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(02/12/24 7:05am)
On Thursday, Feb. 8, the Hood Museum of Art hosted its Winter Opening Event, celebrating the opening of new exhibitions. Students and the greater Hanover community indulged in live music, enjoyed refreshments and explored the museum.
(02/09/24 8:00am)
This editors’ note is featured in the 2024 Winter Carnival special issue.
(02/05/24 7:10am)
In the ever-evolving landscape of aesthetic trends, the year 2024 is witnessing a resurgence of the indie sleaze aesthetic. This movement that once had the 2000s in a chokehold, characterized by its bold, unapologetic maximalism, stands in stark contrast to the minimalistic, “clean girl” aesthetics that dominated last year. After the idolization of figures Matilda Djerf, Hailey Bieber and Sofia Richie Grainge, have we finally gotten sick of slick back buns and pastel colors in favor of vibrancy and self expression? This shift has been most recently seen in the rising popularity of indie sleaze, as well as the broader rise in maximalist trends, pushed by the cultural impact of artists like Zach Bryan and movies such as Emerald Fennell’s “Saltburn.”
(01/12/24 7:10am)
Growing up in an artistic family has meant that Molly Rouzie ’24 has always been immersed in creative endeavors, embarking on her own artistic studies around her sophomore year of high school. At Dartmouth, Rouzie is a studio art and Italian double major with a minor in art history. At the beginning of this school year, she also became a campus engagement intern at the Hood Museum of Art under the guidance of curator of academic programming Amelia Kahl ’01.
(06/11/23 6:15am)
This article is featured in the 2023 Commencement & Reunions special issue.
(05/19/23 6:15am)
On May 19 at 7 p.m., the long-awaited Green Key concert will take place on Gold Coast Lawn featuring Neon Trees and Cochise. Neon Trees, with their infectious pop-rock sound and powerful vocals, has been a staple of the alternative music scene for over a decade, while Cochise’s blend of trap and Reggae pushes the boundaries of modern rap music.
(05/05/23 6:05am)
On April 27, the Hood Museum of Art hosted a panel discussion on the exhibition “¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now.” The panel was moderated by professor Mary Coffey and featured artists Scherezade García and Sonia Romero as well as co-curator of the exhibition Claudia Zapata.
(04/21/23 6:10am)
On April 19 at the Hood Museum of Art, Jami Powell, Curator of Indigenous Art, and Michael Hartman, Jonathan Little Cohen Associate Curator of American Art, led a special tour titled “Painting History.” The tour touches upon the Hood’s theme for this year pertaining to art’s role in the construction of history through the exhibitions “Historical Imaginary” and “Kent Monkman: The Great Mystery.”
(03/06/23 7:10am)
Many of us have sat on the beer-infused floor of a fraternity, wondering how matted our pants will be when we stand up. Speakers blare in our ears as even louder cheers from the crowd overtake the sound of the music. As more people squeeze their way in, others bang at the windows hoping to at least watch from outside. Juxtaposed with this sticky, overheated chaos is a spectacle of art and dance just inches away from our faces. Dance at Dartmouth is an experience that can bring students together at 10 p.m. on a random weekday — it is a hallmark of performing arts at the College and a symbol of community.
(01/27/23 7:05am)
On Jan. 25, the Hood Museum of Art debuted its 110th “A Space for Dialogue” exhibition, titled “Constructing the Ideal Soldier.” Nathan Savo ’24, a Class of 1954 curatorial intern at the Hood, was the primary curator for the exhibition, which examines art from Mexico and the United States during the first half of the 20th century. The exhibition encourages viewers to consider the ways in which different conventions of gender and patriotism were either upheld or challenged when depicting service members in art.