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“Amazing Grace,” the 2018 movie about the two days spent recording Aretha Franklin’s bestselling live album of the same name, showed at the Hopkins Center for the Arts last weekend. The movie is a true feat, resurrecting footage taken at the event in 1972 but unavailable until now due to technical problems in which video failed to sync with the sound. Finally, in this incredible film, we are able to see the Queen of Soul perform her album “Amazing Grace” at the New Temple Missionary Baptist Church in Watts, Los Angeles.
What does space sound like? How do we see space, and what does it actually look like? These are just a few of the questions raised by the Hopkins Center’s film screening “Portal to the Sky: Cinema and Space” on Monday.
On June 14, Iranian-Swedish singer-songwriter Snoh Aalegra released a new song, “Find Someone Like You,” in anticipation of her sophomore album coming in August, “-Ugh, those feels again.”
I’ve never thought much about how art is moved. We can carry small pieces or move them on a cart, but what about the massive ones? Like “Guernica” or “Water Lilies” or “Hovor,” a piece on display in the new Hood Museum of Art? The answer: a massive elevator, one story high, that could fit at least eight normal elevators inside it. This is my first point of contact with the inner workings of the Hood Museum of Art.
“Triple Frontier” dropped on Netflix earlier this month with little advertisement but has since exploded into an online sensation. However, I think that the film’s high ratings can be attributed to the hype from its attractive, star-studded cast rather than the quality of the film itself.
We are so concerned with what is new and exciting in music that we often forget the artists we’ve lost, the artists that even from the grave figure prominently in our collective imagination. Big names have died in the last few years — Tom Petty, David Bowie, Aretha Franklin — and it feels like time is running out for the musicians who inspired popular music today. Leonard Cohen is one such artist. Cohen passed away in November 2016 at 83, but still inspires people with his not-quite-music-not-quite-spoken-word pieces years later.
In its 250th year, how can Dartmouth recognize the failures of the past while celebrating its diverse present and future? “Indigenous Rising: An Evening of NextGen Native Artists,” an upcoming event at the Hopkins Center for the Arts featuring three Native American artists, is attempting to adjust that and represent more Native artists.
Katie Wee ’19 is about as liberal arts as it gets: as a music major as well as a premed student, Wee’s experience at Dartmouth has crossed over disciplinary lines.
Is it possible to capture the essence of a city in a film? Director Tamer El Said’s film “In the Last Days of the City” attempts to do just that.
Is it indie pop? Techno? R&B? Hip-hop? Blood Orange’s new album “Negro Swan” revives Devonte Hynes’s genre-transcending sound with an earnest meditation on the state of those existing on the fringes of society.
Ulrike Ottinger, the avant-garde German filmmaker, will be this fall’s Montgomery Fellow. As a Montgomery Fellow, Ottinger will come to classes, host events, interact with students and screen excerpts from her latest film “Chamisso’s Shadow” on Tuesday, Oct. 2.
Can a moped inspire change? Concept artist Eric Van Hove says yes.
Professor Lee Witters teaches both Dartmouth undergraduates and Geisel School of Medicine graduate students, specializing in the natural sciences and relating the sciences to his interests in humanism. Witters founded the College’s undergraduate pre-health advising program — called the Health Professions Program — and the Nathan Smith Society, for which he is the faculty advisor. He also started the Teaching Science Fellows program and works closely with students and faculty to make natural sciences and medicine more accessible for all.
The faculty of arts and sciences voted on May 7 to approve language drafted by the Committee on Instruction for new distributive requirements, which were first proposed in 2016 and which are set to go into effect as early as two years from now.
Theater and philosophy double major Claire Feuille ’18 is “The She-Wolf of France.” Or more accurately, she played the title character, Margaret of Anjou, in her own senior thesis, which debuted this past weekend at the Bentley Theater.