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“Eating Animals” is an important film. Based on the 2009 book of the same name by Jonathan Safran Foer, the documentary explores the subject of the American agricultural industry, a topic that’s often neglected in public discussions, and focuses on the highly troubling issue of the factory farming of poultry and livestock.
One of my fondest memories of my senior year of high school is when my English class read, performed and studied William Shakespeare’s epic tragedy “King Lear.” At that time, the play captivated me with its stark and honest portrayal of human fallibility and tragic loss and it quickly became one of my favorite works of literature.
“The Front Runner” directed by Jason Reitman of “Juno,” “Up in the Air” and “Tully,” stars Hugh Jackman as U.S.
Fame. Depression. Passion. Music. Love. Get your Dartbeat reviews here.
When I was eight years old, I begged my mom for weeks to let me see “Iron Man.” I remember the excitement I felt when she finally relented and said yes.
There’s crazy, there’s satire, there’s dystopian, and then there’s “Sorry to Bother You.” Musician Boots Riley’s 2018 directorial debut takes place in an alternative-world Oakland — but don’t let the term “alternative-world” fool you.
“I have a hangover that is a real museum piece,” Lee Israel writes, imitating writer Dorothy Parker in a particularly famous forgery of Parker’s letters.
Spike Lee’s latest film, “BlacKkKlansman” is very much a movie created for and about the current American political and racial environment.
Directed by and starring Bradley Cooper, and featuring pop supernova Lady Gaga, 2018’s “A Star is Born,” a remake of William Wellman’s 1937 film of the same name, breathes new life into the music drama genre.
“Late at night, my mind would come alive with voices and stories and friends as dear to me as any in the real world.
A working-class woman meets an outrageously rich man, and they fall in love in much to the derision and outrage of the man’s family (mostly his mother). It’s a classic formula, seen in works like “Pride and Prejudice” to which some critics have compared “Crazy Rich Asians,” the romantic-comedy released this summer that featured an all-Asian cast.
Dear Paul Thomas Anderson, I want to begin by affirming how much I respect your work. Although the rest of this letter will not be kind to your newest film, “Phantom Thread,” I don’t want you to doubt my admiration for you as a filmmaker.
It’s hard not to ask what the best film of 2017 was, given that the 90th Academy Awards are less than a week away.
There is an old truism that posits that the best superhero films are those that first and foremost aim to be different.
As the 90th Academy Awards draw closer, it’s hard not to compare the various nominees, particularly those in the Best Picture category.
Last year, Ridley Scott’s “Alien: Covenant” premiered, but does anyone even remember the film?
“Tom Hanks and Meryl Streep were a bit shoddy in ‘The Post,’” ... said no one ever. Everyone and their mother anticipated that Steven Spielberg’s newest film about The Washington Post’s struggle to publish the Pentagon Papers would net Academy Award buzz for these two seasoned actors, who are among the most well-respected members in their industry.
This was not part of the plan. I had every intention of watching “The Post” and writing my review over the long weekend.
In his newest film, “Molly’s Game,” Sorkin is behind the camera as well as the script. As far as directorial debuts go, the film isn’t half bad. It’s not great — many have already assessed that Sorkin is a better writer than director — but it’s a captivating two-and-a-half-hour thrill ride that plays like a more tame and conscientious version of “The Wolf of Wall Street.”
A few weeks ago, my editors acquiesced to my request to drop the numerical ratings system in my reviews.