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Film major Eduardo Hernandez ’22 started out behind the camera in middle school, delivering morning announcements and shooting sketches about the lunch menu. He found the experience “engrossing” — now, he is producing and directing a short film for his senior thesis titled “I Hope You Don’t Mind What I Put Down In Words.” To be completed by the end of spring, the short film focuses on the exhilarating early stages of love and features Annabel Everett ’25 and Jack Heaphy ’24.
Booth, Dartmouth’s DJ collective founded in 2016, is a social and art group that provides DJ services to Greek houses and other functions on campus. The collective is currently expanding their services by branching out to cover more events to fit a growing campus demand for DJs.
What began as a way to pass the time and process his emotions quickly became a passion for Christian Beck ’24, who began singing and songwriting his senior year of high school during the initial COVID-19 pandemic lockdown. In the fall of 2021, he was scouted via TikTok to audition for “American Idol.”
Sylvie Benson ’25 is a singer and songwriter who will be playing one of the lead roles in the theater department’s upcoming production of “Rent.”
Alice Crow ’22 produces abstract works that deal with themes of the subconscious and nature. Double majoring in studio art and history, Crow currently works as a campus engagement intern at the Hood Museum of Art where she helps connect students to the museum and curate an upcoming exhibit.
After almost a year of experimentation, Stavros Hughes ’23 recently released a full-length debut album titled “Entropia,” a portmanteau of entropy and utopia. His album tackles the chaos of adolescence as well as themes of mental health and anti-establishment protest.
Over the past year, many events at the Hopkins Center have returned to their live format. Student ushers and will call workers largely facilitate the plays, musical and concerts Dartmouth students and Upper Valley patrons frequent.
On Jan. 14, the Hood Museum of Art hosted Conroy intern Abigail Smith ’23 for the latest installment of the museum’s “A Space for Dialogue” series. During the Hood’s first in-person gallery talk since winter 2020, Smith discussed her curated collection, “Southern Gothic,” which examines the complex and often macabre world of the Southeastern U.S. Featuring pieces from the Jim Crow era to the 2010s, Smith’s collection aims to capture both the darkness and light of the Southern Gothic era, according to the event’s promotional materials.
Debuting during the summer of 2021, the six member band Microsoft Paint Shark aims to share their own take on music through the use of a diverse set of instruments in a variety of genres.
Thomas Flynn ’22, one of a handful of fledgling Dartmouth musicians releasing music on Spotify, would not describe his work as a hobby. Over the past year, he has already released two albums and several singles.
United by a passion for live music, the students who comprise Friday Night Rock bring bands to campus to perform, offering a unique alternative space to Greek Life. Founded in 2004, the student-run organization hosts musicians three times per term, staging free concerts for Dartmouth students in Sarner Underground.
Lexi Warden ’21’s final curtain call at Dartmouth will not be on a physical stage, where she usually makes her appearances, but broadcast over the radio. For the past two years, Warden has been working with theater professor Monica White Ndounou on her thesis project, a radio adaptation of Eisa Davis’s 2007 Pulitzer finalist play “Bulrusher.”
Studio art intern Kevin Soraci ’18 seeks to find beauty in the ordinary. Soraci’s exhibition “The Comforts of Home,” currently displayed in the Barrows Rotunda of the Hopkins Center for the Arts, features paintings of scenes from everyday life, capturing a space that can feel both familiar and peculiar.
Directly across from the Hinman Mail Center in the Hopkins Center is The Booth, a small but carefully curated display of student art. With its eye-catching neon pink sign, welded by student curator Jamie Park ’20, The Booth is hard to miss.
Each year, five graduating seniors majoring in studio art are chosen to be interns for the department upon their graduation. Kaitlyn Hahn ’19, one of the studio art interns for this academic year, is especially interested in exploring sculpture and digital art during her internship. She is working not only as a teaching assistant in photography, printmaking and senior seminar classes, but also on her own art, which includes multimedia projects and installation exhibits.
Before coming to the woods of New Hampshire for college, Adam Riegler ’20 found his love for theater on some of the biggest stages in New York. From acting on Broadway to directing at Dartmouth, Riegler’s upcoming show “Red Speedo,” which will premiere on a Dartmouth stage on Nov. 15, will draw on his lifetime of experience with theater.
Music is the art of collaboration, and no one knows this better than Lila McKenna ’20, who started working with the musical duo Nextlife this past fall. Consisting of Max Fuster ’21 and Henry Phipps ’21, Nextlife formed during Fuster and Phipps’ freshman fall when the pair met and bonded over their shared love for music. Their song “Be Better,” featuring McKenna, reached 100,000 listeners on Spotify since it was released last year. The trio also recently released their new single “Glide” on all major musical platforms. Since their collaboration, the trio said that they have challenged each other as artists and have created music that resonates with listeners.
Every theater production involves a great amount of behind-the-scenes work. Will Maresco ’19 is a theater major with minors in digital arts and engineering, who finds his passion in lighting, sound and stage design. He designs for many student productions with his skilled and wide-ranging talents.
Monik Walters ’19 wears many hats. As Student Assembly president, president of the National Association for the Advancement of Colored People at Dartmouth, leader of the Dartmouth Alliance for Children of Color, Hopkins Center curatorial fellow, a member of Ujima and choreographer for D-Step, Walters has made an impact on various spaces on campus, especially in the arts.
Katie Wee ’19 is about as liberal arts as it gets: as a music major as well as a premed student, Wee’s experience at Dartmouth has crossed over disciplinary lines.