1000 items found for your search. If no results were found please broaden your search.
New Hampshire residents that have missed the sight of nature underneath all the winter’s snow could look to Meg McLean’s exhibit, “Still Seeing Green,” for a welcome glimpse. The exhibit, sponsored by the Osher Lifelong Learning Institute at Dartmouth, includes a collection of oil paintings depicting various New England landscapes.
Seth Swirsky ’82 has exhibited a tremendous love and need for creative expression through his eclectic artistic career. As a 20-year-old junior at Dartmouth, Swirsky, an English major, wrote a jingle that was picked up by Thomas’ English Muffins before he decided to pursue songwriting upon graduating from the College. Swirsky’s songwriting career includes hits such as “Tell It to My Heart,” recorded by Taylor Dayne in the late ’80s, and work with several large labels. In 1996, Swirsky rediscovered his childhood love for baseball and wrote “Baseball Letters: A Fan’s Correspondence with His Heroes,” which consists of letters he wrote to baseball players, such as Cal Ripken Jr. and Ted Williams, and their handwritten responses back. Swirsky then experimented with yet another form of storytelling and combined it with his love for music — he took a handheld camera and interviewed people who had stories to tell about his favorite rock band, The Beatles, which he put together into his award-winning documentary “Beatles Stories.” Swirsky also has a Beatles-inspired band, The Red Button, and started his own recording career in the early 2000s. In 2013, Swirsky received a master’s degree in clinical psychology. He currently practices in Los Angeles. His clinical practice has inspired two artistic productions: his latest record “Circles and Squares,” released in 2016, and his fourth book “21 Ways to a Happier Depression: A Creative Guide to Getting Unstuck from Anxiety, Setbacks and Stress,” filled with watercolor images and techniques for alleviating anxiety and depression, released this week. Swirsky, who is also a visual artist, is currently putting together paintings for a show next year.
Julie Solomon ’17 is an integral member of Dartmouth’s theater department — she is its go-to person for set design, a passion she discovered in high school almost by accident. After not getting a part in her school play, she was invited to work on the set crew instead. It was then that she fell in love with set design and chose to continue pursuing it, excited to build props and even use power tools.
Tonight at 8 p.m., world-famous virtuoso violinist Hilary Hahn and pianist, musicologist and composer Robert Levin will perform a rich selection of repertoire in Spaulding Auditorium. The performance will be Hahn’s first concert in the Upper Valley.
Kimberley Tait ’01 has balanced pursuits in both the financial and literary worlds since graduating from Dartmouth as an English and government double major.
Many film reviewers, myself included, would argue that we are currently in the midst of a “golden age” of superhero cinema. Marvel Studios floods our theaters with critical and commercial successes and although DC Entertainment may currently be floundering in comparison, it recently rode high on the success of Christopher Nolan’s “The Dark Knight Trilogy.”
I did not plan on reviewing “Fantastic Beasts and Where to Find Them,” but after the Nugget Theater decided at the last minute not to play “Logan” and after the Hopkins Center’s screening of “Kedi” was sold out, I realized it was just about the only option left to me. Much of the reason I didn’t want to review “Fantastic Beasts” was because I didn’t want to write the negative review that I was sure would come.
By day, Keiselim “Keysi” Montás is the associate director of Safety and Security. However, outside of his duties as a public safety officer, Montás enjoys carpentry, tango dancing and writing Spanish poetry and fiction. Montás has been recognized by the Dominican Republic, where he grew up, for his contributions to Spanish literature. He has published four books of poems and short stories, the most recent of which is currently displayed in King Arthur Flour in Baker-Berry Library.
A strong depiction of the life of two Dartmouth graduates, soon-to-be-published novel “Fake Plastic Love” by Kimberley Tait ’01 is a read that will appeal not just to college students but also to anyone with a deep nostalgia for the past in the face of an extremely digitized future. Tait’s novel tells the story of two close friends: the narrator M., a no-nonsense investment banker who believes in the value of hard work and stability, and Belle, a whimsical lifestyle blogger who believes in the power of dreams and love. M. and Belle’s friendship is one of the story’s strongest points because Tait does a great job depicting the undercurrent of youth that draws the two characters together despite their differences.
