The Hop Fellows present HanUnder Art Festival
From April 10-12, the HanUnder Art Festival will turn Hanover into a celebration of student creativity.
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From April 10-12, the HanUnder Art Festival will turn Hanover into a celebration of student creativity.
During the summer of his sophomore year, Kabir Mehra ’26 decided to reach out to some of his friends to “jam out” some of the songs he had been workshopping on his guitar. By week three of summer term, the group had fleshed out a repertoire of songs and formed a band: Day Drooler. This band is more “just a group of friends,” Mehra said. Christian Smith ’27 and Nathan McAllister ’25, who play lead guitar and saxophone respectively, had done gigs with Mehra the spring before Day Drooler’s formation. Grant Foley ’25, who plays the drums, and Ian Glick ’26, who plays bass, both became friends with Mehra through the Dartmouth music scene.
Ramsey Alsheikh '26 makes an analogy on campus current affairs.
Although Dan Erickson’s “Severance” is rife with cynicism and corporate humor, it differs drastically from a workplace satire. “Severance” is ultimately a work of science fiction. The show grants insight into the depths of human psychology and emotion.
“L’Absinthe” by Edgar Degas. “Tired” by Ramón Casas. “The Wedding Dress” by Frederick Elwell. These are the portrayals of women experiencing extreme despair that inspired Michelle Zauner in the production of Japanese Breakfast’s new album, “For Melancholy Brunettes (& sad women),” which was released on March 21.
“This is bliss / This is Hell / Forever is a feeling / And I know it well,” sings singer-songwriter Lucy Dacus in the titular track of her fourth solo album, “Forever is a Feeling.” These lines depict the central juxtaposition of the record which grapples with the ephemerality of love. Dacus knows “forever” is impossible, but she wants it all the same.
Grace Lee '28 illustrates the official end-of-the-winter guide to walking around campus.
Jamylle Oliveira '26 is almost done with her finals... but first needs to get her comic in for the D.
Stephen Adjei '25 makes the pitch for more of a different kind of cookies on campus.
Eloise Langan '27 gives us another look at a figure that has been in the news lately.
At Dartmouth — where Greek life and student-run events dominate the campus social scene — one name has risen to prominence behind the DJ booth. Known for her ability to read a crowd and deliver high-energy sets, DJ TFam has built a reputation as a female DJ.
On March 4, journalist and filmmaker Mona El-Naggar discussed her career in documentary filmmaking — from covering conflicts in the Middle East to the role she sees for herself as a storyteller in the media landscape. The event was co-sponsored by the Middle East Initiative — a collaboration between the Dickey Center for International Understanding, the Middle Eastern studies program and Jewish studies program — along with Dartmouth Dialogues, while Middle Eastern studies professor Jonathon Smolin served as moderator.
This spring, Ephemera, a new art history journal, is set to release its first issue on campus. The journal will feature theoretical and historical essays, artist spotlights, exhibition overviews, student work and more, according to founder Chandini Peddanna ’25.
On Wednesday, Feb. 12, there were more people than chairs in the Wheelock House, the Christian Living Learning Community and former home of Eleazar Wheelock. Spencer Reece, a visiting poet and Episcopalian priest, stood at the front of the room like it was a Sunday service. He led the group in “Shalom,” a call-and-response prayer begetting peace. As I repeated the Hebrew benediction, moving from whispers to shouts, I felt aware of how rarely an opportunity arises to join a group of strangers and sing without shame.
Eloise Langan '27 explores the complexities of (kind of) going out with someone who just took a class on Derrida.
In his cartoon, Stephen Adjei '25 conveys the downsides of being too lAId-back with your alarm clock.
On Feb. 19, the Hood Museum of Art hosted 26 community members for a special guided tour of two of its current exhibitions: “Attitude of Coexistence: Non-Humans in East Asian Art” and “Beyond the Bouquet: Arranging Flowers in American Art.”