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Ever wonder how the students sitting in the galleries of the Hopkins Center for the Arts or the students behind the ticket counter got their jobs? The Hop presents a number of opportunities for students to find work on campus in positions such as ushers, gallery attendants, production assistants, ticket sellers and stage managers. These jobs not only provide students with compensation but can also lead one to great insider experiences with the arts at Dartmouth.
Making music for racial harmony, healing and hope just between Martin Luther King Jr. Day and Inauguration Day, the Jones Family singers will perform today in Spaulding Auditorium.
Located in the heart of Main Street, International DVD & Poster, a small entertainment store, invites its visitors to explore the modern evolution of entertainment culture. It’s a small, magical realm encapsulating the ethos of music and the arts across several decades.
International DVD & Poster sells vintage goods, such as posters and prints.
If you wander into the Black Family Visual Arts Center at 3:00 a.m. on most weekdays, you’ll likely find a cluster of studio art students working or studying — among them Kelsey Phares ’17.
Continuing this Friday, the Hopkins Center for the Arts’ and the Dartmouth Film Society present their winter film series, which includes Oscar-worthy films, heartwrenching documentaries and — perhaps a little more unconventionally — exhibitions of live birds.
The audition process can cause even the most confident and experienced performer, such as those who auditioned last week for the theater department’s production of the Tony Award-winning satirical musical “Urinetown,” to descend suddenly descend into a vortex of self-deprecating, worst-case scenario concerns: my hands are so sweaty, I’m going to damage everything I touch and get blacklisted by the Hop. I’m so nervous, I’m going to accidentally start singing the alma mater instead of my audition piece, and I won’t be able to stop until I get through the whole thing.
Aditya Shah ’15, now professionally working as an inbound sales consultant for HubSpot in Cambridge, Massachusetts, still finds time to make waves in the music world.
Oliver Caplan ’04 is a professional composer who graduated from Dartmouth with a double major in music and geography, and served as president of the marching band.
“To Be Without You,” Ryan Adams, “Prisoners”
Who would have thought that the most impressive science fiction film of 2016 would not be “Rogue One: A Star Wars Story” but instead Denis Villeneuve’s thought-provoking, psychological and deeply moving “Arrival.” Villeneuve has already proven himself to be an extremely talented director with films like “Incendies” and “Sicario.” Despite this, I was skeptical when early reviews called “Arrival” a new sci-fi masterpiece. Good films have a tendency to buckle under the weight of tremendous hype, and I was nervous that Villeneuve simply wouldn’t be able to live up to the mammoth expectations being set by the film’s early admirers. Yet somehow “Arrival” surprised me, finding a way not to meet my expectations but instead surpass them and engage me on both an intellectual and emotional level.
Ever wonder about the sculptures around Dartmouth's campus? Learn about the significance behind them, and what students think they mean, on a campus tour with our arts writers. Click here to explore.
As a former film evaluator for HBO, author of “The 50 Movie Starter Kit: What You Need to Know if You Want to Know What You’re Talking About,” and former chief video critic for Entertainment Weekly, Ty Burr ’80 is a prominent player in the world of film criticism.
This past Thursday and Friday, a 40-person audience visited the brightly-lit cafeteria of Valley Vista, a drug and alcohol addiction treatment center in Bradford, Vermont. Women undergoing treatment in the center covered the room in motivational cardboard posters in preparation for “The Cleansing Tears of Our Temporary Yesterday,” a performance put on by both Dartmouth students and women recovering from addiction.