Underworld mines dark new sonic territory on 'Fish'
Rock music is becoming more and more derivative with every new Sugar Ray single and Nirvana sound-alike band spat into the already glutted sewer pipe of the pop music market.
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Rock music is becoming more and more derivative with every new Sugar Ray single and Nirvana sound-alike band spat into the already glutted sewer pipe of the pop music market.
Given its size, the small European nation of Estonia has produced a surprising number of renowned artists. Not the least of Estonia's claims to international fame is its flourishing tradition of animation.
"A Stranger in the Kingdom," director and screen writer Jay Craven's newest film, aired publicly for the first time last Saturday evening in Spaulding auditorium.
The 1997-1998 academic year marks Dartmouth's 25th year of coeducation. The Dartmouth Film Society is contributing to the celebration with "Shattering the Ceiling: Unconventional Women in Cinema," the '97 Fall film series.
Although Jo Weingarten '98 dabbled in theater in high school, initially she didn't consider pursuing it at Dartmouth.
"Spawn" gives us a dark tortured hero and amazing computer-generated effects but, like too many action films today, goes heavy on the special effects and too light on the story.
The Hood Museum received 121 Old Master and nineteenth-century European prints, including 29 Rembrandt etchings, in a gift of unprecedented quality and quantity from the widow of late Dartmouth alum Adolph Weil '35, a long time patron of the Hood and preeminent American print collector.
"Operation Condor" falls far short of the mark of Jackie Chan's older films, such as "Drunken Master II."
Whether their interests lie in film, music, drama or literature, Dartmouth students have a variety of activities available to them, either directly or helping out behind the scenes.
"Contact" starts slowly, with mundane every-day life drama, and escalates into a sci-fi epic under the considerable directive talents of Robert Zemeckis, Academy Award winning director of "Forrest Gump."
"I think of this film as a wake-up call," Steven Lipscomb '84, director of "Battle for the Minds," said. The film is a documentary on the fundamentalist invasion of the Southern Baptist Convention.
Two Alumni have given the gift of competition to the Big Green lacrosse and field hockey squads: a chance to compete at home on artificial turf when the New England weather turns dismal in late fall and early spring.
Foregoing previous attempts at intellectualism in favor of the spirit of summer, the Dartmouth Film Society is screening a jovial group of action-paced films this term aptly titled "Excellent Adventures."
As much as they would have liked to, the Hayes office, the censorship board of the 1920s, could not touch "Sadie Thompson," the 1928 silent film classic.
Members of Boston-based Morphine play their own distinct kind of music, called "Low Rock," and they continue this trademarked technique in their latest effort, "Like Swimming."
How does one define the sound of pop group "They Might Be Giants?" The only answer may be to play one of their albums.
The ubiquity of pop music played on guitars and drums has become oppressive for many people. Future Loop Foundation is a refreshing break from this entrenched tradition.
A palpably expectant air hung about the throngs of people waiting to hear Rusted Root perform in Leede Arena last Saturday.
Folk is once again finding a niche in popular culture. With the rise of new folk singers such as Dar Williams and the rediscovery of older artists such as Joan Baez, this musical form is making a comeback.
The skeletal remains of the man-eating lions which inspired the movie "The Ghost and the Darkness" can be seen today in the Smithsonian Institute.