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According to Western news media, China presently faces a large number of problems. News stories are constantly awash with reports concerning the pollution in Chinese cities, political and religious repression and government corruption, among more. But there is one issue in particular that will seriously threaten China’s success within the next thirty years: Demographics. Even as a nation of 1.3 billion people, China will soon lack a sufficient number of citizens to support its economy. The country is aging quickly, and the repercussions of this should be a grave concern for Beijing.
In my review for HBO’s “The Inventor,” I wrote about the varying necessities of documentary art, focusing on the balance between pure recording and critical analysis. I acknowledged that some documentaries only require the deft eye of observance, while others, such as “The Inventor,” need an extra layer of insight and analysis to fully succeed. Todd Douglas Miller’s extraordinary new documentary “Apollo 11” succeeds with such simplicity as a documentary entirely composed of recorded moments and devoid of any analytical imposition. As such a work of art, it is a marvelous testament to the sheer power of observance, carried not by narrative or analysis but rather by the awe and wonder of what it captures on camera.
On Wednesday, Grammy-nominated Jazz singer Jazzmeia Horn will be performing at the Hopkins Center of the Arts at 7 p.m. in Spaulding Auditorium. With her impressive vocal chops and irresistible stage presence, Horn’s performance promises to be memorable.
HBO’s new documentary “The Inventor: Out for Blood in Silicon Valley” chronicles the rise and fall of Elizabeth Holmes, a Silicon Valley entrepreneur whose company, Theranos, claimed to revolutionize the world of blood testing. Spurred by an intense desire for wealth and fame, Holmes devised a way to carry out complex blood tests — the sorts that usually require an uncomfortable venous draw — with only a drop of blood obtained through a finger prick. The problem she and her company encountered, though, was that they simply couldn’t get the process to work. Terrified of failure and obsessed with her own legend, Holmes lied and connived to keep Theranos afloat, deliberately misrepresenting the abilities of her company. “The Inventor” dutifully tracks these events with straightforward documentary reporting, but it fails to fully delve into the fascinating character of Elizabeth Holmes or her web of deceit, resulting in a film that lacks intrigue and coherence.
Netflix has been a boon for stand-up comedians these past few years, offering an enormous platform for artists whose work would have been a little more difficult to find for our generation of instant streamers. I fell into the rabbit hole of stand-up around the same time I started my Netflix subscription, which means for a while, I hadn’t done much else but listen to the upteenth comedian give a self-deprecating monologue.
For the second time in its 150-year history, the Thayer School of Engineering will be led by a woman. The College announced today that Alexis Abramson, a Case Western Reserve University engineering professor and former Department of Energy scientist, will become dean of the school on June 17.
Senior associate dean of Student Affairs Liz Agosto ’01 will leave the College on June 9 to become the dean of students at Amherst College. Her replacement has not yet been named.
Pucks in Deep: The Gold-Doan 2016 NHL Re-Draft
With the snow melting and muddy grass taking its place, it seems that spring is finally here for Hanover. Along with the warmer weather, spring brings the start of a new season for men’s and women’s track. The two teams traveled south over spring break to train for and begin their outdoor season.
The men’s tennis team went undefeated in its four spring break matches, winning the 61st Ralph O’Connor Rice Invitational to give the team momentum entering Ivy League play, which begins this weekend.
Dartmouth and the Ivy League are better known for their academics than for their sports teams. However, that’s not to say that stellar athletes haven’t catalyzed their professional careers in the friendly confines of Hanover or the rest of the conference. Kyle Hendricks ’12 is the most recent Ivy Leaguer from the college to reach Major League Baseball stardom.
Physics and astronomy professor Marcelo Gleiser describes his work as “flirting with the mysterious.” On March 19, Gleiser was named the 2019 winner of the Templeton Prize, an award that recognizes an individual who, in the view of a panel of external judges, has made an “exceptional contribution to affirming life’s spiritual dimension.” The prize carries a monetary award of £1.1 million, which is around $1.4 million.
Both houses of the New Hampshire legislature have passed separate bills establishing a state minimum wage of $12 an hour by 2022. New Hampshire’s minimum wage defers to the federal standard of $7.25 an hour. This makes New Hampshire the only state in New England with a minimum wage under $10.
In a collaboration between the Dartmouth Center for Social Impact and the Office of Residential Life, Allen House and East Wheelock House each took students on trips to aid hurricane recovery in underserved areas as part of an alternative spring break initiative.
Men’s basketball forward Adrease Jackson ’21 will transfer from Dartmouth. Evan Daniels, Director of Basketball Recruiting at 247Sports and a college basketball insider for Fox Sports 1, broke the news on Twitter on Wednesday.
The Dartmouth ski team’s season came to an end with a fourth place finish at the NCAA Skiing Championships on March 9 at the Trapp Family Lodge and Stowe Mountain Resort in Vermont. This is one notch lower than the team’s overall third place finish last year behind first-place University of Denver and second-place University of Colorado. Katharine Ogden ’21 took home the national champion title in the women’s 15k classical and Tanguy Nef ’20 won the men’s slalom.
In the modern news media industry, objective reporting and personal opinions increasingly share the same space. Many prominent, well-respected journalists maintain an active social media presence — in fact, they are almost expected to — giving readers unprecedented access to journalists’ thoughts, personalities and beliefs. It is clear that many journalists who publicize their personal opinions, whether directly or indirectly, still produce high-quality, objective reporting. But enmeshing news and opinion also opens the media to criticism, and in our current national environment, that criticism presents a threat to the credibility of journalism and reporting.
Updated March 28, 2019 at 9:47 p.m.
I began the year writing a manuscript about desire but quickly realized that words fall short of experience. One weekend away from the opening of the installation, “Dora’s Room: Digital Dreams,” at the Hopkins Center for the Performing Arts, I started to think about the practical implications of desire. People want to experience sex — not talk about it. Most adults remember having “the talk” with their parents when they were teenagers or having to sit through a sexual education course; these conversations were probably more uncomfortable than they were helpful. Given the national institutions that seem to oppose embracing sexuality and a collective desire to do just that, talking about it is more important than ever. This means that taking control of our own sexual health (both physical and mental) requires not just paying attention in health class, but also looking to media that acknowledges the aesthetic element to our bodies. While there are biological and scientific explanations for what happens to our bodies, there are emotional reasons for why these scientific occurrences are allowed to happen.