Use the fields below to perform an advanced search of The Dartmouth 's archives. This will return articles, images, and multimedia relevant to your query.
11 items found for your search. If no results were found please broaden your search.
At the 91st Academy Awards on Feb. 24, stage performer and singer Billy Porter waltzed onto the red carpet donning a resplendent, head-turning black velvet gown skirt with a tuxedo-like top half and a black bowtie to match. News headlines raved about the celebrity, praising him as an “icon” and his outfit as “remarkable.” Oscar viewers fired up Twitter in energetic support. Vogue called the dress a “play on masculinity and femininity” that “challenged the rigid Hollywood dress code and was boundary-pushing in all the right ways.”
If there’s one thing that comes to mind when reflecting on the Trump presidency, it’s the astounding number of hate crimes and race-related incidents that have occurred before and after his inauguration. There are attention-grabbing shockers like vilifying Mexican immigrants as criminals and rapists while on the campaign trail, retweeting white nationalists without remorse, his failure to attribute blame to Charlottesville white supremacist perpetrators and calling some of them “very fine people,” denigrating Native Americans, the Muslim ban, attacking kneeling NFL players — needless to say, the list goes on and on.
This year, Dartmouth is celebrating its 250th anniversary. And at first, I thought it had absolutely nothing to do with me.
Remember Blu? That loveably awkward macaw from “Rio”? As of 2018, the Spix’s macaw, upon which Blu was based, has been declared extinct in wild habitats.
“We have just received information that a single gunshot was fired in the area of School Street and West Wheelock Street in Hanover.”
On a random weekday night when I was 10 or 11 years old, my dad called for me and my three younger siblings down to the basement. Usually, calls down to the basement meant movie nights, which the four of us always looked forward to. Giddy and excited at the prospect of watching a movie late into a school night, the four of us hopped onto the couch and bundled ourselves in blankets.
The anonymous “I am Part of the Resistance Inside the Trump Administration” op-ed published in the New York Times is not powerful solely for its content. Half of its power can be attributed to its author’s anonymity. Before I argue on anonymity’s behalf, however, it is critical to acknowledge that the author is anonymous only to a certain degree. The New York Times wrote that the author is a senior official in the Trump administration, and I, for one, am inclined to believe them. Not only does the New York Times rarely ever publish op-eds with anonymous authors, but as CNN’s Chris Cuomo puts it, would the NYT really “risk their reputation on a kill shot like this if it was proven to be false?” Such a deed, according to Cuomo, would be considered a heavy “miscarriage of journalism.”
After writing my second opinion article for The Dartmouth, I received my first Facebook response.
After I received my college application results, I knew Dartmouth would be the school I’d end up at. However, in that stressful but happy period of deciding where to go, there were a handful of schools that tempted me — and not for reasons I originally deemed important. I never thought a campus’s aesthetic was a critical factor in deciding a college, and while it may not be the most prioritized, I have learned that they definitely has an effect on other potential students.
This past spring term, I went to the Dartmouth Center for Social Impact club fair and happened to be roped towards a stand titled “Dementia Scholars.” The poster’s station was manned by a handful of bright-eyed students, eager to catch my attention. They gave me the whole spiel — who they were, what they did, how often they did it. And without much thought, I wrote down my email on their list and forgot about it once I left.