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The House of Lewan, Dartmouth’s first recognized drag club, hosts free, all-inclusive drag workshops and will be performing at the upcoming Transform event on Friday, May 6th at 8 p.m. in Kemeny Courtyard. Transform, one of Dartmouth’s traditional PRIDE celebrations, will feature drag performances from students and Adore Delano, a drag icon and season six finalist on “RuPaul’s Drag Race.”
Film major Eduardo Hernandez ’22 started out behind the camera in middle school, delivering morning announcements and shooting sketches about the lunch menu. He found the experience “engrossing” — now, he is producing and directing a short film for his senior thesis titled “I Hope You Don’t Mind What I Put Down In Words.” To be completed by the end of spring, the short film focuses on the exhilarating early stages of love and features Annabel Everett ’25 and Jack Heaphy ’24.
At the beginning of 2021, Olivia Rodrigo skyrocketed into fame. Her publicity and marketing have sparked a new kind of popularity amongst not only the youth, but also young adults who resonate with her genuine storytelling. Rodrigo’s fame and acknowledgement on social media platforms, such as TikTok, illustrate the extent to which a generation living through a pandemic was hungry for content and musical inspiration. She has also taken on a nostalgic aesthetic, as she wears clothing reminiscent of the early 2000s, includes trendy filmmaking tactics in her music videos and weaves angsty rock elements within her songs.
Marijuana has long been present in music genres like psychedelic rock and reggae, even before the emergence of marijuana usage into the cultural mainstream. Despite historically being stigmatized, weed has progressively become decriminalized and legalized across the country, and recreational usage no longer draws as much scrutiny as it once did. And while marijuana, like any other drug, has the potential for dependency and abuse, it is better known for its euphoric and stimulating psychoactive effects. These effects have inspired musicians throughout history, enhancing their music and creativity.
Booth, Dartmouth’s DJ collective founded in 2016, is a social and art group that provides DJ services to Greek houses and other functions on campus. The collective is currently expanding their services by branching out to cover more events to fit a growing campus demand for DJs.
“five seconds flat” features heart-wrenching lyrics and beautiful production as it chronologically captures heartbreak and finding a new beginning. Lizzy McAlpine’s musical style has been described as a cross between folk-pop and alternative indie, with her songwriting shining through the instrumentals. McAlpine’s new work was well anticipated, with five singles released in the six months leading up to the album. She gained popularity through social media and her first album, “Give Me A Minute.” Her second album, “five seconds flat,” came out on April 8 along with a 29-minute short film that was released the next day.
Among fans of hip-hop, Pusha T’s reputation precedes him. Since the early 2000s when he and his brother No Malice formed the legendary hip-hop duo Clipse, Pusha T has enjoyed consistent acclaim from fans and critics alike. The most recent subject of this acclaim was his album “Daytona” — released as part of a series of five albums produced by Kanye West which were released on consecutive weeks during the Spring of 2018. For many fans — myself included — the soulful instrumentals and uncompromising lyrics of “Daytona” seemed like hip-hop heaven, and it was hailed as one of the best albums of 2018 and the 2010s. Naturally, I was elated when Pusha T announced “It’s Almost Dry,” his first solo release since “Daytona.”
From April 13 until May 15, Northern Stage theater company is performing “Monty Python’s Spamalot” — a musical comedy adaptation of the beloved movie “Monty Python and the Holy Grail” — as part of its 2021-2022 season. The tale is a parody of King Arthur’s quest to find the Holy Grail, featuring nods to the history of musical theater and feel-good ballads. In the play, King Arthur and his knights are sent on a mission by the elusive Lady of the Lake to first find the Holy Grail, and then to put on a Broadway show.
On Friday, April 15, student bands, Programming Board and Collis After Dark brought together the “Battle of the Bands” in Collis Common Ground. The event featured back to back ten-minute sets from campus bands “The Dandelions,” “Frank,” “Moon Unit,” “Pegasus,” “Read Receipts,” “Shark” and “Summer on Venus,” with “Moon Unit” taking first prize to be the student opener for Green Key in May, beating out “Frank” in second and “The Dandelions” in third.
