Student Spotlight: Indian classical dancer Arati Gangadharan ’18
Originally trained in Indian classical dance forms, Arati Gangadharan '18 found both community and opportunities to explore other styles as a member of Raaz dance team.
Originally trained in Indian classical dance forms, Arati Gangadharan '18 found both community and opportunities to explore other styles as a member of Raaz dance team.
We may not think of Greek houses as spaces for observing art, but there are histories marked on muraled walls and private meanings inscribed in pong table paintings.
Last Thursday, cellist Seth Parker Woods and Dartmouth music professor Spencer Topel performed their work “Iced Bodies,” a piece about the Black Lives Matter movement that falls between the line of a musical performance and an art installation.
Dartmouth professor and best-selling novelist Alexander Chee’s new book “How to Write an Autobiographical Novel" is a collection of 16 chronologically ordered nonfiction essays. It is simultaneously a deep dive into Chee’s craft, a political thinkpiece, a memoir and a call to action.
Does “Infinity War” deliver on its promises? The short answer: Yes. The long answer: A lot depends on how you feel about the Marvel Cinematic Universe, given that this film so often manages to embody both the best and the worst about the franchise.
Professor of music William Cheng's lecture “Loud Music Trial: His Music Was Not A Weapon” shares the story of the fatal shooting of unarmed black teen Jordan Davis, whose murderer claimed that Davis' “loud rap music” constituted a threat to his life.
“Garbáge: An Artistic Wasteland,” which showed at the Hop Garage over the weekend, featured works incorporating trash as a primary medium and theme, examining global struggles with pollution and waste management.
In Kayleen Schaefer’s “Text Me When You Get Home,” released Feb. 6, the infamous words of parting friends are made into the foundation for a broader dialogue about the nature of women’s friendships, on screen and off.
Leslie Odom Jr. left the Broadway phenomenon “Hamilton” more than a year ago, but his Saturday night performance at the Hopkins Center for the Arts proved that there is far more to the Tony-winning actor than his portrayal of Aaron Burr.
“A Quiet Place” is a brilliant horror movie that uses its premise to playfully subvert the viewer’s expectations.
The Ukulele Orchestra of Great Britain was simultaneously serious and funny in their sold-out performance on Saturday night.
The newest exhibition at the Black Family Visual Arts Center presents an array of works students have produced over the years at the Book Arts Workshop, tucked away in the basement of Baker-Berry Library.
“Isle of Dogs” is another strong entry to the Wes Anderson oeuvre and Northern Stage puts on "Noises Off."
Four arts writers visited Leya’s Island Grill, the Carribean-Thai fusion restaurant that recently replaced Kata Thai, to see how the new eatery stacks up.
Havanan composer, musical director and singer Daymé Arocena showcased her versatile talent at the Hopkins Center on Thursday.
The second season of Netflix's “A Series of Unfortunate Events” maintains its gothic charm, idiosyncratic humor and heartfelt sincerity.
Groff’s Florida is simultaneously seaside utopia and swampy inferno, mystical and commercial, a place for the old and a place for the young.
While improvisational comedy has different variants – Dartmouth’s Dog Day Players do long-form improv with lengthy scenes and a returning cast of characters, while Casual Thursday favors short-form improv – the basic principles are the same.
In light of the failure of “A Wrinkle in Time,” the cultural importance of “Black Panther” has become all the more evident.
The Gob Squad Art Collective's audience-interactive rendition of Tolstoy's "War and Peace" brought up questions about ourselves, the world we live in and our responsibility as people living in that world.