Anti-Playboy protesters did not 'force' women to not pose
(05/11/95 9:00am)
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The theme of the Dartmouth Wind Symphony's concert tonight, "Variations," provides a tantalizing musical feast, a sort of smorgasbord of composers and styles.
Natalie Merchant's sold-out Friday night performance was less a concert than an informal evening of music during which the singer, formerly of the 10,000 Maniacs, experimented with new songs.
The Pretenders commandeered Leede Arena Friday night, reminding the crowd of more than 1,000 what hard-driving, melodic rock 'n' roll is all about. Blistering through a nearly two-hour set of their classic hits and newer material, the group proved that, more than ten years after its first album, it can still deliver an excellent show.
Lousie Gluck, a poet highly acclaimed for the spare intensity of her work, enchanted an audience gathered in Rockefeller Center yesterday afternoon with a reading of her poems.
"The Table: A Play for Four Voices and Basso Ostinato" by Ida Fink was read Saturday night in the Warner Bentley theater in conjunction with this weekend's Holocaust conference, "Lessons and Legacies III: Memory, Memorialization and Denial."
Everyone, it seems, fancies themselves movie critics. How is it then, that a handful of lucky people watch movies all day and offer up their sanctified opinion to the benighted masses for a salary? And where do I send my resume?
James Nachtwey '70, a photojournalist whose images have mined the depths of human despair in troubled regions all over the world, gave a moving account of his calling yesterday at a press conference in the Hood Museum.
What do The Grateful Dead, The Blues Brothers and Robin Williams have in common?
The spacious studio loft in Red Hook, Brooklyn where Kate Augenblick '79 paints her colorful abstract canvases overlooks New York Harbor; on a crisp September morning one can see tugs and barges floating by and lower Manhattan looming just beyond.
Mark Strand, a highly acclaimed poet whose work has been characterized as both dark and luminous but always powerful, will read today at 4 p.m. in 1 Rockefeller.
The lights dimmed, the reels began spinning and the audience settled in for a double feature of the Alfred Hitchcock classics "Spellbound" and "Vertigo." This was no Tuesday night on the couch for film buffs -- it was the launching of the Dartmouth Film Society's Fall 1994 Film Series, "Switching Reals," which explores realism and surrealism through classic and contemporary films.
Most people learn early on in life that there are certain things you just don't put in your mouth -- unless you're one of the freaks who will eat glass, swallow swords and drink gasoline tomorrow night in Spaulding Auditorium at 8 and 11 p.m. Is it Hell Night already? No, it's just the Coney Island Circus Sideshow, straight from the boardwalk in Brooklyn.
A boy wearing red pants hangs upside-down from the gun barrel of a rusted tank, his hand capping the muzzle. It is one of the few images in "James Nachtwey: Photographs" now on view at the Hood Museum of Art with an air of playful grimness; mostly the photographs are simply grim -- in the words of one critic, "beyond tragedy."
"Bird Songs of the Mesozoic," "The Flying Karamazov Brothers" and "The Coney Island Circus Sideshow" are just a few of the more bizarre acts scheduled to appear at the Hopkins Center for the Performing Arts this term. The seemingly wacky sensibility behind these selections belongs to the new Director of Programming Norman Frisch.
Some people think that being an artist at Dartmouth is like being a fish out of water. And occasionally it can seem that the "arts" in "liberal arts" is a rather empty term.
Author Carolyn Chute, whose novels have inhabited bestseller lists for nearly one decade, will read from her work at 8 p.m. in 105 Dartmouth Hall.
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