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This Saturday, the Hood museum will finally reopen after being closed for extensive renovations, but the modern architectural design isn’t the only thing that’s new. As part of the museum’s transition, the Hood has created the new position of Global Contemporary Art Curator to promote bringing thought-provoking works to campus. Newcomer Jessica Hong discusses her role at the Hood and how she hopes to make an impact on campus.
On paper, Colton Underwood was the obvious choice for the 23rd Bachelor. He fits the mold of the generic pretty boy, was a former professional football player and runs a non-profit for kids with cystic fibrosis. Oh wait, and he’s a virgin too. For the first time in bachelor history, reality TV’s knight in shining armor has more than just his dignity to lose. On the season premiere which aired last Monday, the 30 women vying for Underwood’s heart were just so baffled by how someone who looks “sooo good” could possibly be a 26-year-old virgin. Quite frankly, no one really cares why Underwood is a virgin or not, because no one knows who he even is. The only interesting thing about Underwood is his virginity, and the producers of “The Bachelor” clearly know it.
Last Thursday, cellist Seth Parker Woods and Dartmouth music professor Spencer Topel performed their work “Iced Bodies,” a piece about the Black Lives Matter movement that falls between the line of a musical performance and an art installation. In “Iced Bodies,” Woods played a cello made of black-dyed ice, alternating from holding the cello upright to lying it down in front of him, and from caressing the cello with the metal fingertips of his gloves to chipping away at the cello using tools such as a metal bow, a screwdriver and a chisel. With each movement, microphones embedded inside the cello picked up the acoustic sounds that Woods created while Topel processed them at the sound board and diffused them across glass panels suspended around the gallery.
While improvisational comedy has different variants — Dartmouth’s Dog Day Players do long-form improv with lengthy scenes and a returning cast of characters, while Casual Thursday favors short-form improv — the basic principles are the same. A great improv scene requires listening to one’s partners, following one’s instincts and being up for anything.
At first glance, the pottery pieces displayed in the Hood Downtown’s spring exhibition, “Sin-ying Ho: Past Forward” seem to adhere to the traditional image of Chinese ceramics: round white porcelain vases decorated with ornate imperial blue designs. Upon closer inspection, surprisingly modern images of icons such as Barbie, Wonder Woman, Starbucks and John Lennon pop out at the viewer. By combining the old and the new, Ho captures the chaotic beauty of the contradictions within global society and brings the art form of ceramics into the modern era.
“Voices,” an annual original production performed, written and directed by self-identified Dartmouth women, will conclude this year’s lineup of V-February events tonight at 7 p.m. in Spaulding Auditorium. Students who participate in “Voices” can choose to submit a story anonymously or not, perform an original piece or perform one of the submitted stories in a showcase designed to empower women and non-binary students to celebrate the diversity of their experiences at Dartmouth and beyond.
This weekend, the theater department will present this winter term’s student production “Proof.” Originally written by David Auburn, who won a Pulitzer Prize for his work, the play is directed by Louisa Auerbach ’20 and stars Claire Feuille ’18, Macguinness Galinson ’21, Tess McGuinness ’18 and theater professor James Rice. Covering themes of loss, mental illness and gender inequality, the play follows McGuinness as Catherine, the daughter of lauded mathematician Robert, played by Rice, after she loses her father and attempts to live up to his legacy as a mathematical genius and inherits his struggle with mental illness. After a mathematical proof that Catherine claims to have wrote is discovered in one of her father’s notebooks, her love interest Hal and her sister Claire refuse to believe her as Catherine struggles to prove her authorship.
The Barbary Coast Jazz Ensemble’s winter concert will be Saturday, Feb. 24at 8 p.m. in Spaulding Auditorium at the Hopkins Center of the Arts. Director Taylor Ho Bynum invites eight jazz leaders to play alongside the student musicians: Ken Filiano (acoustic bass), Tomas Fujiwara (drums), Mary Halvorson (guitar), Jim Hobbs (alto and soprano saxophone), Ingrid Laubrock (tenor saxophone), Bill Lowe (trombone and tuba), Tomeka Reid (cello), and Stomu Takeishi (electric bass guitar). The concert will feature an array of contemporary music, including Bynum’s own compositions.
After performing German composer Felix Mendelssohn’s “Elijah” at its fall concert, the Dartmouth College Glee Club will continue the biblical hero theme in its winter concert Friday with Giacomo Carissimi’s oratorio “Jephte.” “Jephte” tells the story of Jephthah, an Old Testament judge who promises God that he will sacrifice the first person who comes out to greet him after battle in exchange for victory over a rival tribe. When that person turns out to be his only daughter, Jephthah has to suffer the consequences. While “Jephte” is traditionally presented with limited staging and visual elements, director Louis Burkot decided to incorporate mixed media into the concert by adding projections designed by graduate student Camilla Tassi.
To kick off Winter Carnival weekend, the Dartmouth Symphony Orchestra will perform a new interpretation of one of the most popular pieces of baroque music, Vivaldi’s “The Four Seasons.” This Friday, guest artist Carlos Aonzo will play the traditional violin solo on the mandolin, giving “The Four Seasons” a new and exciting sound. The DSO will also play Tchaikovsky’s first symphony. This lesser-known piece also explores the theme of the seasons and is titled “Winter Daydreams.”
For a leader, it can often be difficult to strike a balance between pushing group members toward growth and making everyone feel motivated and supported. Connor Lehan ’18 has managed to do both as the president of Casual Thursday. An economics major and computer science minor, Lehan has been a member of the student improv group Casual Thursday since his freshman fall, when he fell in love with improv as an outlet for channeling the wacky side of personality.
A single boat bobs on the Mediterranean Sea. The malnourished and dehydrated men, women and children onboard, suffering from infectious diseases and scurvy, huddle together. Their bright orange ponchos pop out against the dark water. A couple of the women are heavily pregnant, and one of them has to be rushed to a hospital for an emergency delivery.