On "Knowing Everyone"
Sometimes, it’s a question: “How do you know so many people?”
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Sometimes, it’s a question: “How do you know so many people?”
Sometime around my Webkinz and Limited Too phase of the early 2000s, I developed a strong belief in the power of fortune cookies. I swore by them. Every time my family would dine at our favorite Chinese restaurant, I’d scarf down my food and count down the minutes until the check — and with it a bundle of fortune cookies — would arrive. As my family went around sharing their fortunes, I clung tightly to mine in the hopes that it would provide a glimpse into my future.
There is a small portrait of William Shakespeare stuck to my computer, mustachioed and smiling under the sunglasses drawn onto his face. “Today is the day,” I tell Shakespeare every morning when I sit down at my desk. “Today is the day I make you proud!”
As I sprint down the untamed grassy hill, I take a nervous look at the road below — people are looking for me, and I don’t know where they are. I’m more anxious than ever, but I know my friends have my back. The sun is blaring, and I’m utterly exhausted. The intensity builds, and all the anxiety, nervousness and exhaustion comes closing in on me. Then suddenly, right when I reach the tipping point, all that weight disappears, and I get the best news I’ve gotten in a while: “Warzone Victory.”
On Saturday, Student Assembly kicked off its first ever virtual campaign period. Voting will begin on Monday, May 11 at 5 p.m. and conclude on May 12.
On April 10, Netflix released Alan Yang’s “Tigertail,” a film inspired by the experiences of Yang’s father that follows the life of Pin-Jui (Tzi Ma), a Taiwanese-American immigrant. Despite a few flaws, “Tigertail” shares a touching, authentic and relatable story about the Asian-American immigrant experience.
My daughters are big fans of Taylor Swift’s “Speak Now” album. Having been forced to listen to the songs over and over again, your humble economics professor has internalized the lyrics and has found the words speak to us today in so many ways. Two songs — “The Story of Us” and “Better than Revenge” — are particularly relevant to the class that I am teaching this quarter, ECON 39, “International Trade.”
“My best friend and I got invited to go to Italy for one day to do some type of competition. When I got to the airport, I didn’t have my passport, so I got dragged to a correctional facility by a police officer. He sniffed my ID and was like, ‘Oh yeah, you’re a sketchy guy.’ I smelled it, and it smelled like cigarettes.”
Two Dartmouth students have joined together to help essential workers amid the COVID-19 pandemic. Amy Guan ’20 and Rine Uhm ’22 have built an online platform to match essential workers with donors to provide them with everything from children's toys to soap and shampoo.
This term, I’m finally taking the legendary course that is ENGS 12, “Design Thinking.”
This is a story about a man who is one of the most important Dartmouth alumni you’ve probably never heard of.
Retirement communities and nursing homes in the Upper Valley have prohibited visitation and reduced resident socialization in an effort to prevent the spread of COVID-19 within one of the region’s most vulnerable populations.
After eight long years, 1990s teenage pop sensation turned reclusive savant Fiona Apple has released her fifth album, “Fetch the Bolt Cutters.” As longtime fans know, Apple’s album release schedule is erratic; she has only released five albums since her 1996 debut “Tidal,” which she released when she was 18 years old. Apple’s prodigious talents as a writer are apparent even on her first album, but her teenage immaturity and naivete are also obvious. While the 90-word title of her second album, often shortened to “When the Pawn …,” initially annoyed fans and critics when it debuted in 1999, the complex, jazzy instrumentals and tremendous lyrical improvement won over most listeners. A protracted dispute with her label created a six-year gap before the release of Apple’s third album, “Extraordinary Machine,” in 2005, which introduced full orchestration behind her music.
From a young age, I mastered the art of what I call “constructively criticizing those aspects of the world around me that are objectively unsatisfactory.”
Dartmouth’s decision to institute a credit/no credit grading system has not been without controversy. Yet regardless of one’s views on the matter, it cannot be denied that the decision came from a well-intentioned place — primarily aimed at providing equity for the student body. At this point, the policy has been implemented, and it’s in our interest to focus on making the new system work effectively.
When University of California, Los Angeles student Jessica Jackson attended her astronomy course’s first Zoom lecture, she said an interruption from a stranger throwing around racial slurs “was the last thing on anyone’s mind.”
It’s been so long since the explosive conclusion of “Breaking Bad” in 2013 that “Better Call Saul” — the 2015 prequel spinoff created by “Breaking Bad” masterminds Vince Gilligan and Peter Gould — feels like its own show. And I’ll admit, I was wary of its ability to stand out from its predecessor, most of all because Saul Goodman, the smooth-talking, comb-over-sporting strip mall lawyer played with electricity and heart by Bob Odenkirk, was largely a one-note side piece in the original show. A skeevy lawyer who helps criminals hide their money and avoid jail time — end of story. It didn’t seem substantive enough for its own show, and it seemed like “Better Call Saul” would be doomed to the spin-off junk pile in the wasteland of failed TV shows. But I had faith in Gilligan and Gould, so I approached “Better Call Saul” with tepid hope. Now, five years and almost five complete seasons later — the fifth season is currently underway — part of me loves “Saul” even more than “Breaking Bad.”
As it battles the spread of COVID-19, the College has reduced the on-campus presence of many staff members while still paying employees their scheduled base rate of pay through the end of spring term.
On March 27, English pop artist Dua Lipa released her sophomore album “Future Nostalgia” one week early, in the midst of the global pandemic. With millions around the world quarantined in their homes and looking for a way to pass the hours, the timing couldn’t be better. The album’s upbeat sound is exactly what the world needs in this time of uncertainty and confusion.
If there’s one thing that this coronavirus situation has made me think about, it’s how much space I take up, both on Dartmouth’s physical campus and in the community.