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On Jan. 25, the Hood Museum of Art debuted its 110th “A Space for Dialogue” exhibition, titled “Constructing the Ideal Soldier.” Nathan Savo ’24, a Class of 1954 curatorial intern at the Hood, was the primary curator for the exhibition, which examines art from Mexico and the United States during the first half of the 20th century. The exhibition encourages viewers to consider the ways in which different conventions of gender and patriotism were either upheld or challenged when depicting service members in art.
Friday, Jan. 27
The year is 2007 and I am five years old, standing in a Blockbuster. My dad says I can pick out any movie I want, and I choose the original “Nosferatu” and an unmemorable B horror movie. When I try to fall asleep after our amateur double feature, I can’t. For the first and last time, I am truly frightened by a movie, so scared that I don't sleep the entire night. I consider this a watershed moment in my life — the first time a film evoked any emotion in me.
Social media’s obsession with microtrends has created a revolving door of popular aesthetics — “e-girl” became “cottage-core” which evolved to “dark academia” and has recently transformed into “ballet-core.” A scroll through TikTok in the last few months reveals the increasing popularity of the television show “Fleabag,” books from Sally Rooney and music from Phoebe Bridgers. Although not explicitly named, all of these aspects and obsessions point to a larger trend: the revival of the aesthetic of being a sad teenage girl.
What if I told you that all of the intersecting pathways on the Green actually formed a protective pattern to ward off evil spirits? In Leigh Bardugo’s new novel “Hell Bent” — the highly anticipated sequel to the fantasy hit, “Ninth House” — that is the uncanny truth behind the central quad at Yale University.
Namwali Serpell, born in Lusaka, Zambia and currently living in New York, is a widely acclaimed author and professor at Harvard University. Her latest book, “The Furrows: An Elegy,” was named one of the 10 Best Books of 2022 by the New York Times and one of former president Barack Obama’s favorite books of 2022. On Jan. 18, Serpell read excerpts from her new novel and engaged in a Q&A session at Sanborn Library.
On Dec. 23, 2022, Damien Chazelle, the director of “La La Land,” released “Babylon.” The nearly three-hour film has one indisputable quality: an ability to spur a fierce response, good or bad, from all its viewers. Slate deems “Babylon” a “defecating elephant of a movie,” while BBC instead describes it as a “cinematic marvel.”
Friday, Jan. 13
As a new cast member of Saturday Night Live, Michael Longfellow has recently gained recognition for performing in skits alongside veteran comedians like Cecily Strong and Kenan Thompson on the late-night comedy show. On Friday, Jan. 13 at 9 p.m., Longfellow will take the stage as a solo act to perform stand-up comedy at Dartmouth. Organized by the Programming Board, the show will take place at Common Ground in the Collis Center and is free of charge for all members of the College.
Matthew Libby’s “Sisters” is a story about family dynamics told by two sisters, Matilda played by Jihan Haddad and Greta played by Madeleine Barker. However, Greta is not human, but, instead, artificial intelligence. The story follows Matilda’s life, development and coming of age, while simultaneously, we see Greta’s development as a computer through her interaction with her sister. The play explores how the paths of the sisters intersect, eventually diverge and reach resolution in becoming one again.
If you’re planning a redemption arc that includes petty revenge, you won’t regret letting “SOS” be its soundtrack. SZA’s new album is an impressive 23 song long turmoil of love, lust, vengeance, retribution — and, ultimately, satisfaction — that begs to be played at top volume.
Since fall term ended in November, two new exhibits have opened at the Hood Museum of Art. The “Historical Imagery” collection, which opened on Dec. 17, features art that explores U.S. history — including an unfinished study of Emanuel Leutze’s “Washington Crossing the Delaware.”. On Jan. 4, an exhibit featuring the work of Margaret Bourke-White opened highlighting her images from World War II and Life Magazine.
On Aug. 12, 2022, world renowned Indian-British-American author Salman Rushdie was stabbed repeatedly in an assassination attempt at a conference in New York. He was slated to present his thoughts on freedom of speech as an exiled author in America. He was initially exiled from Iran and targeted due to his depiction of the Prophet Muhammed in his book “The Satanic Verses,” which was released in 1988. Growing up in a liberal Muslim family, Rushdie now firmly considers himself to be an atheist — a conversion which is not taken lightly in the Islamic faith.
David O. Russell’s latest film, “Amsterdam,” is — at its core — a historical comedy and conspiracy thriller that dives into the power of friendship and loyalty. Set primarily in 1930s New York against a backdrop of social and racial inequality, the film touches on issues of post-traumatic stress disorder, white supremacy and the rise of American fascism. Though the overarching theme is a comforting message of the value or relationships in uncertain times, this is lost due to the film’s poor pacing and timeline which is difficult to follow.
Friday, Nov. 11
A recipe developer, New York Times Cooking contributor and video host, Claire Saffitz is not just any pastry chef. After reaching internet stardom through Bon Appétit’s “Gourmet Makes” YouTube series, Saffitz started her own channel, “Dessert Person,” to reach home bakers with approachable recipes. Her latest cookbook “What’s for Dessert” comes out this week, and Saffitz visited Norwich for a book event on Nov. 10. The Dartmouth sat down with Saffitz to discuss her newest project, careers in food media and baking in a dorm kitchen.
“It Starts With Us” is Colleen Hoover’s sequel to her best-selling novel and BookTok sensation, “It Ends With Us.” The sequel begins directly after “It Ends With Us” and brings the reader through the intricacies of life after divorce and domestic abuse. “It Starts With Us” is a lighter read than its predecessor, allowing the reader to experience Atlas and Lily’s relationship as they navigate divorce, found family and starting a new life after abuse. In many ways, Hoover presents a “second-chance” romance that alternates between Atlas’s and Lily’s points of views. “It Ends With Us” must be read first in order to fully understand the magnitude of some of the trivial events in “It Starts With Us.”
‘Park Dae Sung: Ink Reimagined,’ a solo exhibition of the artist’s contemporary ink-and-wash works, is currently on display at the Hood Museum of Art until March 19, 2023. The exhibition is not only the largest exhibition of Park’s art to ever reach America, but is also one of five major exhibitions currently available in the U.S.. Furthermore, Park gave a lecture at the Hood on Nov. 3 and the Hood Museum hosted a full-day symposium about Korean contemporary art, co-organized by the College, the Korea Foundation and the Museum of Modern and Contemporary Art on Nov. 4.
This term, the Dartmouth theater department will put on pop musical “Pippin” as its MainStage production. The show opens on Nov. 4 and will run until Nov. 13 for a total of seven shows. The two-act musical, written by Roger O. Hirson, composed by Stephen Schwartz, follows Pippin — the heir to the throne of King Charlemagne — as he tries to find purpose by experimenting with art, war, religion, power, love and revolution.