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The Dartmouth
July 23, 2025 | Latest Issue
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SZA’s ‘Lana’ cuts deep on relationships and self-acceptance

(02/03/25 7:00am)

In classic SZA fashion, the deluxe version of her second album “SOS,” titled “Lana,” arrived later than expected — a testament to her perfectionism. Although teased to release at the stroke of midnight on Dec. 20, 2024, SZA spent the morning making finishing touches, sweetening the deal by dropping a teaser music video, featuring actor Ben Stiller, for the song “Drive” at the original drop time. It wasn’t until 3 p.m. when my Spotify refreshed and I was finally able to embark on my latest SZA-inspired spiritual journey. A winterim-emptied and situationship-drained receptacle, I sat on a park bench near my home in Florida and pressed play. Dropped two years after its parent album, the deluxe version was well worth the wait. On that perfectly sunny afternoon, I floated away to the tune of the opening flute synths on “No More Hiding.” 

https://www.thedartmouth.com/article/2025/02/demartino-szas-lana-cuts-deep-on-relationships-and-self-acceptance

‘Nosferatu’ is a faithful but uninspired revival of a horror classic

(01/31/25 7:00am)

Robert Eggers’s “Nosferatu” was a skillfully made image of the 1830s in Germany – a predictable victory for the veteran director who spent 10 years on the film. Eggers’s film history boasts immersive, tonal psychological thrillers. Notably, “The Witch” and “The Lighthouse” made him well suited to take on “Nosferatu.” However, when placed outside of Eggers’s repertoire and into that of the series of films based on the original story of “Nosferatu,” his remake fails to make a meaningful addition to the canon despite his promises to provide a feminist interpretation. 

https://www.thedartmouth.com/article/2025/01/banta-nosferatu-is-a-faithful-but-uninspired-revival-of-a-horror-classic

Cara Romero’s landmark photography exhibition opens at The Hood Museum

(01/31/25 7:05am)

On Jan. 17, “Cara Romero: Panûpünüwügai (Living Light)” opened at the Hood Museum of Art. Curated by curatorial affairs associate director and Hood Indigenous Art curator Jami Powell, the exhibition — a showcase of over 60 photographs spanning more than two decades — marks photographer Cara Romero’s first-ever solo museum exhibition. 

https://www.thedartmouth.com/article/2025/01/cara-romero-hood-exhibition