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The College is investigating two students following the alleged racial harassment of a group of Indigenous community members during an Indigenous Peoples’ Day event last fall. One of the students under investigation is Cooper Black ’26, a member of the Big Green men’s hockey team.
Dartmouth’s beauty is readily apparent in the postcard-worthy shots of Dartmouth Hall, the Green and Baker-Berry and Sanborn Libraries. Yet students craving alone time during midterm season or an escape from their jam-packed schedules might also take solace in some lesser-known locations. When you look past Dartmouth’s most recognizable buildings, you’ll find the College is a patchwork of hidden gems which ultimately coalesce into a dazzling whole.
In 2022 — the fall of her freshman year — New York-native Olivia Pichardo tried out for the Brown University baseball team, despite its historically men-only roster. Pichardo ultimately made the cut, joining the spring roster and becoming the first women to play NCAA Division I baseball in the division’s history. Pichardo also joined the USA Baseball Women’s National Team in 2022.
The Dartmouth men’s and women’s golf seasons are underway, despite snowy weather at the start of the term. Both teams have fared well in their tournaments to date, with the women’s team securing a third-place finish in the Rutgers Invitational and the men’s team taking second at the Columbia Autumn Invitational from April 6 to 7.
Dartmouth hosted a series of events to honor famed poet Robert Frost’s 150th birthday, according to English and comparative literature professor Donald Pease. The poet matriculated with the Class of 1896 but left Dartmouth during his first term, according to the Dartmouth Libraries website.
On Jan. 31 — after failing to reach a licensing agreement with TikTok — Universal Music Group removed its catalog from the platform. UMG represents around 250 artists, including A-Listers such as Drake, Billie Eilish and Taylor Swift. The result: 30 percent of popular songs have been removed from the platform and many old videos no longer have sound.
On April 2, cartoonist Liniers discussed his new book, “Macanudo: Optimism is for the Brave,” with English and Creative Writing department chair Peter Orner at Still North Books & Bar. Originally slated to take place on Jan. 16, the event was rescheduled due to inclement weather.
When students want to listen to music or tune in to their favorite podcasts, they might first turn to streaming services like Apple Music or Spotify. But another option for Dartmouth students lies on the third floor of Robinson Hall — the Web Dartmouth College Radio station, a hidden gem from which students host radio talk shows and stream their curated playlists. According to the organization’s website, WebDCR is Dartmouth’s freeform, online and student-run radio station. The organization, which occupies a unique niche in Dartmouth’s media landscape, has undergone numerous changes throughout its history — most notably, the College sold its FM station to WFRD, a commercial radio station in Hanover, in 2021. Since then, WebDCR transitioned to exclusively online broadcasting.
Mid Fayerweather Hall on a Saturday morning isn’t always a pretty sight. Walking into the common room, you might find it completely trashed — chunks missing from the wall, garbage scattered across the floor, chairs upended — the unfortunate result of a rowdy Friday night. We often take our living spaces for granted without appreciating the hard work of those who keep them neat and tidy. This week, I decided to spotlight one of the staff members who keeps our living spaces clean while we run from classes to clubs to Greek houses — and everywhere in between.
English and creative writing professor Alexander Chee once told me that a successful story “insists that the insignificant is significant.”
Over the past four years, awards shows, such as the Golden Globes, Emmys and Oscars, have faced record-low ratings. Shifting patterns in viewership among younger audiences and the popularity of streaming —which produces an oversaturation of content—seem to threaten the relevance of awards season among the next generation.
For one of my first photo assignments, I signed up to take photos on Election Day 2020. I roamed campus for hours and captured shots of students volunteering, waving signs and handing out gear, as well as photos of the polling center in full swing.
It’s impossible to walk around campus in the morning without seeing at least a few students holding a caffeinated drink in their hand. Some students rely on their daily iced coffees from Novack or a green tea from Collis, while others swear by a Diet Coke from the Hop or an energy drink from a vending machine.
The forecast calls for a day full of sunshine and temperatures that hover just above freezing. The roads are quiet — everyone has left for work and school. The trees are still. From what I can tell as I look out my bedroom window, it is a perfect day for a run. I ponder the different routes I could try and reach for my phone, reflexively, as if being steered by an invisible force, to check Strava, to find the perfect route.
“Credit or debit?” Jack Stinson asks his next customer at the Stinson’s Village Store’s front counter, pausing our interview to ring up local cheese and a soda.
This article is featured in the 2024 Winter Carnival special issue.
This article is featured in the 2024 Winter Carnival special issue.
This article is featured in the 2024 Winter Carnival special issue.
In high school, I typically ate lunch with a great group of people. But only two of those people I would have counted as my best friends. These were the people I’d catch the latest MCU films with, but they were also the people I confided in when I was down. Namely, these were the exact type of people who you’d expect to remain friends with after graduation. I’m still good friends with one of them, but the other? We’ve slowly drifted apart and haven’t talked for months. I found myself asking this question: Why does that happen?
In the ever-evolving landscape of aesthetic trends, the year 2024 is witnessing a resurgence of the indie sleaze aesthetic. This movement that once had the 2000s in a chokehold, characterized by its bold, unapologetic maximalism, stands in stark contrast to the minimalistic, “clean girl” aesthetics that dominated last year. After the idolization of figures Matilda Djerf, Hailey Bieber and Sofia Richie Grainge, have we finally gotten sick of slick back buns and pastel colors in favor of vibrancy and self expression? This shift has been most recently seen in the rising popularity of indie sleaze, as well as the broader rise in maximalist trends, pushed by the cultural impact of artists like Zach Bryan and movies such as Emerald Fennell’s “Saltburn.”