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Writers’ Strike
Rush Questions
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Review: Maggie Rogers’s “Summer of ’23” tour showcases her growth as an artist
Orange was the color of the evening on July 31. The warm, golden sun lowered over the Fore River at Thompson’s Point in Portland, Maine. Shortly after, the nearly tangerine-colored full moon rose in the sky, which headliner Maggie Rogers pointed out to the crowd. Matching the celestial bodies, Rogers emerged on stage wearing an orange leotard and a sheer wrap-skirt.
Review: The Chicks are fearlessly political in world tour
I went to see The Chicks so I could sing “Wide Open Spaces” at the top of my lungs. I wanted to jump up and down to Martie Maguire’s fiddle and let Natalie Maines’s voice wash over me. But, instead, I was confronted by music as a language of resistance.
The Fairlee Drive-In Movie Theater continues to offer summer fun in the Upper Valley
The Fairlee Drive-in Theater has been a staple of the arts and culture scene in the Upper Valley since its opening in 1950. Started by a Florida-based contractor looking for summer employment, the business model soon adjusted to include a motel in 1960 — meant to accommodate travelers looking for lodging along the newly built I-91 interstate, according to current owner Peter Trapp.
Review: Dominic Fike’s “Sunburn” Fades Fast
In the third song off Dominic Fike’s newest album, “Sunburn,” he sings, “If it’s not a puzzle, it must be nonsense.” Ironically enough, those lyrics do a pretty good job at summing up my thoughts on the artist’s sophomore endeavor.
My Summer in Concerts
I hit the concert jackpot this summer. For relatively low prices, I had the privilege to attend three concerts this past month — Hans Williams, The Backseat Lovers and Noah Kahan. Although all three bands create music that toes the line between alternative, indie and pop, their concerts each felt strikingly different. Each concert created a unique atmosphere that left me awestruck and listening to their albums in a repetitive loop. Ultimately, my heart melted most for the two hometown performances — both Williams and Kahan are Vermont natives.
Summer, The Good and The Bad
Early Bird Gets the Worm
Flair, Bequests and Wild Themes: The Going-Out Fashion of Sophomore Summer
As Wednesday, Friday and Saturday evenings roll around each week, students consult their bin, bag or drawer stuffed with flair — “brightly colored” and/or “random, wacky clothing,” according to Sam Frohlich ’25. They dig through piles of sparkly skirts, jerseys, random hats or silly t-shirts in search of something to match a party’s theme — or perhaps just “to make you look a little weird,” Kalyn Dawes ’25 said.
Review: Introducing the Newest Barbie: Existential Barbie
“Life in plastic, it’s fantastic!”
Battle of the Barbenheimer
I went into the dual premiere of “Barbie” and “Oppenheimer” (coined “Barbenheimer”), cautiously optimistic. Since the advent of streaming services, Hollywood has grown disgustingly commercial, with films existing as a product first and an artistic mode second. “Where is the soul?” one might ask, upon watching “Don’t Worry Darling” or “Don’t Look Up.” I worried Barbenheimer would be the same gig — theatrical blockbusters compensating for a lack of depth with aesthetics. When the integrity of a film rests solely on its cast and production budget, the story usually suffers.