18 items found for your search. If no results were found please broaden your search.
Set after World War I, “Peaky Blinders,” the fifth season of which came out this month, is centered around the Shelbys, a Romani family who have made their name as gangsters in the streets of Birmingham, England. At the head of the family is Thomas (Tommy) Shelby, played by Cillian Murphy, a ruthless and overly logical patriarch who, at the end of season four, becomes a newly minted member of Parliament to fulfill his longtime goal of becoming a legitimate business owner and politician who speaks for the people. While the show maintains its focus on the Shelbys’ endeavors to cultivate power and protect their own, the fifth season adds depth to the show in its discussion of mental health and morality.
This past January, Toro y Moi (also known as Chaz Bear) released his sixth album, “Outer Peace.” Inspired by the electronic dance music of Daft Punk and Wally Badarou’s synthpop, “Outer Peace” is a breezy 10 tracks, spanning just over 30 minutes. As a whole, the album is very easy to listen to — the tracks are generally composed of low-fi, low energy, yet upbeat beats and melodies — and none of them are longer than four minutes. On the surface, Toro y Moi has produced a fun, and at times quirky, album full of hits that can be played at a wide range of events, whether it be at a party that’s about to hit its peak or at a study table that needs a pick-me-up. A deeper dive into the album with closer listening, though, reveals that Toro y Moi has also subtly inputted his own little touches of tongue-in-cheek ironic flair and his sense of pessimistic disillusionment to which millennials and Gen Zers can definitely relate.
“The Umbrella Academy” is probably one of the most off-putting shows on Netflix. It opens with a scene at a pool in Russia, in which a teenager spontaneously gives birth in the pool after giving a potential suitor a peck on the cheek, setting the stage for the chaos that ensues.
Years after meeting in the basement of a Dartmouth fraternity, Alexi Pappas ’12 and Jeremy Teicher ’10 embarked on an Olympic journey unlike any other. After the president of the International Olympic Committee happened upon the couple’s first feature film “Tracktown” during a flight, they were chosen to participate in the Olympic Art Project during the 2018 Pyeongchang Games.
Arati Gangadharan ’18 was nervous when she joined Raaz, Dartmouth’s South Asian dance team. Although she had 15 years of training in Bharatanatyam and Mohiniattam, classical forms of dance that are thousands of years old, Raaz also performs styles like Bhangra and hip-hop that are outside the classical canon. But after four years with the team, Gangadharan has been able to successfully blend her classical skills with the less familiar dance forms.
Stefan Lanfer ’97 discovered his passion for playwriting after winning the Frost and Dodd Student Play Festival as a Dartmouth student and seeing his work performed onstage. Though he went on to attend business school at the Massachusetts Institute of Technology and work in consulting and the nonprofit sector, he never stopped writing. This weekend, after five years of writing and perfecting his script, Lanfer’s play “An Education in Prudence” premieres at the Open Theatre Project in Boston. The play is based on one of the first desegregation battles in the United States regarding the education of African-American girls in Connecticut.
First created as a display of appreciation for student artwork, “A Temporary Museum of Ideas in the Making” has been transformed into a collection of 36 architectural models constructed by Dartmouth students. Curated by Gerald Auten, studio art professor and director of the studio art exhibition program, and studio art professor Zenovia Toloudi, the exhibit is currently displayed in the Strauss Gallery at the Hopkins Center for the Arts. Students and community members now have the opportunity to view some of the best architectural models collected by Toloudi from her classes over the past three years. While it is common for studio art professors to keep art created by their students, “A Temporary Museum of Ideas in the Making” allows the public to appreciate and explore innovative work produced by Dartmouth students too.
What does a play written 2,500 years ago and a suburb of St. Louis have in common? The upcoming Theater of War production of “Antigone in Ferguson” at the Hopkins Center for the Arts draws parallels between the events of the ancient Greek play by Sophocles and those in Ferguson, Missouri surrounding the death of Michael Brown in 2014.
Ivy Pruss ’07 graduated from Dartmouth with a major in English and completed a creative writing thesis. During her time at the College, Pruss was the editor-in-chief of “Stonefence,” Dartmouth’s literary magazine. After receiving an MFA in writing for screen and television from the University of Southern California’s School of Cinematic Arts, Pruss went on to become a Universal Pictures Emerging Writers Fellow. Most recently, Pruss wrote an episode for the series “Greenleaf,” which will air on the Oprah Winfrey Network.
First performed in 1996 at the HERE Arts Center in New York City, “The Vagina Monologues” has quickly blossomed into one of the feminist movement’s most relevant and empowering pieces of theater. Written by Eve Ensler, “The Vagina Monologues” is composed of a series of monologues based on interviews Ensler conducted with over 200 women. Each episode includes instances that deal with the feminine experience, employing topics such as sex, rape, birth and the various names for the vagina.
Sara Lindquist ’18 first discovered her love for singing after joining a community girls’ choir. While the group sang, dance and acted, Lindquist realized that she enjoyed the singing component most, especially the storytelling aspect of it.
“Paris,” The Chainsmokers
If you wander into the Black Family Visual Arts Center at 3:00 a.m. on most weekdays, you’ll likely find a cluster of studio art students working or studying — among them Kelsey Phares ’17.
“Game Changers” by Winterhill opens with a gritty guitar riff and delves into a string of infectious melodies and clever lyrics ripe with social commentary and angst.
At Dartmouth, the Center of Professional Development is closely associated with corporate recruiting in the minds of students. For students seeking careers in the performing arts, the path to finding opportunities is often a more creative one. Students sometimes use the CPD, but also rely on academic departments.
Phil Olson ’79’s award-winning career in comedy began unexpectedly. After graduating from Dartmouth with a degree in mathematics, Olson received an MBA from the University of Chicago and initially pursued a career in real estate. It was only then that he discovered his love for comedy writing. Olson went on to write and perform with The Groundlings, an improvisational and sketch comedy theater whose alumni include Maya Rudolph and Kristen Wiig. Olson has written 13 original screenplays and 15 published plays with over 350 productions worldwide, nine of which have been published by Samuel French. His next play, “A Nice Family Christmas,” will open in seven cities this year.
Every afternoon at 4 p.m. in Sanborn Library, the chime of bells momentarily awakens students from their studies, pulling them away from their schoolwork and into the world of tea and cookies.
“Bridget Jones’s Baby” (2016) opens with a familiar scene: Bridget Jones, alone on the couch with an egregiously large glass of wine and Jamie O’Neal’s rendition of “All By Myself” blasting aptly in the background. In accordance with the previous two films, she’s sad, she’s lonely and it just so happens to be her birthday.