and his brother No Malice formed the legendary hip-hop duo Clipse, Pusha T has enjoyed consistent acclaim from fans and critics alike. The most recent subject of this acclaim was his album “Daytona” — released as part of a series of five albums produced by Kanye West which were released on consecutive weeks during the Spring of 2018. For many fans — myself included — the soulful instrumentals and uncompromising lyrics of “Daytona” seemed like hip-hop heaven, and it was hailed as one of the best albums of 2018 and the 2010s. Naturally, I was elated when Pusha T announced “It’s Almost Dry,” his first solo release since “Daytona.”
What comes to mind when you hear the words “Student Assembly”? Please take a moment to think about it.
Former Central Intelligence Agency director and deputy secretary of defense for the Clinton administration John Deutch spoke on campus on Monday about his struggle to transform the CIA after the Cold War. The talk, titled “America's Role on the World Stage,” was organized by the Dartmouth Political Union and the Dickey Center for International Understanding, according to an email sent to campus by the DPU.
The other day I was sitting in Foco with one of my good friends, telling him about my romantic woes. With an exasperated sigh, I declared: “It’s impossible to find a meaningful romantic relationship at Dartmouth.” To which he responded: “Actually, most of my good friends are in great relationships right now.” And proceeded to list the names of these so-called “happy couples.” God, right. I almost forgot — he too is part of the couples club. Gross.
I subscribe to Golden Age thinking, the wistful idea that life would be better in a different era. Like the delusional protagonist of a Woody Allen film, I tend to romanticize the past to cope with an unsatisfying reality. However, unlike other — potentially more devoted — romantics, I’m not attached to a specific decade.
Nestled in the basement of Baker Library, the Book Arts Workshop provides a unique venue for members of the Dartmouth community to learn about letterpress printing, bookbinding and more. The workshop attracts students and professors in many departments — from English to computer science — who take advantage of the program’s studio space and curricular support. To learn more, I spoke to the Book Arts Workshop Program Manager, Sarah Smith, about the workshop’s offerings and niche on campus.
The College welcomed 1,207 regular decision applicants to the Class of 2026, joining the 560 students who were admitted via early decision in December, according to an announcement from the admissions office. In total, 1,767 applicants were selected from a pool of 28,336 applications in total, for an acceptance rate of 6.24% –– just above last year’s record low of 6.17%.
After two years of limited travel and pandemic-related restrictions, it’s no wonder that when Dartmouth announced the re-opening of study abroads starting fall 2021, students jumped at the opportunity to participate. For those interested in studying abroad, the College offers both language study abroads — which focus primarily on language skills — and foreign study programs — which focus on a particular field of study in the context of a different country.
Senior Spring: My final, prodigal term at Dartmouth College. In a lot of ways, the start to this quarter has felt extremely ordinary: The usual pre-class jitters, luxuriously long Foco dinners with friends recounting every detail of break, neglecting to unpack my suitcase until week two — the list goes on. But as the spring weather brings the shrubbery back to life, my time at the College dwindles away with each new sprouting flower. Speaking technically, as it is currently week two, I am somehow already a fifth of the way through the term.
After her first experiment with hyperpop in 2016 with the EP “Vroom Vroom,” Charli XCX has been on the cutting edge of new sounds in popular music. Albums like “Charli” (my favorite album of 2019) and 2020’s “How I’m Feeling Now” have been instrumental in bringing the bubblegum bass sound — pioneered by her late collaborator SOPHIE and British music label PC Music — to the mainstream. However, as she releases the final album of her record deal with Atlantic, Charli XCX is trying something new: By her own admission, she’s selling out.
Well folks, this is it. The last editors’ note from the 178th Mirror Editors of The Dartmouth. We think that this final issue calls for breaking the third wall, so here goes: Hello! We are your editors, Novi Zhukovsky and Christina Baris. In case you were curious, we divide up these little notes by alternating week by week; this issue, it’s Novi writing. Well honestly, “writing” is a strong word; I am typing clunky strings of words, only to erase them once again — trying to write perfect sentences, perfect enough to reflect this paper, to display the love and hours we’ve put into these pages. It's an impossible task, and yet, like Sisyphus, I hopelessly continue to put words on paper, in search of a new arrangement that feels right. Maybe, for the first time, I, an editor, am without words.
Ivy Day, the fateful moment on April 1 when thousands of students receive their admissions decisions from eight elite institutions, is less than a month away. As joyful as this day is for some, it also raises an important issue: The college admissions process in the United States is flawed and must change.