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Over the last month, various students interning in Washington D.C. have spent time hopping from museum to museum, reveling in the National Gallery of Art, the Hirshhorn and the Smithsonian museums as arbiters of history. Gazing at unfinished portraits of U.S. presidents in the National Portrait Gallery or indulging in the abstract modern exhibits of the Hirshhorn have brought to life the historical anecdotes previously heard in class, according to some students.
This article is featured in the 2022 Green Key special issue.
On May 14, the Dartmouth Symphony Orchestra will perform its annual spring concert on Saturday, May 14 at the Hopkins Center for the Arts. Directed by Filippo Ciabatti, this show will feature Jean Sibelius’ “Violin Concerto” and Tchaikovsky’s “Pathétique.”
From April 13 until May 15, Northern Stage theater company is performing “Monty Python’s Spamalot” — a musical comedy adaptation of the beloved movie “Monty Python and the Holy Grail” — as part of its 2021-2022 season. The tale is a parody of King Arthur’s quest to find the Holy Grail, featuring nods to the history of musical theater and feel-good ballads. In the play, King Arthur and his knights are sent on a mission by the elusive Lady of the Lake to first find the Holy Grail, and then to put on a Broadway show.
Updated 11:06 a.m., April 12, 2022.
Hood After 5, an event marketed as “for students, by students,” took place Friday, Feb. 18 in the Hood Museum of Art. Museum Club members spotlighted works from the “This Land: American Engagement with the Natural World” exhibition, set up art-making activity stations and provided live entertainment for student attendees.
On Thursday, Feb. 17, The Manton Foundation’s annual lecture on “The Epic of American Civilization” murals by José Clemente Orozco featured Luis Vargas Santiago, a Mexican art historian and curator. Santiago’s talk in the Hood Museum of Art’s Gilman Auditorium examined how Mexican revolutionary Emiliano Zapata has been depicted in Orozco’s work and in Mexican history.
Anaïs Mitchell — along with band partners Josh Kaufman and Eric Johnson, the three of whom make up Bonny Light Horseman — will perform today at 8 p.m. in Spaulding Auditorium at the Hopkins Center for the Arts. Mitchell will kick off the show playing original songs from her past albums and hit musical, “Hadestown,” and midway through the performance, she will be joined by Kaufman and Johnson, according to Hop program manager Karen Henderson.
Like many other book lovers, I found myself trapped in the confines of “BookTok,” the community of TikTok users who share and discuss book recommendations, at the height of quarantine. The BookTok canon is both particular and chaotic, filled with young adult novels like “The Song of Achilles” and messy romance books like “Red, White, & Royal Blue.” Hanya Yanagihara’s 2015 book “A Little Life,” though not in the same genre, is still adored by those in the BookTok community. “A Little Life,” which attracted a strong fanbase but received mixed reviews from critics, operated on extremes and had a profound emotional impact on readers. My reaction to it was ambivalent. The novel operated on such insane highs and desperate lows that I was frankly left trying to recover emotionally. Yanagihara’s newest novel, “To Paradise,” elicited a similar response.
Over the past year, many events at the Hopkins Center have returned to their live format. Student ushers and will call workers largely facilitate the plays, musical and concerts Dartmouth students and Upper Valley patrons frequent.
In his first feature film, “God’s Country,” Hanover High School alumnus Julian Higgins explores morality in an immoral world. Struggling against racism and sexism in daily life, a Black female professor has her strength of character put to the test when hunters trespass on her land. “God’s Country” will premiere in the 2022 Sundance Film Festival this month.
The Dartmouth Asian American Student Collective — a new student group on campus — is advocating for the implementation of a robust Asian American Studies program at Dartmouth. As a continuation of a 25-year effort by student and faculty activists, the group released its first formal statement — which has already accrued over 160 signatures — on Monday.