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On Oct. 25 and 26, Dartmouth’s Coast Jazz Orchestra held their first performances of the term at Sawtooth Kitchen. The appearances were the orchestra’s first time performing at Sawtooth as a full band, according to director Taylor Ho Bynum.
With support from the Artist-in-Residence Program at the Marsh-Billings-Rockefeller National Historical Park in Woodstock, Vt., artists Ellen Smith Ahern and Menghan Wang have collaborated to create innovative soundscapes, which they plan to incorporate into a performance art piece. The soundscapes were drawn from natural sound recordings from the national park forest.
Eloise Langan '27 checks in from her film class.
Thadryan Sweeney GR illustrates a scene where toxic masculinity meets inefficiency.
Every Saturday from May to October, rain or shine, a small patch of grass in Norwich, Vt. bustles with farmers, bakers, artists and customers. The Norwich Farmers Market is one of the oldest and largest farmers markets in New England, according to the Norwich Farmers Market website, becoming a local hub of activity on those Saturday mornings.
On Oct. 17, the Hood Museum of Art hosted the sixth annual Indigenous People’s Fashion Show in the Russo Auditorium. The program — which was co-sponsored by the Hood, Hokupa’a, the Native American Program and Native Americans at Dartmouth, according to the Hood’s website — featured 19 student models who displayed 20 outfits.
The new DreamWorks film “The Wild Robot” was officially released on Sept. 27 and has been on show at the Nugget Theaters in Hanover since mid-October. The film features Academy Award-winning actress Lupita Nyong’o as the voice of Roz, a robot designed to complete tasks for humans. In the film, Roz crash lands on an island devoid of human contact and must learn to survive amid dangers she was not originally programmed to handle.
On Oct. 10, Sawtooth Kitchen hosted local singer-songwriter Tommy Crawford and Christopher Sears, who is from New York, for their performance, “Sears and Crawford United.” The concert — with Crawford on guitar and Sears playing keyboard — lasted two hours and drew around 20 attendees.
On Oct. 10, the Hood Museum of Art hosted its annual fall opening celebration to showcase the 12 exhibitions currently on display — eight of which are newly curated exhibitions on topics ranging from societal and cultural relationships with food to reflections on colonization. Visitors enjoyed music performed by jazz vocalist Grace Wallace while viewing the exhibitions located around the Hood’s 16 galleries.
In today’s cartoon, Gabriel Modisett ’25 depicts a scene of tough truths traded.
This week, Eloise Langan '27 says what we're all thinking when it comes to rush.
Connor Norris '25 illustrates what some might call "a tall order."
On Oct. 6, the Dartmouth Film Society honored English actor Malcolm McDowell with the Dartmouth Film Award — presented every few years to actors and filmmakers who have significantly impacted the film industry. The event, which also celebrated the club’s 75th anniversary, featured screenings — including the 1972 film “A Clockwork Orange” and McDowell’s documentary “Never Apologize” — a reception and a tribute.
From working for a Tennessee-based artist to producing videos in the Pittsburgh Film Office, Dartmouth students explore a wide range of internships in the arts. For some, though, their professional experience takes place right on campus — through the Hood of Museum of Art’s internship program.
In his cartoon, Thadryan Sweeney GR provides a voice of reassurance.
On Sept. 24, the Allied Scholars for Animal Protection at Dartmouth, a College chapter of the national animal rights advocacy organization, hosted an advanced screening of “Christspiracy” in Sarner Underground. The documentary, co-directed by Kip Andersen and Kameron Waters, examines how religious organizations justify the act of killing animals for consumption.
Joining a diverse comedy scene at Dartmouth — characterized by stand-up performers, improv groups and satire magazines — sketch comedy show and termly humor magazine Can’t Sell Culture offers a new approach to comedy, according to co-founder Lulu Alonso ’25. The group provides a “writer’s room environment” focused on collaborative comedy writing, she explained.
On Sept. 26, former Poet Laureate of Vermont Ellen Bryant Voigt — known for her poems evoking the rural South — read from her nine collections at Sanborn Library. Organized by English professors Matthew Olzmann and Vievee Francis as part of the Cleopatra Mathis Poetry & Prose Series run by the department, the event drew approximately 60 attendees.
On Sept. 27, the Hood Museum of Art hosted artist Enrique Martínez Celaya to discuss his latest exhibition, “The Grief of Almost.” The exhibition, which includes four large-scale paintings and one monumental sculpture, explores humanity’s drive for self-realization and introspection, according to the Hood website.
“Conclave” — directed by Edward Berger of “All Quiet on the Western Front” acclaim — adapts Robert Harris’s novel of the same name into a gripping political thriller.