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On Jan. 17, “Cara Romero: Panûpünüwügai (Living Light)” opened at the Hood Museum of Art. Curated by curatorial affairs associate director and Hood Indigenous Art curator Jami Powell, the exhibition — a showcase of over 60 photographs spanning more than two decades — marks photographer Cara Romero’s first-ever solo museum exhibition.
On Jan. 16, comedian Sarah Adelman ’19 performed her comedy show “EGG,” recognized in The New York Times as a “charming coming-of-age stand-up show,” on campus. The one-woman show chronicles Adelman’s life as a “neurotic” personality navigating her path to a career in comedy — from the woes of middle-school awkwardness and parental irritation to life as a sperm bank employee, according to her website.
On Dec. 18, “Beyond the Bouquet: Arranging Flowers in American Art” opened at the Hood Museum of Art. Curated by Michael Hartman, an associate curator of American art at the museum, the exhibit explores flowers as a medium of connection through time.
During their four years at Dartmouth, Molly Rouzie ’24 and Krista Schemitsch ’24 pursued distinct paths in their creative practices. Rouzie, a painter who studied studio art and Italian with a minor in art history, has spent years immersed in the arts, both as a student and through various curatorial works. Schemitsch, a psychology major on a pre-medicine track with a minor in studio art, “never thought” she would pursue art formally but “couldn’t see [herself] not doing it” after taking a few courses in the studio art department. Now, as Dartmouth studio art interns, Rouzie and Schemitsch have curated a joint exhibition of their own works titled “I Spy: The Things You See But I Know,” with paintings by Rouzie and drawings and photographs by Schemitsch.
“Since when do you listen to Bad Bunny?”
Great dramas make you laugh. Great comedies make you feel. It is rare for a film to balance drama and comedy to the point where the two are so intertwined that they begin to merge, but “A Real Pain” does exactly that.
Laundry Day — a New York City-based indie-rock band — will perform at Sarner Underground on Jan. 18 at 8:30 p.m. The show will be the band’s second of the new year, following a New York Knicks halftime performance at Madison Square Garden on Jan. 8.
Hamza Abbasi ’16 is familiar with trauma and tragedy; in the healthcare sector, it often comes with the territory. Abbasi — who currently works as an internal medicine hospitalist at Stanford University Hospital — spent time as a frontline healthcare worker during the height of the COVID-19 pandemic. He compiled a series of lessons he learned from his patients in their final moments and, on Sept. 17, 2024, published those experiences in print. Abbasi’s book, “Wisdom of the Dying,” is an emotionally charged collection of stories chronicling the last reflections of his patients — exploring the roles of positive psychology and medical science in the face of illness and death. The Dartmouth sat down with Abbasi to discuss his background in the medical industry and how his experiences during the pandemic culminated in his book.
Whether through clubs, ensembles or academic departments, Dartmouth students are given several outlets to engage with the arts. Despite some perceptions of a corporate focus on campus, several creative students continue to pursue art — both professionally and personally — after graduation.
In a gaudy Las Vegas chapel, Brooklyn stripper Anora — played by Mikey Madison — marries Mark Eydelshteyn’s Vanya, the son of a Russian oligarch. Two weeks later, the couple is divorced. You probably aren’t surprised. Sean Baker’s new film, “Anora,” is about the bloom and collapse of an improbable dream. It’s disappointing; we’d like to believe in the Cinderella story, that hierarchy can be ignored and discarded so that myth may emerge in its place. Baker refuses to deliver that satisfaction. In “Anora,” the fantasy crumbles into dust — albeit glittery, Brighton Beach dust. We are left only with Anora’s sadness.
Whether watching a lecture in Dartmouth Hall, grabbing a coffee at Novack Cafe or on the way to Occom pond, it is hard to miss the varied pieces of public art across Dartmouth’s campus.
How do you tell a story that doesn’t want to be told? The better question, perhaps, is why even try?
On Dec. 19, 2024, Still North Books & Bar — an independent bookstore and cafe located at 3 Allen Street — celebrated its five-year anniversary with a public event featuring food, games and an open mic. Approximately 100 people attended the celebration, which lasted from 6 p.m. to 9 p.m.
According to lead singer and manager Alan Hatch ’25, the formation of campus band Blue Moose was not without obstacles. After kicking off discussions to start a band in the spring of 2023, Hatch and other initial members — including keys player Elliot Alberts ’25 and Wyatt Ellison ’25 — realized they had “different ideas and visions for the band,” Hatch explained. The new group soon decided to part ways.
The Hood Museum of Art’s landmark exhibition, “Cara Romero: Panûpünüwügai (Living Light),” will travel to the Phoenix Art Museum on Feb. 28, 2026 and remain in the city until June 2026 following its showcase at the Hood, according to Hood Museum website. The move marks the Hood’s first traveling exhibition in over a decade, according to curatorial affairs associate director and Hood Indigenous Art curator Jami Powell.
On Nov. 1, the theater department and the Black Underground Theater Alliance, a student-run organization, opened their sold-out production of William Shakespeare’s “Hamlet” at the Theater on Currier. The groups offered six additional performances through Nov. 9.
From Nov. 7 to Nov. 10, the Dartmouth Film Society celebrated the 75th Alumni Fest — an event that honors the Society’s 75th anniversary by bringing alumni in the film industry to campus. According to Johanna Evans, four out of the six films screened are brand new.
On Oct. 23, The Lone Bellow — a Nashville-based rock and roots trio composed of guitarist and vocalist Zach Williams, multi-instrumentalist Brian Elmquist and guitarist Kanene Donehey Pipkin — performed on campus.
The Fling, a rock-focused student cover band founded in spring 2024, has its roots in a late night Denny’s visit, according to keyboard player and vocalist Darby Waller ’25. At 4 a.m., Waller and guitarist and vocalist Greg Hirsch ’25 — then classmates in MUS 22, “Creative Music Theory II” — found themselves discussing the possibility of a new band over eggs and pancakes.
On Oct. 31, author Lucy Ives read from her recently released essay collection, “An Image of My Name Enters America,” at Sanborn Library. The event, which was attended by approximately 30 people, was the latest in the English Department’s Cleopatra Mathis Poetry & Prose Series.