1000 items found for your search. If no results were found please broaden your search.
From Feb. 22 to March 2, the exhibit “#MeToo: Intersectionality Hashtag Activism and Our Lives” will be up in Berry West in the hallway in front of King Arthur Flour Café. The exhibit is a compilation of poetry, artwork and academic information about the Me Too movement in the U.S. and abroad, created by Dartmouth students. The work included in the exhibit is a product of the 2018 fall women, gender and sexuality studies class, which shares the name of the exhibit.
In response to a Student Assembly resolution and a subsequent meeting with SA leadership regarding racist vandalism found in dorms in Oct. 2018 and more recent racist emails targeting students and faculty, interim dean of the College Kathryn Lively publicly responded with a letter detailing three action items that Student Affairs was committed to taking in the coming weeks and months.
Geography professor Luis Alvarez León proved his passion for geospatial data after writing his master’s thesis on how Netflix tailors its movie recommendations based on a customer’s location. But, in a recently published study in the journal Cartographic Perspectives, Alvarez León looks into the future of spatial data collection relating to self-driving cars, particularly its political and social implications.
After over 30 years of caring for 200 acres of land under trail, pond and conservation easements in the City of Lebanon, the town of Hanover is hoping to move away from its management of the acreage.
Bus riders who use the Advance Transit Orange line may see a change to their route as soon as the non-profit agency decides whether or not to discontinue its service to the Gilman Office Center on Holiday Drive in White River Junction.
English and creative writing professor and writer Alexander Chee grew up wanting to be a fashion designer and visual artist. Taking writing classes at Wesleyan College, however, changed Chee’s mind and prompted him to think of writing as a professional career. As the author of two award-winning novels — “Edinburgh” and “The Queen of the Night” — Chee recently became a finalist for PEN America’s PEN/Diamonstein-Spielvogel Award for the Art of the Essay for his essay collection “How to Write an Autobiographical Novel.” For three years at Dartmouth, Chee has taught fiction writing, first-year writing and English 87, “Imaginary Countries,” a course on speculative fictions. This term, he is teaching Creative Writing 20, “Intermediate Fiction I” and the first-year seminar English 7.46, “Belonging, Migration, Exile.”
Risk is a basic principle in economics: investors are willing to take on risks in exchange for a better return on their investment. At Dartmouth, we’re taking risks all the time, from plunging into Occom pond during Winter Carnival, enrolling in a class just because it sounds cool or sending a hopeful flitz to a crush. Sometimes taking these risks pay off, other times not so much, but we’re willing to do so for the chance of making our short time here all the more worthwhile. In this week’s issue of Mirror, we encourage you to take a leap of faith and join us as we explore the various risks we take — from sharing spaces with people who at first glance may seem to hold very different values than us, to choosing an unconventional career path. So what are you waiting for? Let’s dive in.
“Leap of faith.” What comes to mind? Many of us have grown up hearing this phrase associated with optimism or hope, but I wonder what ties it to fear. Though varied, here are some insightful thoughts on perceiving the “upcoming” and the “unknown” from your very own seniors on campus.
I am sure many of you have taken a leap of faith and applied to study abroad. The application deadline was Feb. 1. If you didn’t, I recommend that you do next year. My two terms abroad, in Spain and Cuba, have been my richest learning experiences at Dartmouth. However, merely signing up for a program is not enough. It is up to you to maximize your time abroad.
With summer internship application season in full swing and, for some, the final Dartmouth term ever just around the corner, students across campus are being faced with a question many love to ask but few like to answer: what are you planning to do after graduation?
Unlike many of her peers during junior summer, Rachel Kesler ’19 chose to forgo joining the money-making corporate exodus into the high rises of consulting, finance and tech firms. Instead, she chose to work in a place she loves — the Moosilauke Ravine Lodge. Kesler lauds taking the position of assistant manager of the Lodge as one of the best risks she’s taken in her Dartmouth career.
“Risk it for the biscuit!” “Do the damn thing!” “Ball the f— up!”
A team of students from the Tuck School of Business was awarded first prize in the Global Universities Challenge at the World Government Summit in Dubai this month. The competition asked participants to craft a 10-year plan for the sustainable development of the fictional Middle Eastern country of “Urmania,” according to executive director of the Tuck’s Center for Business, Government and Society John McKinley, who served as the faculty adviser for Tuck’s challenge team.
In the fifteenth chapter of "Mixed from Maine," Cecilia Morin '21 looks at the last hurdle before Spring Break.
The offensive remarks and actions made by Dinesh D’Souza ’83 are so numerous that I can only begin to break down a few of his most egregious ones. I feel it is important to do so because many of D’Souza’s supporters seemed baffled that anyone would dare to claim he is a racist or a homophobe, even though his ideology is deeply rooted in provoking outrage with his offensive remarks. D’Souza proudly makes his shocking comments on his social media platforms and in his books, such as “Letters to a Young Conservative,” which I will be referencing throughout this piece. It appears that D’Souza is thrilled to capitalize off of controversial and hateful stances in order to gain more attention and followers. Perhaps I am feeding into his desires by putting the spotlight on him in this piece, but nonetheless I find it important not to let his dark past fade away from the public eye.
As winter term comes to an end, it’s as good a time as any to review the speakers the Dartmouth College Republicans have exposed our school to over the past two quarters: David Horowitz, Tawfik Hamid and Dinesh D’Souza ’83. The Dartmouth College Republicans speaker line-up responds to the age of post-truth unprincipled politics and amoral Republicanism with, “Yes, let’s do that.” Instead of inviting respected Republicans or policy analysts, the College Republicans have scraped the very bottom of the modern media landscape’s fringe punditry to produce a remarkable lineup of bigots and hacks. But let me back up my argument with facts — a novel idea to the men on the above list.
The Oscars may have come and gone, but I’m still not quite ready to embrace the new cinematic year. So, as a final send-off, it seems fitting to reflect on the best and worst films that 2018 had to offer. A couple of caveats before I begin, though: 1) Rather than organizing these films into a meaningless ranking, I’ve arranged them alphabetically. However, I have bolded the titles of the best film and the worst film of 2018 (in my humble opinion). 2) There are plenty of films from 2018 that I would have loved to see but haven’t gotten a chance to, largely due to accessibility issues. If you don’t see one of your favorite films from last year on this list, assume that I wanted to see it, didn’t get the chance to and would have included it on this list if I had. That last part is total wishful thinking, but it will keep everyone marginally happy. As a disclaimer, I did see all the Best Picture nominees.
Just as contemporary crowds flock to the Louvre today to catch a glimpse of DaVinci’s “Mona Lisa,” during the 19th century, there was one painting that stood out amidst all the rest as the most captivating work of the “Grand Tour.” The artwork, falsely identified as Guido Reni’s 1599 portrait of Beatrice Cenci attracted visitors from all around the globe and spawned numerous copies. Writers such as Charles Dickens, Nathaniel Hawthorne and Herman Melville all documented their journey to Rome to see the painting. Hawthorne wrote in his travel journal that the painting’s “spell is indefinable, and the painter has wrought it in a way more like magic than anything else I have known.” The work appears in two of Edith Wharton’s novels and provided the inspiration for Percy Shelley’s 1819 drama “The Cenci.”