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On Sunday, Feb. 19, Dartmouth and Upper Valley community members filed into Sawtooth Bar and Kitchen to see “Umbra,” the student-written one-act festival. Dartmouth’s Displaced Theater Company selected four contemporary one-acts to be performed in its first annual one-act festival.
Do you remember your first dream job? Not the one that you wanted when you were four and the only careers you knew were doctor, artist and airplane pilot, but the one you had your heart set on after discovering your first real passion.
Friday, Feb. 24
Music is birthed from creativity, as artists capture a specific sound and build off of an aesthetic and style to keep listeners engaged. Genuine skill is required to be a successful artist; pure creativity and passion are not good enough on their own. A true test of an artist’s skill occurs when musicians try to venture across genres. Unfortunately for the hip-hop and rap community, rappers’ attempts at creating rock albums has revealed a lack of cross-genre skill in many musicians.
I, first and foremost, identify as a voracious consumer of romantic comedies. As far as cinematic experiences go, I am unashamed to announce that one of my best memories was watching “Bridget Jones’s Diary” while sprawled on my sofa, a pack of Pringles in my left hand and a can of Diet Coke in my right. As such, I always approach the release of new rom-coms with a degree of excitement — eager to see whether any new rom-com can make it into my list of favorites (which, as you might guess, is currently topped by “Bridget Jones’s Diary”). This week, I sat down with high hopes for “Your Place or Mine,” a Netflix original starring Reese Witherspoon and Ashton Kutcher.
Friday, Feb. 17
On Thursday, Feb. 23, the Dartmouth Symphony Orchestra will perform its annual winter concert at 8 p.m. in Rollins Chapel. Under the direction of Filippo Ciabatti, the DSO will be playing an all-string repertoire, including Samuel Barber’s “Adagio for Strings,” Tchaikovsky’s “Serenade for Strings” and Shostakovich’s “Chamber Symphony Op. 110a.”
The romantic comedy, often dubbed rom-com, has been loved and hated by audiences in waves for decades. Proclaimed dead by many critics in the late 2000s following a slew of films with poor critical and box office performance, the rom-com is a genre that is often disparaged for being formulaic and cheesy. However, beginning about five years ago and especially following the height of the COVID-19 pandemic, the rom-com has risen from the dead — and it looks slightly different.
When I was sixteen, I broke up with my high school boyfriend in the worst way possible. Let me set the scene: It’s the week before Valentine’s Day and I’m sitting at the dinner table doing homework; I was reading “Pride and Prejudice” for class — all too ironic. My phone won’t stop buzzing because my boyfriend and I are text-arguing about whatever high schoolers fight over. The distraction is driving me crazy because at that time I cared about school more than most things — including relationships — and I got so annoyed that I just called him up and ended it. On the phone. The week of Valentine’s Day.
This article is featured in the 2023 Winter Carnival special issue.
This article is featured in the 2023 Winter Carnival special issue.
“From this day forward, I will always be Oscar-nominated Ke Huy Quan!”
There is a certain kind of sadness when you watch the finale of your favorite show and know that the storyline of a beloved character is coming to an end. It is what makes us crave more — why we rewatch the same shows on repeat, explore fanfiction and obsess over the actors in real life. Most notably, this desire for more is the prime reason that spin-offs have such a powerful audience.