17 items found for your search. If no results were found please broaden your search.
When Anne Kakela ’92 came to Dartmouth, she originally planned to be part of the ski team. Kakela grew up riding horses and skiing in Steamboat Springs, Colo., but made the decision to walk onto the women's rowing team upon arriving at Dartmouth because she wanted to try something new. At Dartmouth, Kakela was a two-year captain and was named to the first-team U.S. Rowing Collegiate Academic All-America.
Matthew Heineman ’05 has filmed in conflict zones around the world and received glowing praise in the most elite circles of film. Most recently, he shot at a hospital in Queens, New York at the start of the COVID-19 pandemic. Heineman entered the field after graduation and is now a renowned filmmaker.
Studio art intern Phoebe Kong ’21 sits at the desk of her studio in the Black Family Visual Arts Center. As one of five chosen interns, she will spend the year building her portfolio and assisting in undergraduate art classes before applying to MFA programs. Behind her is a collage wall composed of various prints of her family, each connected by her various drawing studies.
On Oct. 20, the Hood Museum of Art hosted recent graduate and former Conroy Intern, Maeve McBride ’20 for the latest installation of the museum’s “Virtual Space for Dialogue” series. During the talk, McBride discussed her curated collection, “Images of Disability,” which examines how artists with and without disabilities have approached the subject. Featuring pieces from as far back as 1790, the aim of McBride’s collection is to promote conversations about agency, labeling and representation, according to the event’s promotional materials.
Last week, the Hood Museum of Art hosted recent graduate Kensington Cochran ’20 for its second talk in the “Virtual Space for Dialogue” series. At the talk, Cochran presented a collection she curated as the Hood’s Conroy Intern last year that explores the intersection between art and trauma.
Alexander Stockton ’15, a film and media studies and economics double major, will screen his first feature-length film, entitled “Transient,” at Loew Auditorium on Monday, April 24 at 8:30 p.m. He wrote and filmed the entirety of “Transient” during his junior year at Dartmouth. Stockton currently works for VICE News Tonight on HBO as a graphics editor.
Henry Joseph Russell ’15 majored in English and religion while at Dartmouth. His recently published novel, “The Talisman Cock!,” is about two best friends attending boarding school, one of whom procures “Jesus Powers” that allow him to fashion the perfect life for himself. Though the book may seem silly, it is rooted in meaningful concepts such as religion, the Christ story, metaphysics and faith.
Ivy Pruss ’07 graduated from Dartmouth with a major in English and completed a creative writing thesis. During her time at the College, Pruss was the editor-in-chief of “Stonefence,” Dartmouth’s literary magazine. After receiving an MFA in writing for screen and television from the University of Southern California’s School of Cinematic Arts, Pruss went on to become a Universal Pictures Emerging Writers Fellow. Most recently, Pruss wrote an episode for the series “Greenleaf,” which will air on the Oprah Winfrey Network.
Pamela Katz ’80, renowned screenwriter and novelist, majored in anthropology at Dartmouth. After graduation, she went on to work as a camera assistant for several prominent directors before eventually pursuing a career in screenwriting, focusing on historical and biographical film projects. In addition to her work in film, Katz has also written a novel, a nonfiction book and a television mini-series. Katz is currently a professor of screenwriting at New York University’s Tisch School of the Arts.
Ricki Stern ’87 and Annie Sundberg ’90 are an Emmy-award nominated duo renowned for their work in writing, directing and producing. Their films received acclaim for their focus on intimately complex human journeys and interactions. Their production company, Break Thru Films, most recently produced a documentary called “Marathon: The Patriots Day Bombing,” which was produced in collaboration with the Boston Globe and tells the story of the survivors of the Boston Marathon bombing on April 15, 2013.
Tara Dairman ’01 is a novelist and playwright whose children’s books have inspired praise, awards and even fan recipes based off the food in her books. Her debut novel “All Four Stars,” which stars the 11-year old food critic Gladys, was recognized as an Amazon Best Book of the Month and a Mighty Girl Top Book of the Year in 2014; its two sequels have also been received enthusiastically by reviewers and readers. Dairman’s plays have been professionally produced, and, as a creative writing major at Dartmouth, she won the Eleanor Frost Playwriting Contest.
Peter Nigrini ’93 is a projection designer for productions both on- and off-Broadway. At Dartmouth, Nigrini studied theater and film with a focus on backstage production but did not discover projection design until after college. Nigrini has designed projections for various projects ranging from broadway productions to concerts
Phil Olson ’79’s award-winning career in comedy began unexpectedly. After graduating from Dartmouth with a degree in mathematics, Olson received an MBA from the University of Chicago and initially pursued a career in real estate. It was only then that he discovered his love for comedy writing. Olson went on to write and perform with The Groundlings, an improvisational and sketch comedy theater whose alumni include Maya Rudolph and Kristen Wiig. Olson has written 13 original screenplays and 15 published plays with over 350 productions worldwide, nine of which have been published by Samuel French. His next play, “A Nice Family Christmas,” will open in seven cities this year.
As a Dartmouth student, Perrin Brown ’15 interned for “Conan” and worked at an economics research firm. After graduation, she worked as a hospitality assistant at the Napa Valley Film Festival, as a marketing intern for a Los Angeles-based company and more recently, as an editorial assistant at Bodhi Tree, a spiritual online vendor startup. There, she hopes to grow and explore her interests, including film and media.
In its most recent issue, the Dartmouth Alumni Magazine published a letter in which John Barchilon ’60 wrote: “The College accepts too many politically combustible women and minorities who fail to grasp that they were admitted to an elite traditional institution older than the United States. Instead of saying, ‘Thank you,’ they try to change the majority of Dartmouth students and traditions in ways that attract an endless stream of politically incorrect wisecracks.”
About three weeks ago, the Inter-Fraternity Council and fraternity alumni advisors began drafting a proposal recommending changes to Greek life, addressing areas like high-risk drinking, sexual misconduct, freshman safety, house renovations, faculty advisors and inclusivity. Soon afterward, IFC met with the Panhellenic Council and Gender-Inclusive Greek Council to share a preliminary draft.
Whether you’re a jaded ’15 hiding out in your off-campus house or a bright-eyed freshman still perplexed by the labyrinth that is the McLaughlin cluster, you’ve probably become somewhat familiar with the phenomenon we have fondly dubbed “The Dartmouth Bubble.”