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Katherine Stebbins ’04 discovered her passion for costume design at Dartmouth after designing for two shows, eventually graduating with a major in philosophy and a minor in theater. After graduation, Stebbins received her MFA in costume design from Carnegie Mellon University in 2009. She worked as a costume designer in Chicago until 2011, where she worked with the Chicago Shakespeare Theater and the American Theater Company, among others. She now works in Boston.
Contemporary French artist Laetitia Soulier plays with geometric shapes, repeating patterns and human models to encourage viewers to take a second look at her art. Interested visitors are able to do just that at the place where her work has been displayed since Sept. 16: the Hood Downtown exhibition space. Located at 53 Main Street, the exhibition space aims to fill the shoes of the Hood Museum of Art, which will remain closed for expansion and renovation for the next two and half years. During this time period, Hood Downtown will display the work of ten contemporary artists from different corners of the world.
The premise of special collections is an art form that breaks the conventions of time.
Not even receiving two degrees in the laws of physics could keep Enrique Martinez Celaya from resisting the pull of art. Nor could Martinez Celaya resist the pull of Hanover. This term he is returning to campus as a Roth Family Distinguished Visiting Scholar, a position reserved for thinkers who will expand the scope of student thought. He previously served as a Montgomery Fellow, another endowed residency position that brings leaders to Dartmouth, two years ago.
“Bridget Jones’s Baby” (2016) opens with a familiar scene: Bridget Jones, alone on the couch with an egregiously large glass of wine and Jamie O’Neal’s rendition of “All By Myself” blasting aptly in the background. In accordance with the previous two films, she’s sad, she’s lonely and it just so happens to be her birthday.
Expectations may seem a given for an artist familiar with the spotlight, but Cécile McLorin Salvant says otherwise.
Wednesday night in Moore Auditorium, the audience rose to its feet as Staceyann Chin stood proudly in the center of the stage, her feet spread wide apart, her fists thrust high into the air and her face filled with raw emotion. Chin, fresh off giving a rousing performance of her critically acclaimed one-woman show “Motherstruck!,” accepted her standing ovation with a roar of glee, eliciting yet more laughter from an audience that had been chuckling at her jokes all night long.
With her trusty X-Acto knife, a love for color and a distinct penchant for productivity, Celeste Jennings ’18 has already started to make a name for herself in the world of design.
Call me a heretic if you want, but I am not prone to loving musicals. Which is not to say that there aren’t many excellent examples of the genre, there just happen to be many more examples that I find unappealing and tiresome. But as I left Spaulding Auditorium Saturday night, having just seen Damien Chazelle’s “La La Land” (2016), I felt something I had not felt in some time: the need to rejoice! To rejoice at the fact that there was a director working today who had the guts to make a movie that is so shamelessly nostalgic and positive in spirit. This may only be Chazelle’s, who directed “Whiplash” (2014), third film, but it is so confident that I have no doubt he will become one of the defining filmmaking voices of this generation.
For some students, leave terms consist of working on Excel or fetching coffee. But for the five students participating in the pilot program of the theater department’s Experiential Term, partnering with theater company Northern Stage, days are spent working with theater professionals in West Lebanon and soon, New York City. The program is a natural progression of the theater department’s long-term affiliation with Northern Stage, an award-winning, professional regional theater in White River Junction, Vt. For 15 weeks, students in the program will be immersed in all aspects of professional theater, culminating in their participation in two productions: an Off-Broadway production of “Orwell in America” in New York City and in the company’s production of “A Christmas Carol.”
As a Dartmouth student, Perrin Brown ’15 interned for “Conan” and worked at an economics research firm. After graduation, she worked as a hospitality assistant at the Napa Valley Film Festival, as a marketing intern for a Los Angeles-based company and more recently, as an editorial assistant at Bodhi Tree, a spiritual online vendor startup. There, she hopes to grow and explore her interests, including film and media.
This evening, the normally peaceful Green will be awash with music, food and students as The Mowgli’s perform on the Green as the featured act in Collis Center and Programming Board’s House Kickoff. The event is intended to celebrate Dartmouth’s inaugural House Communities.
The creativity that saturates the atmosphere when FLEXN performs is apparent to any outsider.
Whether first-year students have been dreaming of joining the Aires since their first solo in their high school choir, curious about Ujima since the dance showcase or thinking they might just wing it at the Dog Day Players auditions, the start of classes brings with it the first opportunity for first-years to show off their talents to student performance groups at Dartmouth. As auditions kick into gear, upperclassmen in performance groups share their own audition experiences and wisdom with the arts section.
Micah Park ’17 might be all about dance now, but this was not always the case. Although she took ballet courses when she was very young, she quit after a few years. She only rekindled her interest in dance after pursuing musical theater and realizing that the singing component was not for her.
Lin-Manuel Miranda’s hit show “Hamilton” (2015), a hip hop-based musical about the life of founding father Alexander Hamilton, has captured the hearts of people everywhere, and the Dartmouth Film Society is no exception. Every term, the society, among other tasks, organizes and presents a film series based around a theme. This term’s film theme is entitled “Hamilton’s America.”
“Don’t Breathe” (2016) is the second feature film from co-writer and director Fede Alvarez, who also co-wrote and directed a reboot of “Evil Dead” (2013). Fans who enjoyed the unique interpretation of traditional horror in the reboot will love the similar spin to the genre that Alvarez brings to “Don’t Breathe.”
Darby Raymond-Overstreet’16 is a studio art intern for the studio art department. At Dartmouth, she majored in studio art and psychology and was heavily involved with the Native Americans at Dartmouth community. She is an enrolled member of the Navajo Nation and she is from Flagstaff, Ariz.
As another school year brings in a fresh crop of freshmen, campus is bustling with the sounds of doors slamming and people hauling boxes up and down stairs. For many, decorating a room is a chance not only to bring a taste of home to Dartmouth but also to showcase their artistic side or admiration for the arts.
With fewer students on campus than any other term, the summer leaves student-run dance and musical groups shorthanded. To make up for the deficit, many established groups have traditionally held auditions for summer-specific additions in order to bolster numbers and maintain an active presence on campus.