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PARIS — Paris is the bohemian, romantic, pulsing heart of arts, architecture and culture. The 20 arrondissements of Paris offer the recognizable monuments of the Eiffel Tower, Arc de Triomphe, Panthéon, Sainte Chapelle and the tragically damaged Notre Dame. Paris is a city of museums, with the Louvre, Musée d’Orsay, Musée Rodin, Centres Pompidou, Fondation Louis Vuitton and Fondation Cartier, just to name a few. One could spend weeks in the artistic palaces of the Louvre, which is the largest and most-visited museum in the world since the end of the 18th century. Perhaps the most anticipated exhibition of the year, the Leonardo da Vinci collection at the Louvre Museum, honors the quincentennial of the death of the illustrious artist in France in 1519.
This past weekend, the Hopkins Center hosted a number of events for students, alumni and community members to come together and explore the fields of film and media through a variety of lenses. The inaugural Film and Media Alumni Fest brought eight alumni from across the industry to discussions and panels. The conference also incorporated a number of the alums’ recent works in film and media and a series of networking events for students to meet alumni and learn about their respective fields.
Last weekend, the Hood Museum hosted its third and final reopening event, a symposium featuring panels and guest speakers composed of Dartmouth alumni. With curators from large, internationally renowned institutions and small, academic-focused museums, as well as directors of memorial museums and nonprofit foundations, the museum hosted alumni from near and far in a celebration of and conversation about the world of museum work.
What is contemporary art? For some, it’s Pollocks and Picassos and Poliakoffs. For others, it is the senseless combination of shape and color. For University of Chicago art history professor Darby English, it’s a conversation.
Starting this Friday, the Hopkins Center will be showing advanced screenings of six films from the acclaimed Telluride Film Festival in Colorado, beginning with “Ford v Ferrari” and ending with “The Climb” on Sept. 26. Every year, Telluride at Dartmouth presents an opportunity to see much-anticipated films months before they come to theaters.
For Stephanie Everett ’19, her career on stage far predates her recent roles in the Dartmouth productions of “Eclipsed” and “Into the Woods.” Rather, it dates back to her fourth-grade talent show, in which she and four other girls performed “Hard Knock Life” from “Annie” complete with props and choreography. According to Everett, her passion for theater grew from that day on; she participated in musicals throughout middle school and high school, where she said she found a serious program with a dedicated teacher.
The lights go down on an audience sitting in silent anticipation, and white sparks rain down the black screen. A second passes, then a white circle, like a searchlight, travels the edge of the picture and expands to fill the screen. In coordinated motion, audience members tie blindfolds around their eyes and wait for the show to truly begin.