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It’s strange to say, but I did not notice the narrator had no name the entire time I was reading Nico Walker’s novel “Cherry.” It was only when I sat down to write this review that I realized the person whose deepest thoughts I had been reading was unnamed to me, however fictional or autobiographical he may be.
The Supreme Court currently finds itself in a rather precarious legal and political quandary. Poised to hear big-issue cases in the coming term, its future decisions will likely paint the image by which we remember the Roberts Court. The Court is in a position where it must carefully balance politics and law due to its recent decisions where it has trended dangerously towards voting along party lines. In doing so, the Court has severely jeopardized its legitimacy. For the Court to regain its legitimacy, it must restore stability to federal law and the legal system. It can most effectively do so by practicing judicial restraint, particularly with regard to judicial precedent.
Hate speech and outright discrimination have previously existed in various spheres of discussion, but have only been exacerbated in recent years. Ideas of dehumanization and destruction are at odds with those of healthy governance. Salil Shetty, the secretary general of Amnesty International, said that “too many politicians are answering legitimate economic and security fears with a poisonous and divisive manipulation of identity politics in an attempt to win votes.” This “poison” seeps down and legitimizes hatred within everyday life. Politicians and those from whom they derive their power — all of us — must condemn this sort of speech for the sake of equality and justice. We fail as a people if we stand idly by.
‘Unity in Diversity’ has been Indonesia’s tagline ever since its independence from the Dutch over 70 years ago. In many respects, this has not just been a soft rhetorical move, but a highly tactical one. With the multitudes of ethnicities, languages and religions that reside within Indonesia’s borders, the government in Jakarta has, since its inception, utilized this phrase to placate its population, to assert the singularity of the Indonesian people.
The cold morning of Sept. 30 saw a trickle of people headed towards Rollins Chapel: elderly folks from cars, tallis and yarmulke in tow; professors corralling tykes in itchy clothes; some students in slacks and sport coats and some in khakis and sweaters; security guards in dark uniforms, hired to keep the peace. While everyone looked different, everyone tried to look their best.
Culture is a notoriously amorphous concept. To some, it encompasses the arts, food and language associated with a particular group of people. To others, culture might be more clearly aligned with factors like race, gender, religion and politics. However you may conceptualize the term, culture is intrinsically linked to our daily lives and is constantly changing. Especially this week, as we celebrate Dartmouth’s culture during Homecoming, it is important to consider how we can think mindfully and critically about the issue.
I’ve read parts of the Bible. I’ve gone to church services. I’ve sung hymnals. I’ve been baptized. I’ve been confirmed. I’ve eaten the blood and body of Christ. I’ve memorized the Lord’s Prayer. But I do not consider myself a Christian. Never have, probably never will. I’ve never had faith. My life has been too real for that.
It was summer 2012, and I had just finished up eighth grade. In just a few months, I would be flying from Texas to sunny south Florida for my first year of boarding school. It was a miracle made possible by scholarships, meaning my family wouldn’t have to pay anything.
Studying abroad has morphed into a sort of gilded item on the college bucket list. Students have many reasons for studying abroad. Some seek travel, exploration, a change of scenery or maybe just an escape from a particularly cold season in Hanover.
We have this obsession with boxes. They carry our Amazon orders, deliver our late-night pizza and house our most nostalgic possessions. Boxes enshrine our memories and act as portals to our past.
Until a little over a year ago, the Asian Societies, Cultures, and Languages and Middle Eastern Studies programs were organized under the umbrella of the Asian and Middle Eastern Studies program and the Department of Asian and Middle Eastern Language and Literatures. In a February 2018 article published in The Dartmouth, comparative literature and film and media professor Dennis Washburn commented on the restructuring.
If there’s one thing I’ve learned since arriving on campus three weeks ago, it’s that Dartmouth rarely makes sense. Many aspects of this school have left me flustered — namely, how to order stir-fry at Collis or why GreenPrint takes at least 45 minutes to print out a two-page document. However, one aspect of Dartmouth that has particularly stood out to me is the discrepancy between the prominence of athletes and the lack of support for their games.
A settlement conference for two Dartmouth alumni embroiled in a legal dispute over an alleged sexual assault in 2005 has been scheduled for Oct. 18.
Starting this term, Baker-Berry Library has permanently relocated reserve books and microfilm machines from the Orozco Room to behind the circulation desk in Berry Library. While library staff hopes the change will improve service, some students have found that the transition process has resulted in complications.
Since the beginning of the term, students have reported receiving job offers via phishing emails to their Dartmouth accounts. These emails are sent with the draw of high pay and flexible working hours, but they solicit students’ addresses, full names and phone numbers. The sensitive data obtained could potentially lead to identity theft and financial loss.
“Dawnland,” a documentary co-produced by Native American studies professor N. Bruce Duthu, recently won the News & Documentary Emmy Award for Outstanding Research.
What is contemporary art? For some, it’s Pollocks and Picassos and Poliakoffs. For others, it is the senseless combination of shape and color. For University of Chicago art history professor Darby English, it’s a conversation.
“Joker” is not the most boring film I’ve seen all year. Nor is it the most poorly made. Nevertheless, “Joker” is probably the worst film I’ve seen in 2019, or at least the one I despised the most.
As I mill about the beloved Class of ’53 Commons (colloquially adored as “Foco”), I cannot help but stop and reminisce on a somewhat nostalgic cavalcade of bygone pizzas and one-off lobster dinners. It strikes me that this glorious facility — this Sistine Chapel of student sustenance — has proven the backdrop of my most iconic collegiate memories.