Legacy admissions has a complicated history at selective schools
This article is featured in the 2020 Winter Carnival special issue.
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This article is featured in the 2020 Winter Carnival special issue.
The Oscars are developing a bit of a reputation for incompetence, seen in 2017 when Warren Beatty erroneously announced that “La La Land” had won Best Picture — the Academy had actually voted on “Moonlight” — and they’ve struck again this week by accidentally tweeting a slate of winners for each category under the heading “My Oscars Predictions” on the official Academy Twitter account.
Women's basketball
The woman sitting next to me at the nail salon on a sunny January morning extended her french-tipped fingers to be massaged as we engaged in that timeworn ritual of womanhood: chatting with the stranger sitting next to you at the beauty parlor.
Is Big Brother watching you? Probably not at Dartmouth.
The College’s 110th annual Winter Carnival, based on the theme “A Blizzard of Unbelievable Beasts,” will begin next Thursday. While the celebration has not yet begun, its preparations are visible on campus — namely with the large wooden scaffolding of the traditional snow sculpture in the center of the Green.
MANCHESTER — For a state engulfed with events dedicated toward the upcoming primary, New Hampshire hosting a professional bull riding tournament at the Southern New Hampshire University Arena last weekend was a dramatic change of pace. Despite a snow storm blanketing the local roads, dozens of bulls and riders — along with thousands of spectators — took part in the two-day Manchester Invitational, the first Professional Bull Riders, Inc. series in the city’s history.
The recent rise in tensions between the United States and Iran has incited a substantial amount of concern about increased conflict between the two countries. As a result, many of us have been closely following the news in hopes of better understanding the situation and its potential consequences.
The “Reconstitution” exhibit, which opened in the Hood Museum on Jan. 2 and will stay up until May 31, aims to make viewers consider how the dominant art historical narratives exclude many experiences and artists.
Thanks to surprise wins for Best Director and Best Motion Picture — Drama at the Golden Globes, Sam Mendes’ bold cinematic experience “1917” has been a buzzy film, garnering a spike in attention it hopes to carry into the Oscars in February. Set during World War I and focusing on two British soldiers in the trenches of France, “1917” is shot and edited to look like one take. This is much like Alejandro G. Iñárritu’s masterful 2015 Oscar winner for Best Motion Picture of the Year, “Birdman.” Unlike “Birdman,” though, “1917,” lacks a scintillating script or multifaceted characters, but it makes up for some of that loss with the sheer grandeur of its cinematic vision.
Dartmouth College remains one of the few remaining elite, academic stalwarts clutching to the tradition of a “swim test” one untimed 50-yard lap in the pool as a graduation requirement. And try though I may, I simply cannot shake my befuddlement as to why this exercise sticks around.
During the 2018 midterm elections, a record-breaking 185 women ran for congressional seats, resulting in an historic 117 female members of Congress. The unprecedented surge of women’s congressional participation led many to call 2018 “The Year of the Woman.” The election of so many women into the top political offices of the United States electrified feminists across the country, and the 2020 election cycle has seen more women than ever before seeking the Democratic presidential nomination.
My dad always had a bad history with phones. We bought him his first one in 2014: a Samsung Note 3, the largest phone we could find on the market. For extra precaution, we equipped it with an Otterbox case, holster belt clip and a tempered glass screen protector. Unfortunately, he put his phone on top of the car, drove away and never saw it again; even worse, he forgot to set up a password.
Penn Badgley once again delivers as the serial killer that a part of you just doesn’t want to hate in Season 2 of Netflix’s “You.” The season’s 10 episodes follow Badgley as Joe Goldberg in his new life in Los Angeles. Fleeing from the mess he made in New York — murdering his ex-girlfriend and publishing her book posthumously — Joe falls right back into his old habits in Los Angeles, fixating on a woman and indulging his psychopathy. This includes periodically imprisoning people he views as potential threats in a glass cage and keeping them as his captives.
Nestled in the basement of the Hopkins Center for the Arts is the Donald Claflin Jewelry Studio (affectionately referred to as the “J-Shop” by frequent studio-goers), a cozy enclave with dozens of shelves filled with countless multicolored tools, beads and wires. With its vast assortment of materials and friendly, knowledgeable staff, the studio is a resource for crafting anything from creative academic projects to gifts for friends and family.
“Dartmouth? Really?”
I always look forward to winter break for many reasons, an unexpected one of which is Oscar-bait. Oscar-bait season is the first three weeks in December, when movie production studios are racing to put out their “best” films of the year before the Oscar qualification deadline on the last day of the year. Typically, films that receive Oscar nominations are released between August and December.