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Over the past four years, I’ve had to come up with a lot of fun facts; everything from the first day of classes to icebreakers at meetings seems to require one. I used to gauge how “fun” the facts were of the people who went before me, before I offered up my own to match their level of perceived effort. Now, I land on the safe middle ground of “I was born at DHMC.”
This article is featured in the 2022 Green Key special issue.
Booth, Dartmouth’s DJ collective founded in 2016, is a social and art group that provides DJ services to Greek houses and other functions on campus. The collective is currently expanding their services by branching out to cover more events to fit a growing campus demand for DJs.
Matthew Heineman ’05 has filmed in conflict zones around the world and received glowing praise in the most elite circles of film. Most recently, he shot at a hospital in Queens, New York at the start of the COVID-19 pandemic. Heineman entered the field after graduation and is now a renowned filmmaker.
This article is featured in the 2021 Freshman special issue.
Spotted: HBO Max’s new show. Will ‘Gossip Girl’ be successful? Or is this just another failed reboot waiting to happen? You know you love me. XOXO
From April 5-11, the Hopkins Center for the Arts welcomed 54 artists, activists, students, alumni and scholars to participate in a virtual symposium that explored the timely issue of police violence, chiefly against people of color.
On Tuesday, late night talk show host and political satirist Trevor Noah joined over 1,800 Dartmouth students, faculty and staff for a discussion on issues ranging from COVID-19 to racial politics to social media.
On Thursday, Hop@Home held its first events of the academic year. The fall kick-off saw two pairs of alumni take the (virtual) stage. Oscar-winning animators Phil Lord ’97 and Chris Miller ’97 participated in a live chat, and twins Angel and Dren Coleman ’13 DJed the event.
Children all over the country have been stuck at home due to the COVID-19 pandemic, and many of them might not fully understand the reasoning for this quarantine. While this virus might seem daunting to explain for some, Hannah Margolis ’20 saw the pandemic as an exciting opportunity for science education.
Alberto and Ernesto Villalobos performed a live concert from their New York City living room for the Hopkins Center for the Arts’ online program Hop@Home on Wednesday, July 22. They were joined on the virtual stage by bassist Victor Murillo, as the Villalobos Brothers’ third member, Luis, is currently in Spain.
The recently created Instagram account @blackatdartmouth has given Black students a platform to anonymously share their experiences at the College.
Although the online nature of this term poses a significant obstacle in the Hood Museum’s core functionality — enabling people to interact with art — the museum staff see a silver lining in the chance to appreciate art in a new way. One of the biggest challenges this term was ensuring that people can still observe the art and witness “the power of the shared experience,” according to Hood Museum director John Stomberg.
This evening, dynamic piano duo Sally Pinkas and Evan Hirsch will perform a set of fun and lively dance music in the Spaulding Auditorium. Pinkas is a music professor and pianist-in-residence at Dartmouth, and Hirsch, her husband, teaches piano and chamber music at Brandeis University.
Before coming to the woods of New Hampshire for college, Adam Riegler ’20 found his love for theater on some of the biggest stages in New York. From acting on Broadway to directing at Dartmouth, Riegler’s upcoming show “Red Speedo,” which will premiere on a Dartmouth stage on Nov. 15, will draw on his lifetime of experience with theater.
Alumnus and musician Zach Plante ’18 has taken his passion for music coast to coast and is set to release his first extended play record with the band Pass By Catastrophe on Sept. 27. Plante, who plays bass, guitar and piano in Pass By Catastrophe, is accompanied by Dexter Simpson, Max Kilberg and Sam Silverman. The band produces rock, indie rock and pop rock that is, according to Plante, reminiscent of the past but with a new modern twist.
Before winter break, I had never seen a single episode of “Game of Thrones,” let alone read one of George R.R. Martin’s novels. By the time break ended, I had seen almost the entire HBO fantasy series, not just because I was enrolled in the winter class, ENGL 53.6, “Game of Thrones: Reimagining Medieval History as an Allegory of the Present” with English and creative writing professor James Dobson, but because it’s the type of show that once you start, it’s near impossible to stop. Once I finished season one, I started season two. Before I knew it, I was one of the many eager fans anticipating the release of season eight.
On April 18, Margaret Atwood, a novelist, poet and activist best known for her critically-acclaimed novel and subsequent Emmy award-winning Hulu TV remake “The Handmaid’s Tale,” gave a public lecture at the Spaulding Auditorium through the Dorsett Fellowship Lecture Series, a program that seeks to bring practitioners and scholars of ethics to campus.
Six of the 22 Dartmouth Idol semi-finalists have advanced to the Dartmouth Idol finals, which will be held on Friday, March 1 at 8 p.m. in Spaulding Auditorium at the Hopkins Center for the Arts. This unique opportunity allows students to compete and showcase their abilities. Additionally, the audience is responsible for voting on the winner, making the production even more entertaining.
