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(02/14/19 7:29am)
We are so concerned with what is new and exciting in music that we often forget the artists we’ve lost, the artists that even from the grave figure prominently in our collective imagination. Big names have died in the last few years — Tom Petty, David Bowie, Aretha Franklin — and it feels like time is running out for the musicians who inspired popular music today. Leonard Cohen is one such artist. Cohen passed away in November 2016 at 83, but still inspires people with his not-quite-music-not-quite-spoken-word pieces years later.
(02/13/19 7:05am)
We’ve all experienced the absolute joy that results from cancelled plans. Maybe that time you once allotted for your club meeting can now go toward that coveted extra hour of sleep, or you can get one episode further in your latest Netflix binge. But what happens when cancellations incite more joy than the activity itself? If you’re always excited about cancelled plans, it might be time to ask yourself if you really should’ve had those plans in the first place.
(02/13/19 7:10am)
You should really finish up that problem set, but you should also show up to that social event you planned. You should turn in that internship and job application ASAP, but you should also be sleeping more to manage your health. The pressure creeping over your shoulder. To work? Or to play? Are your 20s and 30s your “prime years?” Work now, play later? Work hard, play harder?
(02/13/19 7:25am)
Self-care at Dartmouth is hard. Your roommate has sexiled you three times during the past weekend, and you’re not excited for Valentine’s Day. Midterm grades are rolling in, and now you’re reflecting upon your life choices (why didn’t you put an NRO on that class again? Oh yeah, because apparently you can’t NRO more than one course). Remember that person you swore you were going to grab a meal with when you saw them in KAF line Week 2? How’s that going? It’s so cold that you get brain freeze just from walking between Collis and the Hop. EVERYONE IS SICK.
(02/12/19 7:05am)
Last night, Dinesh D’Souza ’83 gave a talk in Filene Auditorium entitled “A World Without Walls.” He has espoused controversial views in the past, and his presence sparked student protests. What does Dinesh D’Souza’s visit to campus mean for the community?
(02/12/19 8:20am)
On Monday evening, Dinesh D’Souza ’83 spoke at an event sponsored by the Dartmouth Republicans and the Young America Foundation. Over 200 people attended the event, and dozens of students and community members protested the speech through song, chants and signs. The event, part of Young America Foundation’s 10-campus “Dinesh D’Souza tour: Fake History Debunked,” took place in Filene Auditorium.
(02/12/19 7:30am)
“Tangerine” by Christine Mangan transported me beyond my world. I felt like I knew how the ghostliness, both the good and bad tangles of history, feels in Tangier. The book brought the feeling of standing on top of Phoenician tombs, gleaming white against the azure of the intersection of the Mediterranean and Atlantic Oceans alive; I felt like I could feel the layered history beneath my feet and the physical manifestations of syncretic culture present before my eyes.
(02/08/19 7:05am)
Art is a medium that contains within it the passage of time. It is something that remains. A piece of art is how it was, how it has been since its creation. It is the same object seen by innumerable different sets of eyes, through myriad ages, and yet still the lift of the artist’s brush flicked up a peak of paint that rose above the canvas. The paint dried in its miniature topography and the action of an instant was preserved through time. Do you remember standing in a museum to view for the first time a famous piece of art that has been reproduced in countless photographs, on postcards, t-shirts and posters? Did you look closer and imagine the artist painting it, stroke by stroke? Did you retrace the line of their brush with your eyes and follow it up to a peak of dried paint?
(02/07/19 7:15am)
I have never been tasked with breaking a story — that’s not my job. My job is to write hot takes for The Dartmouth. To be slightly more pretentious, I am a columnist for the opinion section of America’s Oldest College Newspaper.
(02/06/19 7:15am)
(02/05/19 7:10am)
(02/05/19 7:15am)
Like all faculty, staff and postdocs, I received my email summons to complete mandatory Title IX training, as directed by College President Phil Hanlon and the College in response to the student lawsuit against faculty and the College stemming from alleged sexual misconduct of three male faculty in the psychological and brain sciences department. By a certain logic, this obligation makes me yet another link in the chain of the exploitative side of Dartmouth’s culture, in this case as it concerns labor practices. Exploring this link may point to deeper fixes for campus culture.
(02/05/19 8:00am)
Black Legacy Month celebrations kicked off on Saturday evening at Collis Common Ground with food, prizes and performances from student groups on campus. February marks Black Legacy Month at the College, and Dartmouth will be hosting celebrations and events throughout the month to honor black history and celebrate the continuation of its legacy.
(01/31/19 7:10am)
(01/31/19 7:15am)
If Mapplethorpe had Instagram, would his account get banned? In museums, nudity and emotional expression are well-accepted. But the account @artwerk6666, which often features twerking and seemingly baroque iPhone photos of the nude body, recently got deleted at 69 thousand followers for about the 17th time. Featured on Vice, Dazed 100 and a couple of smaller culture websites, Alexandra Marzella, the owner of @artwerk6666, is an artist, selfie taker and feminist performance artist — so what’s the issue? Nudity. Nudity is crass and unsophisticated, or so digital admins would have you believe. Her account, however, is one of many that intentionally misuses social media to display an affect of rawness that destabilizes the idea of a polished public face. An Instagram feed with different variations of golden-hour selfies would be a boring place to be. Social media spaces should take the recent Tumblr regulation initiatives as a sign to take a step back, since feminist performance artists rely on social media to destabilize the image of the perfect woman for consumption.
(01/30/19 7:05am)
(01/29/19 7:20am)
In its Verbum Ultimum on Jan. 25, The Dartmouth editorial board asserted that “The [Rockefeller] Center must recommit to its original guiding mission.” The contention in the editorial is that “much of the Rockefeller Center’s identity has been constructed around the notion of ‘leadership.’” In this response, I will explain why the second of these assertions is true but the first is not. I will also argue that rather than being a detraction from the liberal arts experience at Dartmouth, leadership programs of the sort offered at the Rockefeller Center are an essential element of Dartmouth’s mission to prepare its students for “a lifetime of learning and of responsible leadership.”
(01/29/19 7:00am)
In its 250th year, how can Dartmouth recognize the failures of the past while celebrating its diverse present and future? “Indigenous Rising: An Evening of NextGen Native Artists,” an upcoming event at the Hopkins Center for the Arts featuring three Native American artists, is attempting to adjust that and represent more Native artists.
(01/28/19 2:42pm)
Students reading the new translation of Homer’s "Odyssey" in their Humanities 2, "The Modern Labyrinth" course had the rare opportunity of meeting the translator in real life when University of Pennsylvania classics professor Emily Wilson came to Dartmouth last Thursday. As this year’s annual Hoffman lecturer, Wilson shared her experience as the first woman to publish a translation of Homer’s "Odyssey" into English, both during a public lecture and with students in several classes.
(01/25/19 7:10am)