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The Dartmouth
November 8, 2024 | Latest Issue
The Dartmouth

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Review: ‘Poor Things’ and Telluride Prove That Cinema Is Here To Stay

(09/22/23 6:05am)

Telluride at Dartmouth just wrapped up on Thursday after premiering six new films. The festival opened on Sept. 14 with a showing of Matthew Heineman’s latest documentary “American Symphony.” In the following days, the festival featured Alexander Payne’s New England dramedy “The Holdovers,”the Mads Mikkelsen-led epic “The Promised Land,” the Finnish comedy “Fallen Leaves,” 2023 Palme d’Or winner “Anatomy of a Fall” and — in my opinion — the most riveting film of the lot, Yorgos Lanthimos’s “Poor Things.”

https://www.thedartmouth.com/article/2023/09/review-poor-things-and-telluride-prove-that-cinema-is-here-to-stay

Review: ‘Asteroid City’ takes Wes Anderson’s soulful style to the cosmos and beyond

(06/30/23 1:26pm)

American auteur Wes Anderson has been churning out unique, visionary films since the mid 90s. As his career has progressed stellarly, The Wes Anderson Film can virtually classify as its own genre. Filled with colorful canvases painted by brilliant ensemble performers and striking attention to detail, the classic Anderson film is a meticulously designed collage of joy, love, grief and most notably, a bit of dysfunction. From his offbeat caper debut “Bottle Rocket” (1996) to the visual Renaissance spectacle “The Grand Budapest Hotel” (2014), Anderson’s films carry a cinematic quality unlike any other. “Asteroid City” (2023), the newest installment to the Wes Anderson universe, manages to continue Anderson’s impeccable form and style but also shows his fans and the rest of the Milky Way that he does have something more to offer.

https://www.thedartmouth.com/article/2023/06/review-asteroid-city-takes-wes-andersons-soulful-style-to-the-cosmos-and-beyond