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Over spring break, the Rude Mechanicals –– Dartmouth’s student-run Shakespeare company –– performed “The Comedy of Errors” across the Upper Valley in their first ever tour. The group also ran workshops with seven middle and high schools in the Upper Valley and greater Vermont area.
Ramsey Alsheikh ’26 has a dream.
Ramsey Alsheikh '26 imagines the College president when she was in undergrad.
Christian McBride — a jazz musician who has performed bass for the past 30 years — will bring his newest ensemble, Ursa Major, to the Hanover Inn on April 16 at 7:30 p.m. The sold-out performance is part of the Hopkins Center for the Arts’ 2024-25 season.
On March 28, the Hood Museum of Art debuted its new exhibit on Claude Monet, entitled “Monet: Reimaging the French Landscape.” Hood Museum curator of European Art Elizabeth Rice Mattison curated the exhibit, which explores Monet’s influence on impressionism. The exhibition inspires viewers to consider Monet’s impact on the art world through developing the style of impressionism.
From April 10-12, the HanUnder Art Festival will turn Hanover into a celebration of student creativity.
During the summer of his sophomore year, Kabir Mehra ’26 decided to reach out to some of his friends to “jam out” some of the songs he had been workshopping on his guitar. By week three of summer term, the group had fleshed out a repertoire of songs and formed a band: Day Drooler. This band is more “just a group of friends,” Mehra said. Christian Smith ’27 and Nathan McAllister ’25, who play lead guitar and saxophone respectively, had done gigs with Mehra the spring before Day Drooler’s formation. Grant Foley ’25, who plays the drums, and Ian Glick ’26, who plays bass, both became friends with Mehra through the Dartmouth music scene.
Ramsey Alsheikh '26 makes an analogy on campus current affairs.
Although Dan Erickson’s “Severance” is rife with cynicism and corporate humor, it differs drastically from a workplace satire. “Severance” is ultimately a work of science fiction. The show grants insight into the depths of human psychology and emotion.
“L’Absinthe” by Edgar Degas. “Tired” by Ramón Casas. “The Wedding Dress” by Frederick Elwell. These are the portrayals of women experiencing extreme despair that inspired Michelle Zauner in the production of Japanese Breakfast’s new album, “For Melancholy Brunettes (& sad women),” which was released on March 21.
“This is bliss / This is Hell / Forever is a feeling / And I know it well,” sings singer-songwriter Lucy Dacus in the titular track of her fourth solo album, “Forever is a Feeling.” These lines depict the central juxtaposition of the record which grapples with the ephemerality of love. Dacus knows “forever” is impossible, but she wants it all the same.
Grace Lee '28 illustrates the official end-of-the-winter guide to walking around campus.
Jamylle Oliveira '26 is almost done with her finals... but first needs to get her comic in for the D.
Stephen Adjei '25 makes the pitch for more of a different kind of cookies on campus.