Marking the competition’s 10th anniversary, the Dartmouth Idol Finals is poised to offer its most engaging performance yet. Tonight’s show will feature numerous former contestants and celebrity host Rachel Dratch ’88 of “Saturday Night Live.”
After last year’s “Oscars So White” controversy, I didn’t think a more uncomfortable Oscar ceremony would be possible. But somehow, the last five minutes of this year’s ceremony managed to top it and then some. In one of the most awkward moments in Academy Awards history, it was revealed that “Moonlight” had actually won Best Picture, even while the “La La Land” team was giving speeches on stage.
“Get Out” begins with a beautiful, stylistic long take following an African-American man trying to navigate a suburban neighborhood in the middle of the night. The scene sets the stage perfectly, as the man attempts to evade a car that starts to harass him. “Get Out” is a horror film to be sure, but its predominant interest is actually in the real-world horrors inflicted daily on the African-American community. It’s amazing that Hollywood, known for thinking the world is composed of entirely white, straight, cisgender males, allowed this film to be made — a film which unmasks the casual, passive and insidious racism that remains deep-seated and systemic in our society.
After playing Ludwig van Beethoven’s “Symphony No. 9” last spring, the Dartmouth Symphony Orchestra will be performing and paying tribute to the famed composer with a piece created by another beloved composer Johannes Brahms. As part of its winter concert this Saturday, DSO will play Brahms’ “Symphony No. 1,” which is often referred to as “Beethoven’s Tenth” because of its similarities to Beethoven’s “Symphony No. 9.” The other piece, Jean Sibelius’ “Violin Concerto,” also comes from the late Romantic era and will feature Orestis Lykouropoulos ’17 on violin.
The beginning of 2017’s music landscape has been uncontestably dominated by rap artists from a city that has recently become a key niche of American popular culture: Atlanta, Georgia. Following the release of Migos’ wildly successful “Culture” in late January, Atlanta’s unique brand of trap rap has maintained a constant presence on radio stations, late night talk shows and the Billboard Hot 100 Chart.
The first few minutes of “The LEGO Batman Movie” are some of its funniest. As the audience stares at an empty screen waiting for the film to start, Batman (Will Arnett) informs us in a voice-over that all great movies start with a black screen and edgy music that makes parents and studio executives feel uncomfortable. He proceeds to comment on the varying degrees of epicness inherent in each of the studio logos as they appear on screen. I had yet to see a single LEGO brick, and I already thought the movie was hilarious. We then jump right into the middle of the action as literally all of Batman’s villains attempt to destroy Gotham City. The police are evidently helpless until the Dark Knight arrives on the scene, cues his own background music and starts unleashing havoc on his enemies. The first half of “The LEGO Batman Movie” is exactly like this: nonstop breathless fun filled with witty satire. It’s only a shame that the film decreases both in speed and in quality as it approaches its finale.
Everyone at Dartmouth excels at something, but it is rare to find a student who manages to surpass expectations in countless different fields. While choosing to major in English with a concentration in creative writing, Alex Lopez ’15 has expanded his time at Dartmouth beyond the traditional academic bounds, pursuing coursework and internships in the fields of sustainability, finance, politics and numerous other areas.
Christina Ritter ’99 majored in history and participated in theater productions during her time at Dartmouth. Post-graduation, she trained in acting at the London Academy of Music and Dramatic Arts before completing a Ph.D. in theater at the Ohio State University. She now teaches “Introduction to Theater” at the University of Kentucky and is actively touring the country with her theater company, “for/word.”
A play about a dystopian society oppressed by a malevolent corporation during a harsh drought in which residents must pay to urinate does not seem to have much potential for laughs. However, the Dartmouth theater department’s presentation of the Tony-winning musical “Urinetown” promises a satirical play that is not only a laugh but also a look at contemporary issues through the lens of a theater production.
Gene Baur is an activist and best-selling author who co-founded the farm animal protection organization Farm Sanctuary. Time Magazine has called him the “conscience of the food movement” and he is one of Oprah Winfrey’s SuperSoul 100 dream team of “100 awakened leaders who are using their voices and talent to elevate humanity.” Tonight at 7 p.m., he will be speaking with students and community members in Achtmeyer Hall about his work in sustainability during a “Sustainable Dinner with Gene Baur.”