Like many, I joined TikTok at the beginning of the pandemic — almost jokingly, perhaps, but also because I was craving some real semblance of community. TikTok offered an effective (albeit dystopian) way to connect to my peers over a diverse range of content: dance videos, comedy, makeup. I was immediately drawn to the endless stream of fashion videos — produced not only by the typical “influencers,” but also by normal people. I’d watch an outfit video made by a college student stuck at home followed by one by an eccentric grandmother.
Updated 11:34 a.m., April 19, 2022.
Since the days of her association with the now-revered hip-hop supergroup Odd Future, Sydney Bennett, otherwise known as Syd, has distinguished herself as a leading voice in the alternative R&B genre. Her work with The Internet — a band that also includes respected singer and guitarist Steve Lacy — has produced two critically acclaimed albums: 2015’s “Ego Death” and 2018’s “Hive Mind.” In 2017, Syd extended this success to her solo work, releasing her debut album “Fin.” “Broken Hearts Club,” Syd’s most recent album, was announced in March following almost five years of virtual solo silence.
Visibility:2022 hosted acclaimed novelist Torrey Peters GR '13 for a conversation about gender and creative writing on April 5. This is the third year the Office of Pluralism and Leadership has hosted Visibility, the annual student-led campaign promoting gender equity and an end to gender and power-based violence. After the conversation, moderator and professor Mingwei Huang led a question and answer session with the audience. The event concluded with a book signing.
After being postponed from its usual time in January due to the omicron variant of COVID-19, the 64th Annual Grammy Awards took place on April 3. Held only a week prior, the Academy Awards overshadowed the Grammys this year, given Will Smith’s high-profile slapping incident that received vast media coverage. In contrast, the Grammys maintained a much lower profile, as the night’s most celebrated artist, jazz composer Jon Batiste, won big, while most categories offered few surprises. Combined with Trevor Noah’s lackluster hosting and a mixed bag of live performances from various artists, the Grammys emphasized safety from scandal rather than ingenuity.
Updated 11:06 a.m., April 12, 2022.
Read Receipts — colloquially known as the “cieptz” — is among a handful of student bands that are a mainstay of Dartmouth’s live music scene. Its current iteration features Annie Politi ’23 on lead vocals, Liam Jamieson ’22 on drums, Carson Peck ’22 and Isaac Weber ’22 on guitar, Jason Wang ’23 on bass and Katie Hoover ’22 on keys. The band started in summer 2016 when a group of ’18s formed a fledgling band during their sophomore summer. Six years and one pandemic later, the band has persisted true to its original mix of talent and its diversity of musicality and individuality.
I felt nervous buying BookTok’s most popular book, “It Ends With Us,” by Colleen Hoover. I worried that how I felt about this book would sway my future judgments on other books I find through TikTok. I was even more nervous writing a review for it, as, for me, “It Ends With Us” raised the bar for not only all other new adult fiction books, but fiction books across the board. I now understand why there is a cult following for this book and the characters in it.
Big Time Rush is back, riding the wave of nostalgia sweeping over Gen Z. The announcement and timing of Big Time Rush’s official comeback on Twitter in July 2021 couldn’t have been more perfect: In a pessimistic post-pandemic world, Gen Z has found optimism in many of their favorite childhood TV shows, owing largely to platforms like TikTok and YouTube to further spread their obsession.
What began as a way to pass the time and process his emotions quickly became a passion for Christian Beck ’24, who began singing and songwriting his senior year of high school during the initial COVID-19 pandemic lockdown. In the fall of 2021, he was scouted via TikTok to audition for “American Idol.”
On March 31 and April 1, the SITI Company, a New York-based theater company, performed a revival of their 1993 performance “The Medium” at the Hopkins Center for the Arts. Directed by Anne Bogart, co-artistic director of the SITI Company and a professor at Columbia University, “The Medium” explores the media's influence on perception and identity, combining various styles of dance and expression to create a distinctive show that highlights the importance of movement and sound in creation.