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The Hopkins Center for the Arts hosted its annual Arts at Dartmouth Awards ceremony on Tuesday afternoon to celebrate exceptional student work in the theater, music, studio art and film and media studies departments. While the ceremony typically takes place in Spaulding Auditorium, this year’s event was livestreamed via YouTube to accommodate the remote nature of the term.
It is not a well-known fact that Dartmouth hosted a small cohort of women exchange students starting in 1968 before its official inception as a coeducational institution in the fall of 1972. In recent years, Dartmouth has nearly equal numbers of women and men, a norm that is in part due to these trailblazers who made the first incursions onto Dartmouth’s all-male campus and shaped Dartmouth into the school it is today.
When word broke that Donna Tartt’s Pulitzer Prize-winning novel “The Goldfinch” would be adapted into a movie last year, I sighed and dreaded the worst. There is something sacred that is destroyed when a much-beloved novel makes its on-screen debut. Movie adaptations of novels rarely do their written counterparts justice. Instead, they bury them in piles of scathing reviews and Rotten Tomato ratings that sully not only the film’s reputation but also that of the novel (for example, “The Hunger Games”). Similarly, while “The Goldfinch” as a film failed miserably in recreating the vivid characters and atmosphere of Tartt’s imagination, it partly redeemed itself by creating a standalone experience that did not feel derivative of the novel and managed to preserve the novel’s enduring beauty.
As sophomore summer draws to a close, so do the days of lounging by the river, perusing the farmer’s market, driving to Ice Cream Fore-U and falling asleep in Astro 1. Sophomore summer is about relaxing, but it’s also about letting students pursue activities they haven’t tried before and subjects they haven’t studied. It’s a time to step out of comfort zones, unhindered by the stress that accompanies the typical Dartmouth term.
The town of Hanover will hold a formal public hearing on July 23 to deliberate on the College’s request to amend the west end construction site plan after an excavation error halted construction of the new Center for Engineering and Computer Science earlier this month, according to Hanover town manager Julia Griffin. At the hearing, the Hanover planning board will decide whether to approve the College’s proposal.
Updated: July 12, 2019 at 11:38 a.m.
The Hood Museum is currently exhibiting the student-curated show “Consent: Complicating Agency in Photography,” featuring photographs that visualize the subject of consent. The exhibition was curated by 2017-18 Hood senior interns Gina Campanelli ’18, Marie-Therese Cummings ’18, Ashley Dotson ’18, Tess McGuinness ’18 and Kimberly Yu ’18, and displays a collection of photographs procured through the Hood’s Museum Collecting 101 program, in which students curate photographic works to the Hood Museum. The exhibition is the first to be displayed at the renovated Hood Museum as part of the student-curated “A Space for Dialogue” series.
The first-year seminar ENGL 53.10: “Immigrant Women Writing in America” provides students with the opportunity to reflect on their own experiences through film, novels, short stories and poetry. English professor Melissa Zeiger offers the class to all students, but caters the literary content of the first-year seminar toward the goal of helping first-year students establish their skills as writers and find their bearings in their new college environment. The class studies a combination of media, including film and written work from immigrant women writers who recount their experiences in the United States. While the students study the stories of renowned writers, they are also encouraged to reflect upon their own experiences with immigration and how immigration has shaped their environments.“Immigrant Women Writing in America” consolidates written and visual works that touch upon themes of race, familial relations and sexuality.
A pioneer in the theater department, Will Maresco ’19 deviates from the typical Dartmouth theater major track, finding his passion in stage design. Participating in countless school productions, Maresco has cultivated an expansive repertoire of skills that span from sound design to lighting.
Although 2018 is just starting, there have already been many times this year that I’ve found myself wondering if I am living in a twisted dystopia. It seems that many have made the parallel between the harrowing state of affairs in George Orwell’s “1984” and the current state of politics. Since President Donald Trump’s advisor Kellyanne Conway used the politically charged words “alternative facts,” sales of the 20th-century novel spiked drastically. The term is eerily reminiscent of “newspeak,” a means by which the omnipotent Inner Party of Orwell’s novel prohibits unorthodox political thought. This fall, the Dartmouth theater department investigated the relevance of Orwell’s prophetic dystopia to today’s reality in the play “1984,” which opened on Feb. 16 and finished its run Sunday night.
Acclaimed ensemble Riyaaz Qawwali will grace the stage of Spaulding Auditorium tonight for a performance that will weave together ancient Islamic tradition and modern South Asian culture.
The musical stylings of the Dartmouth Glee Club will once again grace Rollins Chapel this Sunday as they reimagine the works of Felix Mendelssohn and Johannes Brahms. The performance will feature three recent graduates — Alyssa Gonzalez ’17, Nathaniel Graves ’13 and James Ragan ’16 — as guest soloist, and will be the first performance with this year’s members of the glee club.
The Dartmouth Symphony Orchestra, accompanied by acclaimed flutist Luciano Tristaino, will perform its annual fall concert at the Spaulding Auditorium in the Hopkins Center for the Arts on Saturday. With this performance, the ensemble intends to celebrate its upcoming collaboration with the Conservatory of Siena.
For many, storytelling represents an escape from reality into a world of fantasy. In “Cuentos: Tales from the Latin World,” however, venerated storyteller David Gonzalez relies on his own experiences and cultural heritage to render vibrant characters and spellbinding plotlines onstage. Gonzalez will perform this program on Sunday.
Dartmouth’s isolated location and idyllic campus can often feel like a haven from pressing social issues, lulling students and faculty into complacency. Painter, photographer and poet Cecilia Torres ’18 confronts issues of racism and representation in an effort to reach beyond this veil of comfort, using her brush, pencil, camera and words as weapons in the battle to make minorities’ voices heard on campus.
The Emerson String Quartet returned to the Hopkins Center for the Arts Sept. 30, bringing to Dartmouth adaptations of music from 18th century Beethoven to emergent 21st century composers. Renowned for their insight and innovative sound, the Emersons hoped to transport audiences to musical realms unlike even past performances at this venue.